A whistle-stop tour through Ancient Rome with writer and broadcaster Natalie Haynes.

Imagine where we'd be without Shakespeare's plays. It's difficult to contemplate now. But it was thanks to another man that many of them were brought to life.

Today, Richard Burbage is a not a household name. But he should be. He's the man for whom many of the great Shakespearean roles were created. One of the founding members of the Lord Chamberlain's Men, playing at the newly built Globe in 1599, he's one of the foundations upon which British theatre was built. Andrew Dickson talks to leading actors, rummages among the archives and dissects some of the greatest parts in acting to discover Burbage's crucial role - and realises that without Richard Burbage, there could be no Shakespeare.

Producer: Penny Murphy

Gareth Malone and Margaret Drabble on strength and nature

Zoe Wanamaker on the world of play and Jim Al-Khalili on staying rational.

Hugh Quarshie on Othello’s blackness. Is the character coherent? Is the play racist?

Hugh Quarshie is a Ghanaian-born British actor. He is a member of the Royal Shakespeare Company and played Othello in Iqbal Khan's production on the main stage of the RSC in the summer of 2015. But not without some soul searching.

He's not convinced that Shakespeare actually knew any black people and wonders if the persona of Othello is simply derived from literary and theatrical convention. He also suspects that if Shakespeare had little or no awareness of black people, his characterisation of Othello could be regarded as lazy; if he did, then his approach borders on bigotry and the role should be seen as a stereotype about which black actors should think twice.

It's a provocative starting point.

Producer: Roger Elsgood Originally an Art and Adventure production for BBC Radio 3.

David Hare and Martha Kearney on deviant psychology and fancy dress

Jools Holland on Falstaff & Kwame Kwei-Armah on falling in love with someone’s story

From London to Kent, Oxford, the Scottish borders, Suffolk, Nottinghamshire and across the channel to France, Emma Smith takes a road trip to learn more about how Shakespeare's First Folio helped create the Shakespeare we know and love today.

We take it for granted now that Shakespeare is our national poet, and his First Folio almost a religious relic, but it wasn't always so. Emma follows the story of seven of the 750 original copies of the First Folio to learn how Shakespeare's work spread across Britain and Europe, and how his reputation expanded in the hundred odd years between its publication in 1623 and the erection of his statue in Westminster Abbey in 1741.

She learns about Sir Edward Dering, a shopaholic young nobleman from Kent, the first documented purchaser of a First Folio, which he bought along with a scarlet suits, a pot of marmalade and a present for his baby son.

She hears about two real-life star-crossed lovers, Thomas and Isabella Hervey, from Ickworth in Suffolk, and examines the signatures they wrote in every copy of their shared library, including a First Folio.

She shares a hollow laugh with the current librarian of the Bodleian Library, which acquired a First Folio and then sold it.

She travels to St Omer in Northern France to see the most recently rediscovered copy and learn about the English Catholic schoolboys who may have performed extracts from it there.

Having viewed a range of First Folios (see related links for examples on display across the UK) Emma considers the spread outwards of Shakespeare's reputation and inwards, deep into our lives.

Emma Smith is Professor of Shakespeare Studies at Hertford College Oxford and the author of a new book on the First Folio.

Producer: Beaty Rubens.

Stephen Fry and Hilary Mantel bring us the Shakespearean speeches closest to their hearts

Prof. Emma Smith takes a closer look at Shakespeare's skills as a storyteller and how his plots, where the outcome is often signposted from the beginning, still hold audiences enthralled.

Benjamin Zephaniah and Rowan Williams share their favourite Shakespearean moments