When bank after bank kept getting robbed in 1990s Dallas, the feds were convinced they had a male criminal on their hands. I mean, the guy wore a cowboy hat! His mustache was so…manly! And most importantly, he was damn good at what he did. Surely the mild-mannered middle-aged woman with a series of dead-end jobs had nothing at all to do with the case…

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What’s a young married showgirl to do in 1920s Los Angeles when her husband gets a wandering eye? Buy a hammer, of course. Criminal Broads kicks off a new season with a roaring twenties tale of gore, featuring Clara Phillips, a dancer with a bad temper who would do anything, anything, ANYTHING to keep her husband’s love.

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Criminal Broads is back. Subscribe now to hear the true crime podcast about wild women on the wrong side of the law.

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BREAKING NEWS: Women have simply not stopped finding themselves on the wrong side of the law. Whatever can we do about this?! Criminal Broads returns on March 26. Subscribe Now. 

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The ugly: Nazis. The bad: a husband killed in battle. The good: one spunky, silly, kinda-loopy, very brave young woman. Meet Violette Szabo, the secret agent who packed a machine gun…just in case she ran into any Nazis on her mission.  

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****STAY IN TOUCH!****

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

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Sharon Wiggins killed a man in a bank robbery gone wrong when she was seventeen. Her state locked her up for life, no chance of parole. Then the Supreme Court stepped in, and Sharon started dreaming. This is the story of a woman with a dubious superlative: the longest-serving juvenile lifer in the world.

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

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In 1978, a man left Mary Vincent for dead. Ten years later, she told a journalist she’d never get over it. This is a story about surviving and about the narrative of the survivor—what we want from her, what she can’t always give us.

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

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In the 1950s, two lonely, imaginative teenage girls became best friends. Before long they had convinced themselves that they were the most mad, genius girls in the world. And then they began to dream of murder.

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

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“Imagine at the age of 16 being sex-trafficked by a pimp named Kutthroat.” That was how the meme about Cyntoia Brown started. Cyntoia herself couldn’t believe it when she heard Kim Kardashian was tweeting about her. After a lifetime of being thought of as a bad kid—people were suddenly on her side?

Cyntoia’s Instagram: https://www.instagram.com/cyntoiabrownofficial/?hl=en

Falicia Blakely episode: https://www.criminalbroads.com/episodes/2018/11/28/episode-14-teenager-in-love-falicia-blakely

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

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One night in September, a white lady in a long green dress reported that she’d been the victim of a horrific crime. Her story transformed Hawaii—some people were outraged, some were sure she was lying. And then her mother got involved.

Read David Stannard’s book on the Massie case here: https://www.penguinrandomhouse.com/books/291248/honor-killing-by-david-e-stannard/

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Guilty” by Richard A. Whiting, Harry Akst, and Gus Kahn, sung by Anna Telfer. 

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Hannah Overton loved kids. Everyone who knew her thought she was a wonderful mother. But then she found herself in court, with the media calling her a baby-killer and people on the witness stand saying she was a psychopath.

Read Pamela Colloff’s article here: https://www.texasmonthly.com/news-politics/hannah-and-andrew/

Support Hannah Overton’s nonprofit here: https://www.syndeoministries.com/

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Music: Matthew Noble and Stereodog Productions (Dan Pierson & Peter Manheim). Intro and conclusion: “Sisters” by Irving Berlin, sung by Anna Telfer. Ad break:  “The Great One Step” by Victor Dance Orchestra, via Free Music Archive, licensed under Public Domain Mark 1.0. 

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