It's the Prog Rock Special!
Mark Lewisohn began his Beatlesā trilogy in 2003, the first volume appearing ten years later. Heās hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working ānine days a week to achieve it, assembling a framework and then sliding it togetherā. Further good news ā his lecture about their life in 1962, Evolver62, is now available on film! āNo matter how deep you dig, thereās gold thereā. He talks to us here about ā¦
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⦠how you research such an infinite subject and know when to stop
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⦠the one-in-a-million coincidence in the story of I Saw Her Standing There
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⦠the attractive world of telegrams, postage and showbills from the days āwhen the Beatles were still like usā
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... how AI has muddied the waters and misinformation (like āWoodbineās Boysā) becomes established fact
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⦠āpeople are reshaping the Beatlesā story as what they want to believeā
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⦠those perilous moments when their career seemed in the balance
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⦠the Beatles v Shakespeare and which has the greater agency
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⦠the Lewisohn work schedule - ā6am til bedtime, nine days a weekā
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⦠the ārank amateursā Decca signed the year they turned down the Beatles
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⦠James Brownās invented spat with Beatles and the struggle to separate fact from fiction
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⦠Paulās private battle with Nik Cohn
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⦠and the US merchandise disaster, āa book in itselfā
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Order Evolver:62 on these links:
UK
US and Canada
DVD
And copies of the Tune In book here:
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Tune In (trade edition):
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Tune In (Extended special edition):
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Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes ā¦
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⦠Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue!
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⦠the most terrifying villain in the history of cinemaĀ Ā
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... is pop music becoming inbred?
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⦠when Neil Sedaka made records with 10cc (and Abba)
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⦠Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing?
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⦠Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure?
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⦠rock and roll puns and double-entendres
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⦠ādrawn from the national conversationā: the divine Englishness of the Pet Shop Boys
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⦠the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title
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⦠and acts wiped out by the Beatles ālike corn before the sickleā.
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Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, theyāve recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and whatās changed the way they sound. Among the highlights ā¦
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⦠what he learnt from watching Radiohead and Doechii
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⦠when you walk into a teashop and TĆr na nĆg are playing
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⦠T. Rex and screaming girls at the Lewisham Odeon ā ācomfortable, confident, thrillingā
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⦠Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971
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⦠āthat age when Pickettywitch are as engaging as the Rolling Stonesā
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⦠the song that came to him in a dream
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⦠constructing āa knockout set thatāll slay any audienceā
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⦠winning a talent contest at Butlins in Clacton, aged 12 ā āa weekās free holiday!ā
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⦠āthe breadth and depth of what we can do now outstrips the way we wereā.
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Order the āTrixiesā album here: https://squeeze.lnk.to/trixies
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And Squeeze tickets here: https://www.squeezeofficial.com/
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Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir āStay Alive: the Life and Death of Stuart Adamsonā and touches on ā¦
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⦠hints of troubled family life in his early lyrics and the shadows of his father and grandfather
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⦠that famous three-word review: āMore crusading porridge!ā
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⦠the guilt of his success when he returned to his Dunfermline roots
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⦠why learning to sing is unwise!
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⦠how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group
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⦠Nick Drake, Sinead OāConnor ⦠āpeople who should never have been given a record contractā
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⦠insurmountable friction with Richard Jobson
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⦠how Nevermind made the old rock landscape look outmoded
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⦠āguitars that sounded like bagpipes!ā and other hoary old clichĆ©s
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⦠āempty, breast-beating, bombastic!ā: the rigours of the rock press consensus
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⦠and how Big Country nearly played Live Aid.
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Order āStay Alive: the Life and Death of Stuart Adamsonā here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538
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Our ābig airā manoeuvres on the rock and roll ski jump this week land the following tricks ā¦
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⦠why donāt we re-use old protest songs instead of writing new ones?
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⦠āa temple of music and gothic lust:ā would YOU buy Jim Steinmanās unsellable home?
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⦠when Madness played on the Buck House roof
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⦠Ptolomaic Terrascope? Aquarium Drunkard? Real and made-up music magazines
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⦠ātoo complicated, not catchy, like a high-minded think-pieceā: U2ās Days Of Ash EP
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⦠when the Ramones invaded the London library
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⦠Rod, Elton, Adele, Noel, Ed ⦠do they cut it as National Treasures?
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⦠āthe best sport still works with the sound offā
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⦠what links Steely Dan to American College Football?
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⦠plus the Bishop of Ramsbury, Robynās ādream donerā and birthday guest Keith Adsley with a quiz about American college football walk-out music.
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Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by starsā collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing āFamous: Ego, Envy and Ambition in Pop, Rock and Hip-Hipā, with all this high in the mix ā¦
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⦠Frank Sinatraās āWelcome Home Elvisā TV Special and how threatened he felt by rockānāroll
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⦠āChuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fallā
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⦠what youāll find in Lou Reedās archive at New Yorkās Library for the Performing Arts
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⦠McCartney at āthe showbiz event of the yearā, January 1968, at a rare low ebb in the Beatlesā fortunes
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⦠the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live
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⦠Bowieās and Tina Turnerās TV ad and love affair
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⦠what Chuck Berry tried to hide about his studio trickery and the āpsychological terrorismā of what played on his TV sets
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⦠āall musicians are obsessed with the idea that theyāre on the way outā
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⦠why a book like this would have been impossible 30 years ago
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⦠and Dave Stewartās vision of Lou Reed as a piece of pasta on a motorcycle.
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Order copies of āFamous: Ego, Envy and Ambition in Pop, Rock and Hip-Hipā here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386
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Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book āRaised On Radio: Power Ballads, Cocaine & Payola ā the AOR Glory Years 1976-1986ā remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them ā Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. āItās happy music,ā he points out. āMusic that makes you raise a quizzical eyebrow.ā In the mix ā¦
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⦠the original AOR sound: āLed Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|ā
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⦠the absolute power of producers like Mutt Lange (a man raised on radio jingles)
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⦠Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard
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⦠āAOR stars were all salesmen who talked in quotesā
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... the many reasons Don Henley fired people on a whimĀ
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⦠Def Leppardās vision of America built on AOR and cowboy movies
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⦠āChicago and the Tubes never played on their recordsā
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⦠āhe ended up butterball-naked in a cocaine threesome sting with two disguised police womenā
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⦠the producer who had his trout pond realigned as he couldnāt work looking at a garden that wasnāt symmetrical
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⦠the story of Totoās Africa: ātape loops strung round chair-backs and a quick flick through a geography bookā
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⦠āif this recordās a hit Iāll run naked down Sunset Boulevardā.
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Order a copy of āRaised On Radio: Power Ballads, Cocaine & Payola ā the AOR Glory Years 1976-1986ā here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112
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After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rockānāroll rainbow this week youāll find ā¦
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... the Wuthering Heights instagram gold-rush
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⦠licensing Foreigner and Lynyrd Skynyrd: when is a band not a band?
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.. what Michael Jackson asked the Superbowl promoter
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⦠one long video for Charli XCX: āif that film was playing in my back garden Iād draw the curtainsā
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⦠Bob Dylan & Kurtis Blow, Kate Winslet & āWeird Alā Yankovic: a brief history of weird duets
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⦠a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (āDisgusting!ā ā D Trump)
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⦠what a 1969 Rock Encylopedia said about āthe poets and minstrels of our timeā
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⦠ābiopics are designed for people who donāt know the subjectā
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... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue?
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⦠whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés!
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⦠āthatās the biggest power station in Western Europe ā and I know the manager!ā: our love for Alan Bennett
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 ⦠plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.
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Andy Bown found the 20 year-old recordings of āa deep-space love storyā heād written with the sci-fi author Russell Hoban and heās just reworked and released them. He talks to us here about āOut Thereā and life in the Herd, Judas Jump and Status Quo, which involves ā¦
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⦠playing the Three Tuns in Beckenham with Bowie
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⦠āFoot gun, gun foot. I always tell the truth.ā
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⦠Peter Frampton when he was The Face of ā68
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⦠āwe were earning Ā£225 a night and got Ā£15 a week. Where did the money go?ā
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⦠Quoās Whatever You Want and how co-writing worksĀ Ā
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⦠Davidās memories of the Herd supporting Chuck Berry in 1968
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⦠opening for Hendrix at Saville Theatre, eight feet from his flaming guitar: āyou could feel the heatā
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⦠Judas Jump, Don Arden, the huge advance and the āappallingā album
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⦠sessions with Jerry Lee Lewis who played the solo with his foot
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 ⦠early days in Status Quo when he played behind a curtain and how they got to be Live Aidās opening act
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⦠āYouād think John Fogerty would be pleased about Rockinā All Over The World. Au contraire!ā
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Order āOut There: A Deep-Space Love Storyā here: https://andybown.com/
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The album has had 25 years of being hammered by other formats ā Napster, iTunes, Spotify, TikTok ā and not only survived but thrived. For Keith Jopling itās the irreplaceable way to hear music and to measure the people who make it. His new book Body Of Work celebrates its battle-scarred trajectory from the beating heart of pop culture to 21st Century affordable luxury, and stops off at ā¦
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⦠growing up in the age of cassettes
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⦠his lifelong devotion to a Police album left on his doorstep
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⦠Adeleās battle with Spotify to get records played in sequence
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⦠how albums are how you calibrate a career, from the Beatles to Taylor Swift
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⦠has anyone ever loved a CD the way they love an album?
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⦠how parents used to despair of their kids loafing in bedrooms listening to records but now try and persuade them to do it
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⦠pictures of equipment: rock porn!
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⦠the swingback to Listening Parties and analogue recording
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⦠records as shining examples of the packaged goods business
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⦠āwe need to regain control of our attentionā
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⦠and the iTunes launch party and why Smashing Pumpkins thought theyād seen the future.
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Order Body Of Work in the UK here: https://www.roughtrade.com/product/keith-jopling/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture
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And in the USA here: https://repeaterbooks.com/product/body-of-work-how-the-album-outplayed-the-algorithm-and-survived-playlist-culture/
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Unredacted exchanges about the rock and roll underworld this week highlight the following ā¦
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⦠real or made-up starsā kidsā names: Speck Wildhorse? Blue Ivy? Everly Bear? Motorhead Michelob?
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⦠man plays drum solo with his head!
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⦠Olivia Dean, Lola Young, FKA Twigs: what do todayās āprofessionalsā learn at the BRIT School and what happened to the age of the amateurs?
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⦠why Joni Mitchellās life was even more extraordinary before she was famous
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⦠Three Dog Night, Kiss, Grand Funk Railroad, Linda Ronstadt: American acts that never broke Britain
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⦠rude, racy, naughty, delightful: our love of old pulp paperbacksĀ Ā
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⦠āGo to your room, young lady, and play a Nick Drake album in its entirety!ā
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⦠and when Dandelion became Angela.
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Plus birthday guest Paul Higham and why most starsā stories need a lively biographer.
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