With his signature joy, Irish author and naturalist Dara McAnulty praises the arrival of curlew song in spring, emerging emperor dragonflies, feet crunching on fallen leaves, and the sweeping flight of a barn owl on a midsummer evening. This ode to experiencing the seasons as a natural flowing of one's being—rather than a backdrop of abstract phenomena—shows us how when the body is in relation with the land, our sense of self can soften back into belonging with Earth.

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Credit: David Avazzadeh / Connected Archives

When we increasingly turn to AI to produce written work with just the click of a button, we risk not only eroding our capacity to imagine and give form to ideas, but we also strip writing of the mysterious process that makes it alive and meaningful. This week, Stephanie Krzywonos explores how the age-old labor of writing has always been a profoundly embodied act, and considers how all our creations, whether impressed in clay or typed on a computer, are microcosms of Earth’s own generativity. As AI increasingly does work for us, she wonders if we are closing ourselves off from the intelligence of the Earth.

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Illustration by Aldo Jarillo.

In 2022, during a field trip to Los Cedros cloud forest in Ecuador, mycologist Giuliana Furci, author Robert Macfarlane, legal scholar and More-Than-Human (MOTH) Life Collective founder César Rodríguez-Garavito, and musician Cosmo Sheldrake wrote and recorded “Song of the Cedars”: a composition made not just in the forest, but in conscious collaboration with it. This week, we return to a conversation between them that explores their time in the forest and their ongoing efforts to secure legal recognition for its role in creating the song. Interspersed with the track’s polyphony—toucan calls, cicada strings, and leaf chatter woven with human voices—this conversation invites you to listen to what true creative reciprocity with the Earth can sound like.

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Photo by Robert Macfarlane.

If the very act of seeing distances us from the living world, how can ancient modes of seeing and being help us navigate our era of disconnection? This week we return to our conversation with poet, translator, and author David Hinton as part of our exploration of the seasons. Drawing on Taoist and Ch’an Buddhist philosophies, David reveals how offering attention to the beauty of simple moments, like birdsong and blossom-fall, can bring us into a particular quality of awareness; and how the cycles of absence and presence in the seasons are mirrored by the cycles of form and emptiness in our own inner worlds.

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Discover our latest print edition, Volume 6: Seasons.

Photo by Phil Dera

How can we put our emerging knowledge around forest systems into practice? In this episode, renowned forest ecologist Suzanne Simard returns to the podcast to talk about her latest book, When the Forest Breathes, and her decades-long Mother Tree Project, which integrates Western science and Traditional Ecological Knowledge to reshape our forest harvesting methods in ways that protect the integrity of both their ecosystems and our climate futures. As she shares her team’s landmark findings on what Mother Trees are telling us about generational resilience, Suzanne challenges us to begin working with the intelligence of the forest.

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Photo by Bill Heath

This special episode features the audio edition of our new pocket book, Song of the Seasons, by Emmanuel Vaughan-Lee, which offers a meditation on how the sacred nature of the seasons reveals itself to us in every moment and asks us to respond from a place of gratitude and humility. Like the book, this audio version is meant to be listened to outside, amid the Earth's cycles of birth, growth, decay, and death, accompanying you as you seek a deeper engagement with the seasons.

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Artwork by Maurits Wouters.

This week, biologist David George Haskell brings us into the tangled histories and biological rhythms of four wildflowers that grow around his home in Atlanta, Georgia, revealing how each is rooted within webs of innovative, reciprocal relationships between hummingbirds, puddles, bee tongues, and human hands. Tracing how these heralds of spring have adapted to new climate conditions and new neighbors, he invites us to seek the stories of the flowers where we live to ground ourselves in the shifting realities shaping us too.

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Discover our latest print edition, Volume 6: Seasons.

Hear more from David on the seasons and wildflowers in his conversation with Dara McAnulty and Emmanuel Vaughan-Lee.

Image caption: Aquilegia coerulea

This week, Irish author Kerri ní Dochartaigh offers an evocation on how we might hold the duality of lightness and darkness in a world increasingly divided. When fear and loss are pervasive, how do we engage with the life that remains? Can we see experiences of grief as invitations into feeling our relationality with all living things? Tracing how a childhood in Derry in the northwest of Ireland taught her to tend the delicate, often invisible threads that bind us to each other, she brings us into the Celtic celebration of Bealtaine, which marks the transition towards the brightness of summer, to reveal how Earth’s cycles of light and dark are a dance of which we are a part.

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Discover our latest print edition, Volume 6: Seasons.

Photo by Al Brydon and J.M Golding

In this second episode of our seasons conversation series, Volume 6 contributors David G. Haskell and Dara McAnulty explore how our senses shape myriad experiences of the seasons, some collective and some deeply personal. Finding wonder in the symbolism of daffodils in spring, carnivals of pollen-dusted black bees, and the feeling of joy tinged with grief as familiar seasonal moments return each year altered, David and Dara invite us to open our eyes, ears, and hearts to the celebration that lives within the seasons.

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Discover our latest print edition, Volume 6: Seasons.

This week, Diné poet Jake Skeets brings us into the rising dust, big sky, and bent light of summers on the Navajo Nation, and explores how the body is not separate from the seasons, rather one of the many terrains upon which they play out. Now living amid excessive heat warnings, sandstorms, and wildfire haze that test his love of the summer, Jake asks how such extremes will reshape our intimate and ancestral relationship with the seasons.

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Discover our latest print edition, Volume 6: Seasons.

Image Credit: Evelyn Dragan / Connected Archives

For Christian mystic Thomas Merton, the sacred and the profane were continuous: all was alive with divine presence. Stands of redwoods were his cathedral, the sky, birds, and wind were his prayers, and the silence of the forest his lover. This week, we return to an essay by Fred Bahnson, who follows Merton’s 1968 pilgrimage to the American West as he travels to Redwoods Monastery and Christ in the Desert Monastery. Guided by Merton’s contemplation and seeking the same solitude, Fred discovers anew the ways God runs through both land and heart.

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Watch the companion film by Jeremy Seifert.

Photo by Thomas Merton.