Wilma Tabacco was born in Italy, and lives in Australia

Wilma uses abstract iconography to refer to aspects of Italian cultural history, archaeological artefacts found in ancient ruins and she ‘maps’ ground plans of architectural spaces.

She has presented 45 solo exhibitions since 1988, in Australia, Italy and Korea and participated in over 250 group exhibitions, including in New York, Dubai, London, Seoul, Paris, Edinburgh.

http://wilmatabacco.com 

​Jazz drummer and bandleader Alma Quon was born in 1911 and died in 2007. Her ensemble The Joybelles comprising women from a range of cultural backgrounds was active from the 1940s until the 1990s.

Julie Peters grew up in the 1950s, way before trans was generally heard of, let alone understood. As a child she had difficulty working out why people insisted she was a boy when she knew she was a girl. She affirmed her gender in 1990. Julie has been activist off and on since the early 1980s. Her activism has involved being out in the
workplace, slide shows, performance, readings, running for Parliament, engaging with health workers, lawyers, police, academic lecturing and research.

Jane Murphy considers herself to be an “Accidental Property Master”.
She stumbled across a role in a film art department in the mid 1980’s in Sydney.
Her love of stories & people, combined with a fascination of things, has proved the perfect marriage for her role of Props Master for film, TV and theatre. 

Elizabeth Russell-Arnot is an inquisitive adventurer with academic credentials across multiple arts disciplines. Her Churchill Fellowship and 2 Masters Degrees in the Arts have led to a focus on our endangered environment expressed through creativity in writing, illustrating, painting and sculpture. Liz has always been aware of the world in which she lives and her artistic work became the voice which she used to express her love for the environment and everything in it: birds, animals, insects, plants and yes, even mankind.

Peta Murray is a recovering playwright, best known for her plays Wallflowering and Salt. A late-blooming academic, she is also a Lecturer in the School of Media & Communication at RMIT University where she writes extravaganzas with preposterous titles, performs essays, coins neologisms, collaborates on loopy approaches to memoir, queers the q(a)antata, and makes mischief with The Symphony of Awkward as they stake claim to world domination in the emergent discourse of diarology.

An activist in the women's liberation movement since joining the Brunswick Consciousness-Raising Group in 1972, feminist writer Jean Taylor has been involved in the Women's Liberation Centre, Women's Liberation Halfway House, Women's Liberation Switchboard, Women's Building Council, Aboriginal Rights Solidarity Group, Amazon Theatre, Women's Circus, Matrix Guild, Lesbian Cancer Support Group, and Purple Parrots. She has been the instigator and coordinator of the Victorian Women's Liberation and Lesbian Feminist Archives. 

Lella Cariddi OAM is a writer/researcher of community history, curator of contemporary art, documentary producer, installation artist, adult educator and Community Cultural Development Practitioner. She is committed to the advancement of literatures and the Arts as a vehicle for intergenerational social inclusion between mainstream Australian Society and immigrants & refugees.

Animator and educator Cath Murphy has a rich history in animation spanning more than 20 years and has won numerous awards in film for: Animation; Writing; Directing; Producing and Visual Effects. A registered nurse with extensive experience in mental health, Cath’s approach to animation is about social inclusion and the impact it can have on working and emotional life.

http://pollyannafilms.com/

Aunty Madeline McGrady is a proud Gomeroi elder. She made the first film on black deaths in custody, and was the first Indigenous person on the Australian Film Council.

https://www.youtube.com/watch?v=NqjE3M4tdWw

https://www.youtube.com/watch?v=9_ILzy8ELBI

https://www.youtube.com/watch?v=A0UX--K7IHE

A performer at the very first National Folk Festival (and many more since then), Margret has sung blues, jazz, gospel, folk, comedy, and social commentary songs in concert halls and cathedrals, clubs and campuses,
from Broome to Hobart, Beijing to Memphis, Paris to Auckland,
Edinburgh to Tel Aviv, New York to Seoul, Amsterdam to Dublin,
New Orleans to London, Vancouver to Nuku'alofa. 

http://members.iinet.net.au/~margretr/