The pianist, composer and sound artist Glenn Gould once wrote: "Art on its loftiest mission is scarcely human at all." What becomes of art and humanity when they are allowed to vary independently of one another? Which serves which, and to what end? In this episode, JF and Phil discuss Glenn Gould's style and vision of music through the lens of François Girard's memorable 1993 film, Thirty-Two Short Films About Glenn Gould.

For details on the upcoming Weird Studies Volume 3 listening party, and to register for the event, go to the event page on the Weirdosphere website. The album will be released on May 22, 2026, on Pierre-Yves Martel's Bandcamp page.

⁠Click here⁠ to support Weird Studies on Patreon.

REFERENCES

Francois Girard (dir.), Thirty Two Short Films About Glenn Gould

Rob Reiner, This is Spinal Tap

Weird Studies, Episode 31 on Gould’s “Prospects of Recording” 

"The Shining Recut"

"Glenn Gould Interviews Glenn Gould About Glenn Gould"

Phil Ford, Dig: Sound and Music in Hip Culture

Glenn Gould, "The Idea of North"

Weird Studies, Episode 124 with Duncan Barford

Francois Girard, Production of Wagner’s Parsifal

Richard Wagner, Parsifal (clip from performance conducted by Reginald Goodall) 

Spear of Longinus

Header image by Ana Pismel, via Wikimedia Commons.

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In this episode, Phil and JF discuss Stanley Kubrick's adaptation of Stephen King's novel The Shining. That they are doing this eight years after starting the podcast is weird in itself, so fundamental is Kubrick's "chamber epic" to the modern weird in general, and the hosts' specific interests in particular. Well, as the Overlook Hotel's former caretaker Delbert Grady might put it, consider the situation corrrrected.

Visit Weirdosphere to enroll in JF's upcoming course on Deleuzian philosophy, starting May 7 2026.

Support Weird Studies on Patreon

Interstitial Music: "Corridors" from Pierre-Yves Martel's Weird Studies Volume 2.

REFERENCES

Stanley Kubrick, The Shining

Jan Harlan, A Life in Pictures

Stanely Kubruck, Killer’s Kiss

Alberto Giacometti, “The Palace at 4am”

Gilles Deleuze, What is Philosophy?

Reyner Banham, “The New Brutalism”

Mark Fisher, The Weird and the Eerie

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We regret that we were unable to release a new episode this week. Episode 211 will drop on Wednesday, April 29, and will be devoted to Stanley Kubrick’s The Shining, a film we have long wanted to revisit in depth. In the meantime, we are pleased to offer Phil’s spirited reading of M. C. Richards’ essay “Wrestling with the Daimonic,” discussed in our previous episode and available only to Patreon members until now.

This recording is shared with kind permission from Wesleyan University Press. Visit their website for details on The Crossing Point and other works by M.C. Richards.

To support Weird Studies and get access to exclusive essays and bonus episodes, visit our Patreon page.

And go to Weirdosphere to learn more about JF's upcoming course on Deleuzian philosophy, which starts on May 7th, 2026.

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In this episode, JF and Phil bring together two visionary essays on the daimonic and the imaginal: Cristina Campo’s “On Fairy Tales” and M.C. Richards’s “Wrestling with the Daimonic.” What emerges is a conversation about imagination, personhood, and a world shot through with meaning. Notably, this episode opens with a discussion of what your hosts mean by "imaginal."

Phil’s reading of Richards’s essay can be found on our Patreon page. Thanks to Wesleyan University Press for permission to share this with our listeners.

Go to Pierre-Yves Martel's Bandcamp page to preorder his marvellous new album, Weird Studies Volume 3.

Click here to sign up for JF's seminar on Henri Bergson, happening on the Mutations learning platform on Saturday, April 11, 2026.

Click here for details on JF's upcoming Weirdosphere course, "What is Philosophy?".

Music in this Episode

"Scavenger," from ⁠Weird Studies Vol. 3⁠

"Domes and Spires," from ⁠Weird Studies Vol. 2⁠

References

M. C. Richards, American artist and philosopher

Cristina Campo, Italian poet and essayist

M. C. Richards, “Wrestling with the Daimonic” 

Cristina Campo, “On Fairy Tales”

Henri Bergson, Matter and Memory

William Blake, “Auguries of Innocence”

Weird Studies, Episode 8 on Graham Harmon

Susan Chang, The Tarot Podcast

Ramsey Dukes, The Little Book of Demons

“The Boy Who Knew No Fear,” fairy tale 

Una Voce, Catholic movement 

Franz Liszt, Hungarian Pianist

Walter Benjamin, The Storyteller

William Shakespeare, Othello 

M. C. Richards, Centering

Robert Duncan, American poet

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In this episode, Phil and JF discuss Haruki Murakami’s “Cream,” from First Person Singular, alongside Jorge Luis Borges’s classic tale, “The Garden of Forking Paths.” Together, these two stories occasion a meditation on time, perplexity, and the strange possibility that meaning isn't found at the end of the maze, but discovered only in the course of wandering it.

Photo by DMzlC via Wikimedia Commons.

Pierre-Yves Martel's Bandcamp page, home of Weird Studies Vol. 3 (to be released May 22, 2026).

Joel Plaskett's website and Substack

References

Geoffrey Cornelius, “Chicane: Double-Thinking and Divination among the Witch-Doctors,” in Divination: Perspectives for a New Millennium, ed. Patrick Curry (Burlington, VT: Ashgate, 2010), 119– 42. 

Joe Leduc's Blood Oath 

Jorge Luis Borges, “The Garden of Forking Paths”  

Haruki Murakami, “Cream” 

Marc Augé, Non-Places 

Federico Campagna, Technic and Magic 

Phil Ford, “The View from the Cheap Seats at the UFO Show” 

Nicholas of Cusa, “On the Quadrature of the Circle”  

Ethan Weed, “A Labyrinth of Symbols”

Kids in the Hall, “Premise Beach” 

David Lynch, Twin Peaks: The Return  

David Lynch, Lost Highway 

Wolfgang Amadeus Mozart, Don Giovanni 

Weird Studies, Episode 66 on “Diviner’s Time”  

Gottfried Leibniz, Theodicy 

Quentin Meillasoux, After Finitude 

Alejandro Jodorowsky, The Way of Tarot 

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Kenneth Batcheldor was a British clinical psychologist who, during the final two decades of his life, investigated the paranormal through direct experiments in table-turning. The final fruit of that work was an essay, compiled from Batcheldor’s notebooks by Patric Giesler, entitled “Notes on the Elusiveness Problem in Relation to a Radical View of Paranormality.” Published in the Journal of the American Society for Psychical Research in 1994, it remained unknown to JF and Phil until Shannon Taggart called their attention to it quite recently. Since the theory Batcheldor presents here with admirable lucidity is deeply attuned to ideas they have been discussing on Weird Studies for nearly a decade, they decided to devote an episode to it. The core idea is by far the weirdest of all—in a sense, it is the weird itself.

Read Batcheldor's essay on the Weird Studies Patreon.

Visit Weirdosphere to enroll in Phil's upcoming 5-week course, "A Musical Tarot."

Pierre-Yves Martel's Weird Studies: Volume 3 will be available for preorder on March 13. Visit his Bandcamp page for details.

REFERENCES

K. M. Wehrstein, “Kenneth Batcheldor” in Psi Encyclopedia  

Kenneth Batcheldor, “Notes on the Elusiveness Problem in Relation to a Radical View of Paranormality,” ed. Patric Giesler, The Journal of the American Society for Psychical Research 88, no. 2 (1994): 90-116. 

Kenneth Batcheldor, “Contributions to the Theory of PK Induction from Sitter-Group Work,” Journal of the American Society for Psychical Research 78 (1984): 105-122. 

George P. Hansen, The Trickster and the Paranormal 

Quintin Meillassoux, After Finitude 

Joshua Ramey, “Contingency Without Reason: Speculation after Meillassoux” 

Kenneth Batcheldor, Videos of Table Tipping 

Weird Studies, Episode 24 with Lionel Snell 

David Lynch, Wild at Heart 

William James, The Principles of Psychology

Tom Cheetham, Imaginal Love 

A. Irving Hallowell, Ojibwa Ontology, Behavior, and World View 

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This is the first of three episodes on J.R.R. Tolkien's The Lord of the Rings to be released in the course of the next several months. Focusing here on The Fellowship of the Ring, our hosts discuss the first leg of Frodo's journey into darkness, paying special attention to Tolkien's prose style, his modernism, his commitment to a truly magical realism, and his penchant for the weird and the tragic.

Image: "Lothlorien" by Tessa Bronsky, via Wikimedia Commons.

References

J. R. R. Tolkien, The Fellowship of the Ring  

Algernon Blackwood, English writer  

Weird Studies, Episode 204 on “On Fairy Stories” 

Peter Jackson (dir.), The Lord of the Rings 

Ursula K. LeGuin, A Wizard of Earthsea 

Friedrich Nietzsche, History in the Service and Disservice of Life  

Milan Kundera, The Art of the Novel

Kenneth Burke, A Grammar of Motives 

Carl Jung, The Red Book  

Lord Dunsaney, The King of Elfland’s Daughter  

Karl Marx, The Communist Manifesto  

David Foster Wallace, “E Unibus Pluram”  

Steven Chow (dir.), Kung Fu Hustle 

Donna Tartt, The Secret History  

Lost Lakes, YouTube Channel 

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This episode was recorded before a live audience at Indiana University Cinema as part of Weird Academia, a series of events that brought much high strangeness to Bloomington, Indiana, in January 2026. The discussion followed a screening of Ken Russell’s 1980 cinematic fever dream, Altered States. In it, JF and Phil explore the weird intersection of mysticism, psychedelics, and institutional science, and they close with a brief Q&A with members of the audience.

Visit Weirdosphere to enroll in Phil Ford's upcoming course, A Musical Tarot.

References

Weird Academia and the Center for Possible Minds

Robert Louis Stevenson, Strange Case of Dr Jekyll and Mr Hyde

Roger Penrose, physicist and mathematician

Dante Alighieri, The Divine Comedy

Samuel Delaney, Dhalgren

Henri Bergson, Introduction to Metaphysics and Matter & Memory

H. P. Lovecraft, American writer

Herman Melville, Moby-Dick

Aldous Huxley, The Doors of Perception

Clement Greenberg, American essayist

G. K. Chesterton, English writer

David Cronenberg (dir.), The Fly

Michael Garfield, podcaster, writer, musician

Weird Studies episode 205 on the Hierophant

Victoria Nelson, The Secret Life of Puppets

Neil Gaiman, American Gods

J. R. R. Tolkien, "On Fairy Stories"

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In this episode of Weird Studies, we turn to the fifth Major Arcanum, the Hierophant, symbolizing tradition, instruction, and the exoteric aspect of spiritual practice. Drawing on Meditations on the Tarot and other sources, we question the easy opposition between tradition and revolution, exploring instead how inherited forms can foster genuine inner growth, and how an interior revolutions may renew traditions from within.

To reserve seats for Weird Academia events, visit the website of the Center for Possible Minds.

References

Johann Sebastian Bach, F# minor Fugue from The Well Tempered Clavier Book 1 (played by Rosalyn Tureck) 

Richard Wilhelm (trans.), The I Ching

J. R. R. Tolkein, The Lord of the Rings

P. D. Ouspensky, The Symbolism of the Tarot 

The Catechism of the Catholic Church

Our Known Friend, Meditations of the Tarot

Plato, "The Seventh Letter"

Alejandro Jodorowsky, The Way of Tarot

Dogen, Instructions for the Cook

Gilles Deleuze, Difference and Repetition

Weird Studies, Live at Illuminated Brew Works 

Franz Liszt, Hungarian pianist 

G. K. Chesterton, Orthodoxy 

Samuel Taylor Coleridge, Biographia Literaria vol. 1 

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For Tolkien, fairy stories are not stories about fairies, but stories that take place in Faerie. And in doing so, they make Faerie present. They are not escapist fantasies but disclosures of a real mode of being and invitations to live in that mode. In this episode, Phil and JF explore the great writer’s radical claims about the nature of story, life, and reality.

Upcoming Events

Erik Davis and JF's six-week course on Herman Melville's Moby-Dick begins on January 20th. For details and to enroll, visit the Weirdosphere.

For information on the upcoming Weird Academia events in Bloomington (Jan 27-29), visit the symposium web page at the Center for Possible Minds.

Music in this Episode

"What a Load of Gnosis," from Weird Studies: Music from the Podcast, Volume I

"Springtime on Ganymede," from Weird Studies: Music from the Podcast, Volume II

References

J. R. R. Tolkein, “On Fairy Stories” 

Immanuel Kant, Critique of Pure Reason 

Arthur Schopenhauer, The World as Will and Idea 

Franz Liszt, Transcendental Etude No. 4: Mazeppa (played by Lazar Berman) 

Dogen, "Instructions for the Cook"

Jeff Kripal, Mutants and Mystics 

Eric Wargo, From Nowhere

J.F. Martel, Review of “From Nowhere” for Journal of Scientific Exploration

Richard Wagner, Parsifal 

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To tide us over as we prepare for a new season of Weird Studies, here is an "audio extra," originally recorded for our Patreon supporters, wherein we discuss imposter syndrome, the eternal inadequacy of the intellect, the perils of playing with swords, and the role of trust in creation.

A new episode will drop on Wednesday, January 14th, 2026. Happy New Year to all.

To join our Patreon, go to www.patreon.com/weirdstudies

To enroll in the upcoming Moby Dick course starting on January 20th, visit www.weirdosphere.org.

For information on the Weird Academia conference in Bloomington, Indiana, visit www.possibleminds.org/weird-academia

Episode image: Caspar David Friedrich, Abtei im Eichwald (1808-1810).

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