Art and philosophy at the limits of the thinkable
In this episode of Weird Studies, we turn to the fifth Major Arcanum, the Hierophant, symbolizing tradition, instruction, and the exoteric aspect of spiritual practice. Drawing on Meditations on the Tarot and other sources, we question the easy opposition between tradition and revolution, exploring instead how inherited forms can foster genuine inner growth, and how an interior revolutions may renew traditions from within.
To reserve seats for Weird Academia events, visit the website of the Center for Possible Minds.
References
Johann Sebastian Bach, F# minor Fugue from The Well Tempered Clavier Book 1 (played by Rosalyn Tureck)
Richard Wilhelm (trans.), The I Ching
J. R. R. Tolkein, The Lord of the Rings
P. D. Ouspensky, The Symbolism of the Tarot
The Catechism of the Catholic Church
Our Known Friend, Meditations of the Tarot
Plato, "The Seventh Letter"
Alejandro Jodorowsky, The Way of Tarot
Dogen, Instructions for the Cook
Gilles Deleuze, Difference and Repetition
Weird Studies, Live at Illuminated Brew Works
Franz Liszt, Hungarian pianist
G. K. Chesterton, Orthodoxy
Samuel Taylor Coleridge, Biographia Literaria vol. 1
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For Tolkien, fairy stories are not stories about fairies, but stories that take place in Faerie. And in doing so, they make Faerie present. They are not escapist fantasies but disclosures of a real mode of being and invitations to live in that mode. In this episode, Phil and JF explore the great writer’s radical claims about the nature of story, life, and reality.
Upcoming Events
Erik Davis and JF's six-week course on Herman Melville's Moby-Dick begins on January 20th. For details and to enroll, visit the Weirdosphere.
For information on the upcoming Weird Academia events in Bloomington (Jan 27-29), visit the symposium web page at the Center for Possible Minds.
Music in this Episode
"What a Load of Gnosis," from Weird Studies: Music from the Podcast, Volume I
"Springtime on Ganymede," from Weird Studies: Music from the Podcast, Volume II
References
J. R. R. Tolkein, “On Fairy Stories”
Immanuel Kant, Critique of Pure Reason
Arthur Schopenhauer, The World as Will and Idea
Franz Liszt, Transcendental Etude No. 4: Mazeppa (played by Lazar Berman)
Dogen, "Instructions for the Cook"
Jeff Kripal, Mutants and Mystics
Eric Wargo, From Nowhere
J.F. Martel, Review of “From Nowhere” for Journal of Scientific Exploration
Richard Wagner, Parsifal
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To tide us over as we prepare for a new season of Weird Studies, here is an "audio extra," originally recorded for our Patreon supporters, wherein we discuss imposter syndrome, the eternal inadequacy of the intellect, the perils of playing with swords, and the role of trust in creation.
A new episode will drop on Wednesday, January 14th, 2026. Happy New Year to all.
To join our Patreon, go to www.patreon.com/weirdstudies
To enroll in the upcoming Moby Dick course starting on January 20th, visit www.weirdosphere.org.
For information on the Weird Academia conference in Bloomington, Indiana, visit www.possibleminds.org/weird-academia
Episode image: Caspar David Friedrich, Abtei im Eichwald (1808-1810).
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Back in episode 112, Phil and JF devised a gimmick for a show: randomly select one of the many aphorisms in The Book of Probes, a compendium of Marshall McLuhan’s prophetic quips designed by David Carson, and see what happens. It proved lively enough that they’re trying it again nearly a hundred episodes later. The resulting conversation touches the weird across a range of themes: tourism, the two kinds of truth, advertising, Kubrick’s marketing savvy, technology, orality versus literacy, and much more. A fitting feast for the mind as the year draws to a close.
From all of us at Weird Studies, happy holidays.
• Sign up for JF Martel and Erik Davis's upcoming course on Moby-Dick.
• Join Phil, JF, and composer Pierre-Yves Martel for Weirdosphere's Solstice Story Hour on December 21.
• For dates, venues, and the full slate of Weird Academia events in Bloomington this January, visit the Centre for Possible Minds website.
• To participate in the Weird Academia Colloquium, email organizers Emma Stamm and Michael Garfield at [email protected]
Header Image: NASA.
REFERENCES
Marshall McLuhan, Distant Early Warning Deck
Thomas Mann, The Magic Mountain
Plato, The Seventh Letter
Marshall McLuhan, The Book of Probes
Toronto School of Communication Theory
Walter Ong, Orality and Literacy
Paul Kingsnorth, Against the Machine
Charles Taylor, A Secular Age
Plato, The Republic
Marshall McLuhan, Understanding Media
Jonathan Crary, 24/7
H. P. Lovecraft, The Color out of Space
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In this episode, JF and Phil discuss Robert Louis Stevenson’s Gothic classic, the tale that conjured the fog-shrouded London hellscape that has haunted the modern imagination ever since. Though written as a quick “Christmas crawler” to earn a bit of money, the novella has exerted an incalculable influence on art and literature. It also proved strangely prophetic, anticipating Freud and others who would soon make the fragmentation of the human psyche a defining concern of the new century.
"The human is two" is a recurring refrain in the work of the scholar of religious thought, Jeffrey J. Kripal.
References
Dan Ericson, Severance
Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde
David Lynch (dir.), Mullholland Drive
John Frankenheimer (dir.), The Manchurian Candidate
Galen Strawson, British philosopher
Juan Eduardo Cirlot, A Dictionary of Symbols
Jeff Kripal, How to Think Philosophically
Rouben Mamoullian (dir.), Dr. Jekyll and Mr. Hyde
Weird Studies, Episode 161 on “From Hell”
Sigmund Freud, “The Ego and the Id”
Arthur Machen, Hieroglyphics
Arthur Machen, “The White People”
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In this episode, Phil and JF are joined by independent scholar Peter Bebergal, author of Strange Frequencies, Season of the Witch, and other books on the intersections of culture, religion, and the occult. The topic is Frankenstein—not Guillermo del Toro's latest but James Whale's 1931 talkie along with its 1935 sequel, The Bride of Frankenstein, both starring Boris Karloff. The conversation touches on Gnosticism, alchemy, modern techno-hubris, the Gothic, and much more.
Peter's new online course, Hacking the Invisible: At the Intersection of Technology and Magic, begins on November 20th, 2025, and runs for three weeks on Weirdosphere. Visit the Weirdosphere website for details and to enroll.
References
James Whale (dir.), Frankenstein
Tobe Hooper (dir.), Texas Chainsaw Massacre
James Whale (dir.), The Bride of Frankenstein
Justin Sledge, Esoterica
Henry Bergson, Introduction to Metaphysics
David Bohm, Wholeness and the Implicate Order
Mary Shelley, Frankenstein
John the Apostle, The Apocryphon of John
Stuart Gordon (dir.), Stuck
Jennifer Kent (dir.), The Babadook
Stephen T. Asma, On Monsters
Thomas Paine, “The Age of Reason”
Jean Gimpel, Medieval Machine
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Originally released in 2018 but remixed for your listening pleasure, here's Phil reading Arthur Machen's classic weird tale, "The White People." Happy Halloween!
Machen's "The White People" was discussed all the way back in Weird Studies episode 3.
Earlier this week, JF and Phil joined Conner Habib on his podcast to talk all about horror. It was a great conversation and we hope you'll give it a listen.
Image: Photo of doll from Auckland War Memorial Museum, via Wikimedia Commons.
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For their 200th episode, JF and Phil turn their attention to H. P. Lovecraft’s “The Call of Cthulhu,” a story foundational not only to modern horror fiction but to the very idea of the Weird. In revisiting this tale of forbidden knowledge and cosmic ambiguity, the hosts reflect on Weird Studies itself as a “slow piecing together of dissociated knowledge” that mirrors the work of Lovecraft’s own bewildered protagonists.
Image by Antoni Espinosa via Wikimedia Commons.
Upcoming Events:
Peter Bebergal teaches on Weirdosphere starting November 20, 2025
JF Martel speaks at Back to Haunt Us in East London on November 8, 2025
Phil Ford speaks at the Durations Festival in NYC on November 7, 2025
Phil Ford hangs out at Archestratus Books and Food on November 8, 2025
References
H. P. Lovecraft, The Call of Cthulhu
Weird Studies, Episode 2 on Garmonbozia
Rene Descartes, Meditations on First Philosophy
Phil Ford, “The Wanderer”
H. P. Lovecraft, "Nyarlathotep"
Weird Studies, Episode 74 on Jung
Phil Ford, Jacob Foster, and J. F. Martel, “Care of the Dead”
Weird Studies, Episode 110 on The Glass Bead Game
Weird Studies, Episode 101 on Tanizaki
Graham Harman, Weird Realism: Lovecraft and Philosophy
Weird Studies, Episode 156 on Donna Tartt
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Photographer and paranormal researcher Shannon Taggart joins JF and Phil to explore the phenomenon that was Michael Jackson. One of the most brilliant and successful musicians of the modern era, Jackson was also a liminal figure sans pareil, a shapeshifter who defied the binary categories through which we order the human world. His art and persona together enacted a transformation that can only be called shamanic.
About Our Guest:
Shannon Taggart is a photographer and author based in St. Paul, Minnesota. Her photographs have appeared in Newsweek, The New York Times Magazine, and The Wall Street Journal, and have been recognized by Magnum, Nikon, and the Alexia Foundation. Her monograph Séance was first published by Fulgur Press (2019) and reissued in a second edition by Atelier Éditions. Shannon is currently developing an illustrated history of SORRAT (the Society for Research on Rapport and Telekinesis) and hosts an annual symposium on the weird and the paranormal in Lily Dale, New York.
Image by Daniele Dalledonne, via Wikimedia Commons.
References
George Hanson, The Trickster and the Paranormal
Robert Chambers, The King in Yellow
Rogan Taylor, The Death and Resurrection Show
Pier Paolo Pasolini (dir.), Teorema
Phil Ford, “The View from the Cheap Seats at the UFO Show”
Michael Jackson, Moonwalker: A Memoir
J. M. Barrie, Peter Pan
Ursula K. Le Guin, A Wizard of Earthsea
Miguel Connor, The Occult Elvis
Tim Powers, Last Call
Weird Studies, Episode 186 on The Wedge
Raymond Moody, Elvis After Life
Sub Rosa, Spectra Ex Machina: A Sound Anthology of Occult Phenomena 1920-2017 Vol.2
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Since 2020, Phil and JF have been creating an on-again, off-again series on the major trumps, or "arcana," of the tarot. In this episode, they continue the series with a discussion of the second arcanum: the High Priestess, also known as la Papesse, the female pope. One of the most enigmatic and powerful cards in the deck, the High Priestess symbolizes duality, contemplation, and manifestation.
REFERENCES
Our Known Friend, Meditations on the Tarot
Plancia Magna, Roman priestess
Aleister Crowley, The Book of Thoth
Leigh McCloskey, The Tarot Revisioned
Henri Bergson, Matter and Memory
Moina Mathers, French occultist
Sallie Nichols, Tarot and the Archetypal Journey
Rachel Pollack, Seventy-Eight Degrees of Wisdom
Yoav Ben-Dov, The Marseille Tarot Revealed
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In a rare surfacing in the contemporary world, JF and Phil discuss a film that has just been released. Bryn Chainey’s Rabbit Trap is psychological horror in the tradition of Repulsion, Jacob’s Ladder, and Angel Heart. But it is more: a metaphysical film exploring the mystery of sound and the Otherworld of Faerie—an excursion into that weird country, so deftly explored by Arthur Machen and Algernon Blackwood, where wonder and terror perform their eldritch duets.
Sign up for JF's new Henri Bergson course, starting September 18, 2025.
Support Weird Studies on Patreon.
Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
REFERENCES
Bryn Chainey, Rabbit Trap
Weird Studies, Episode 190 on “The Willows”
Alan Crosland (dir.), The Jazz Singer
Weird Studies, Episode 150 on “A Fragment of Life”
Henri Bergson, Time and Free Will
Vladimir Jankelevitch, Music and the Ineffable
Hazrat Inayat Khan, The Mysticism of Sound and Music
Herman Hesse, Siddhartha
J. R. R. Tolkein, The Silmarillion
Giles Deleuze, Cinema II
Robert Kirk, The Secret Commonwealth
Weird Studies, Episode 120 on Radical Mystery (story of the anti-sound starts at 52 minute mark)
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