What happens when you put three of jazz's biggest personalities in a studio for a day? You get Money Jungle: Duke Ellington, Charles Mingus and Max Roach. Can it work? Miles Davis hated it. Others revere it. And the story behind this album is WILD.

It's perhaps the most tense album we've ever listened to. And this episode of You'll Hear It is possibly the most we have ever disagreed about an album! Listen for the music, the hot takes, or just to see what all the fuss is about. No matter your reason for listening to this episode, you'll never hear Money Jungle the same way again.

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Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://openstudiojazz.com/yhi

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Related You'll Hear It episodes:

Mingus Ah Um: https://youtu.be/XYeRZ0Awui4

Thelonious Monk Plays Duke Ellington: https://youtu.be/Z5YJr2iLG74

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About You'll Hear It:

In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.

-------------------------------

Sign up for the You'll Read It newsletter for little known stories about the artists you love:
https://youllhearit.com/newsletter 

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00:00 - Money Jungle: Ellington, Mingus, Roach
01:00 - Can This Record Work?
05:06 - "Money Jungle": Mingus is Menacing!
09:15 - What Was Really Happening That Day
12:17 - Musical Context Leading Up to Money Jungle
14:15 - "Fleurette Africaine": Stunning Bass Work
17:00 - Must Great Artists Make Great Art? Not Always
20:18 - Why Money Jungle Keeps Showing Up on "Greatest" Lists
23:45 - "Very Special": Can This Song Win Over Peter?
27:07 - One Week Later: Duke Ellington & John Coltrane
29:32 - Adam's Hot Take: Duke's Magnificent Final Act
36:43 - "A Warm Valley": That Piano Sound!
39:35 - "Wig Wise": Sounding Like Monk. Can You Hear It?
42:59 - We Don't Talk About This Enough In Jazz
45:27 - "Caravan": Best Moment on Money Jungle
48:18 - Or Is THIS the Best Moment on Money Jungle?
52:25 - Want to Learn to Play Like Duke? Join Open Studio!
55:55 - "Solitude": A Musical F-You to End the Album
1:02:42 - Is This a "Emperor Has No Clothes" Situation?
1:03:40 - Desert Island Tracks + Bespoke Playlists
01:05:40 - Quibble Bits ... Do We Even Need to Ask?
01:08:48 - How Snobby Is This Album?
01:10:35 - What to Listen to Next
01:11:18 - Have We Ever Disagreed This Much? Wrap-Up

We're looking at the best jazz releases of March 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.

Start your free Open Studio trial for ALLLLL your jazz lesson needs: 
https://osjazz.link/yhi

Thelonious Monk Plays Duke Ellington: The musicians on this album were already legends when it came out in 1955.

Each of them completely reinvented how people play their instruments. Drummer Kenny Clarke: the originator of so much of modern drumming language. Bass player Oscar Pettiford: possibly the greatest bass soloist in the history of the instrument. And then there's Monk, one of the singular greatest pianists of all time. And here they are playing the music of Duke Ellington: an untouchable legend.

The result is an album that brought Monk's genius to the masses. And it may just be one of his best. In this LIVE episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin break down this remarkable moment in music history, playing Monk's interpretations next to Duke's originals.

If you've never really got Monk, this album is your gateway into his music. And if you're already a fan, you'll never hear this album the same way again.

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Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://openstudiojazz.com/yhi

-------------------------------

About You'll Hear It:

In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.

-------------------------------

Sign up for the You'll Read It newsletter for little known stories about the artists you love:
https://youllhearit.com/newsletter 

-------------------------------

0:00 - "It Don't Mean a Thing (If It Ain't Got That Swing)"
2:07 - You'll Hear It Live at Jazz at Lincoln Center
6:02 - The Story of Thelonious Monk
8:24 - First Official Recording: Coleman Hawkins Quartet (1944)
10:21 - Keepnews Big Idea to Bring Monk to the Masses
14:46 - "It Don't Mean a Thing": Duke's original vs. Monk's version
20:40 - Bassist Oscar Pettiford's Sophisticated Musical Language
24:10 - Louis Armstrong & Ella Fitzgerald's Version
27:38 - "Sophisticated Lady"
31:44 - "I Got It Bad and That Ain't Good" 
35:08 - Bet You Can't Guess This Singer
39:10 - "Black and Tan Fantasy": Duke (1927) vs. Monk
42:30 - Oscar Pettiford Plays "Basso Profundo" with Duke Ellington
45:00 - "Tricotism" - Oscar Pettiford 
45:55 - Kenny Clarke deep dive
47:48 - "Mood Indigo" 
49:50 - "I Let a Song Go Out of My Heart": Duke's original vs. Monk's version
52:30 - "Solitude"
55:00 - "Caravan": Duke's original vs. Monk's version 
58:35 - Categories: Desert Island, Apex Moments, Bespoke Playlists, Quibble Bits
59:50 - Drummer Kenny Clarke's Brush Master Class
1:04:00 - Is This Better than Kind of Blue?
1:04:55 - What to Listen to Next

D'Angelo's Brown Sugar sounded like nothing else in 1995. R&B was slick, polished, and built for clubs. D'Angelo later said the "deeper consciousness" had gone out of contemporary music. Questlove later wrote that contemporary R&B had become "trite" and "soulless" ... and then there was Brown Sugar, D'Angelo's debut album. It sounded more like the '70s than the '90s. More like church than the club.

On this episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin go track by track through D'Angelo's debut, pulling apart the vocal stems, naming the jazz chords underneath the soul, and tracing every influence back to its root. They also bring in the archival recordings you might have missed: a live set from the Jazz Café London that gives the album a whole second life, and a J Dilla remix.

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Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://openstudiojazz.com/yhi

-------------------------------

Related You'll Hear It episodes:

Voodoo: https://youtu.be/AYqmFNF2s0U

-------------------------------

About You'll Hear It:

In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.

-------------------------------

Sign up for the You'll Read It newsletter for little known stories about the artists you love:
https://youllhearit.com/newsletter 

-------------------------------

00:00 - D'Angelo's Brown Sugar
01:11 - Let's Go Back to 1995 
05:35 - "Brown Sugar"
08:30 - Engineer Bob Power's Influence 
09:13 - "Brown Sugar" Felt Different From Anything Else in 1995
16:57 - D'Angelo on Why He Picked Bob Power
19:30 - "Alright" 
28:57 - Isolated Vocal Stems on "Alright"
31:27 - "Jones in My Bones" 
33:20 - The Little-Known D'Angelo Album
36:25 - "Me & Those Dreamin' Eyes of Mine"
40:30 - The J Dilla Remix (1997)
44:18 - "Shit, Damn, Motherfucker" 
46:30 - Live at the Jazz Cafe - "Shit, Damn, Motherfucker"
48:10 - "Smooth" 
50:20 - D'Angelo Could Have Been a Jazz Pianist
53:04 - D'Angelo and Peter's Ellis Marsalis Connection
56:21 - "Cruisin'" 
59:25 - Ad Break: Learn To Play Like D'Angelo
1:00:37 - "When We Get By"
1:04:44 - "We Were Just Mocking Dilla": Raphael Saadiq on How "Lady" Was Made
1:06:20 - "Lady"
1:11:02 - "Higher"
1:15:28 - "Brown Sugar" Hits Different 30 Years Later
1:17:00 - Our Favorite Moments
1:23:45 - Quibble Bits, Snob-O-Meter & Accoutrements
1:27:26 - Up Next + Listener Reviews
1:29:45 - Open Studio Plays "Lady"

Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.

In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.

Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Max Roach punched him in the mouth. Dizzy Gillespie said Ornette's music wasn't even jazz. Meanwhile, Leonard Berstein and John Coltrane celebrated him.

So what exactly is The Shape of Jazz to Come, and why was it so radical? Jazz pianists Peter Martin and Adam Maness break down every track, from "Lonely Woman" to "Chronology". They dig into harmolodics, free jazz, and how Ornette shaped everyone from Miles Davis (who eventually came around) to the '80s burnout crew, including Wynton Marsalis, who personally recommended this record to Peter.

Dig into The Shape of Jazz to Come with us, and learn why this soft spoken saxophonist inspired both criticism and awe.

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Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://openstudiojazz.com/yhi

-------------------------------

Related You'll Hear It episodes:

Mingus Ah Um: https://youtu.be/XYeRZ0Awui4
Giant Steps: https://youtu.be/8umC2yZlPHc
Kind of Blue: https://youtu.be/ShzSnjP8bSg
Time Out: https://youtu.be/-_qPhFSJeQU
Nina Simone at Town Hall: https://youtu.be/2PDjN5_2y5Q

-------------------------------

About You'll Hear It:

In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.

-------------------------------

Sign up for the You'll Read It newsletter for little known stories about the artists you love:
https://youllhearit.com/newsletter

-------------------------------

0:00:00 - Ornette Coleman's The Shape of Jazz to Come
0:01:42 - 1959: A Pivotal Year
0:03:06 - Ornette Coleman: The Backstory
0:04:44 - Ornette's Earlier Sound
0:06:18 - Lore of the Five Spot
0:07:00 - "Lonely Woman"
0:12:27 - Harmolodics Explained (Charlie Haden + Don Cherry)
0:13:27 - "Eventually"
0:14:42 - The '80s Jazz Connection (Wynton, Branford, Kirkland)
0:17:21 - "Peace"
0:23:50 - Ad: Open Studio
0:24:57 - Mingus Said THIS About Coleman
0:27:47 - "Focus on Sanity"
0:29:40 - When Peter Played with Charlie Haden
0:32:43 - Don Cherry's Kids: Neneh Cherry + Eagle-Eye Cherry
0:34:22 - "Congeniality"
0:36:28 - "Chronology"
0:37:23 - Technical Technique vs. Artistic Vision
0:42:13 - Categories: Desert Island Tracks, Apex Moments
0:48:55 - You'll Read It Newsletter + Ambies

What happens when you let a musical genius make the album of his dreams? You get Stevie Wonder's Music of My Mind (1972), the start of the greatest run in music history.

Music of My Mind would be the first of a five-album run that formed Stevie Wonder's Classic Period, including Talking Book (1972), Innervisions (1973), Fulfillingness' First Finale (1974) and Songs in the Key of Life (1976).

In this episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin dive into every track on Music of My Mind, listening to isolated stems and breaking down the theory behind the songs. Plus - we talk about TONTO, the one-ton synthesizer Stevie used to create this record. And we dig into the innovative ways Stevie and collaborators Malcolm Cecil and Robert Margouleff mixed the album.

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Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://openstudiojazz.com/yhi
-------------------------------

Related You'll Hear It episodes:

Talking Book: https://youtu.be/ymcy3ot116w 
Innervisions: https://youtu.be/mUYwIijL7s0
Songs in the Key of Life: https://youtu.be/uk5x4-uTzj8

-------------------------------

About You'll Hear It:

In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.

-------------------------------

Like the jam at the end of the show? Head to https://youtube.com/@OpenStudioMusic for more.

00:00 - Stevie Wonder's Music of My Mind
03:40 - Breaking Free: The Motown Contract Story
05:35 - Finding TONTO: Malcolm Cecil & Robert Margouleff
08:45 - What Was TONTO? The Technology Explained
09:20 - How Stevie Wonder Met Cecil & Margouleff
12:00 - "If You Really Love Me" - Stevie's Motown Sound
16:40 - What Albums Belong in the Run?
19:10 - "Love Having You Around"
22:20 - Isolated Breakdown: Vocals, Talk Box, Rhythm Section
27:35 - Stevie Made Albums Different
32:10 - "Superwoman (Where Were You When I Needed You)"
36:25 - The Greatest Transition EVER
41:45 - Innovation Behind the Mix
44:10 - Ad Break: Learn to play like Stevie Wonder
45:18 - "I Love Every Little Thing About You"
52:55 - "Sweet Little Girl"
56:14 - "Happier Than the Morning Sun"
1:00:53 - Find more performances from Adam and Peter at Open Studio Music
1:01:58 - "Girl Blue"
1:09:28 - "Seems So Long"
1:11:49 - "Keep on Running"
1:15:52 - "Evil" - The biggest moment on the album
1:21:10 - This One is for the Math Nerds About Music 
1:23:05 - Categories
1:29:05 - Better Than Innervisions? / Up Next
1:32:05 - More from You'll Hear It: You'll Read It
1:32:40 - Open Studio plays "Superwoman"

We're looking at the best jazz releases of February 2026! Listen with pianist Adam Maness as he breaks down and reacts to these great tracks.

Start your free Open Studio trial for ALLLLL your jazz lesson needs:
https://osjazz.link/yhi

00:00 - Intro
00:26 - In On It - Pat Metheny
02:20 - Circlesz - GENA
04:13 - Will You Walk A Little Faster - Holland, Stone, London Vocal Project
06:31 - La Sentencia - Melissa Aldana
08:55 - La Fiesta - Geoffrey Keezer & Tim Garland
10:58 - Oo Long! - The Tomeka Reid Quartet
13:18 - The Edge - Noah Stoneman
15:40 - Shivaranjani - Ragini Trio

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?

It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.

The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great.

Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.

Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.

Visit Open Studio for ALLLLL your jazz lesson needs:
https://osjazz.link/yhi

00:00 - Intro: Charlie Parker with Strings
01:10 - "Just Friends"
04:40 - Want to Be a Great Musician? Study This Track
10:20 - Early Recording: "Swingmatism" (1941)
12:45 - The Secret to Charlie Parker's Genius: Practice
15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis
18:20 - The Contrafact Built in Real Time
21:45 - "Koko": Miles Davis Couldn't Play It?!
24:30 - Musicians NEED to Listen to This
27:15 - Think Parker Sold Out? Think AGAIN
28:55 - "April in Paris": Parker's Chosen Tune
33:55 - About Mitch Miller's Oboe ... 
38:25 - "Summertime"
44:10 - "Out of Nowhere"
46:35 - We Have An Album! 
47:20 - "East of the Sun"
53:00 - "I'll Remember April"
55:50 - Categories: Desert Island Tracks
56:35 - The BEST Moments on Strings
1:11:10 - Open Studio Plays "Just Friends"

Is Steely Dan's Gaucho more perfect than Aja? Maybe even ... too perfect? Two years in the studio. The greatest session musicians alive asked to play take after take after take until it was exactly right. And sometimes that STILL wasn't enough for Donald Fagen and Walter Becker.

On today's episode of You'll Hear It, jazz pianists Peter Martin and Adam Maness are breaking down the 1980 album track by track: the jazz harmony hiding inside those smooth grooves, the abstract poetry of the lyrics, and the insane stories behind how this thing got made. Including the $150,000 drum machine invented specifically for this record, the interview quote that cost them a third of a song, and the drum track that took 85 takes and 35 tape edits to piece together.

And after all that, we didn't get another Steely Dan record for 20 years.

Was it worth it?

Read about the simple mistake that would haunt Steely Dan for 44 years in this week's edition of the You'll Read It newsletter: https://youllhearit.com/newsletter

Watch our FULL breakdown of Steely Dan's Aja: https://youtu.be/G10mYohR6T4

00:00 - Steely Dan's Gaucho: A Monument to Perfect
01:15 - "Babylon Sisters"
11:00 - What Makes Steely Dan Genius
13:35 - The Precision of Purdie's Drums on Babylon Sisters
16:10 - Abstract Lyrics
19:35 - "Hey Nineteen"
22:25 - Pristine Rhodes
25:25 - Isolated Vocal Stems on "Hey Nineteen"
33:00 - "Glamour Profession"
38:55 - The Mingus Influence
40:10 - "Gaucho"
43:20 - The Keith Jarrett Lawsuit
48:50 - Gaucho Chorus Deep Dive
54:10 - "Time Out Of Mind"
57:50 - Monument to Perfectionism (Lead Boots)
1:01:35 - Perfectionism and Jazz
1:05:05 - Is Gaucho More Perfect Than Aja?
1:06:25 - "My Rival"
1:10:40 - Bowie / Steely Dan Side-By-Side
1:14:00 - Too Fussy?
1:19:05 - Open Studio Plays "Glamour Profession"

The Impossible follow-up: Michael Jackson's 1987 album Bad. Five years after Thriller changed everything, Michael returned with a record that would become one of the best-selling of all time, win two Grammys, feature some of the greatest musicians in the world (hey, Stevie Wonder!) ... and somehow still gets called a letdown.

We've covered two of Michael's albums produced by Quincy Jones: Off the Wall and Thriller. What about Bad? Could it actually be better than its predecessor? Jazz pianists Peter Martin and Adam Maness deliver their final verdict on this 80s pop sensation.

Along the way, you'll hear behind-the-scenes stories about the making of the album. Plus - we break down the tracks (with keyboards) to highlight the music theory behind this album's most compelling moments.

“Annie, are you OK?” Sometimes the best hooks come from the strangest places - find out where in the YHI newsletter: https://youllhearit.com/newsletter

00:00 - Intro: "Smooth Criminal" - Michael Jackson
01:30 - Michael Jackson's Bad (1987)
6:40 - Quincy's Smaller Role on Bad
7:50 - The Quincey Jones Brain Trust
11:00 - "Bad" - Tough Guy Michael
15:00 - Too Much Programming?
18:40 - That Organ Solo? Jimmy Smith!
22:40 - The Tragedy Behind Bad
23:45 - "The Way You Make Me Feel" - Sweet Michael
29:15 - How WE Really Feel (About Bad vs Thriller)
30:30 - "Speed Demon" - A Nostalgic Track
31:55 - Can We Be Honest?
32:50 - "Liberian Girl" - The Mid-Album Dip
35:30 - "Just Good Friends" - Stevie Can't Save It
41:00 - "Another Part of Me" - Pure Joy
45:00 - How "Man in the Mirror" Got Its Name
45:55 - "Man in the Mirror" - The Apex
53:00 - Why We Don't See Songs Like This Today
57:30 - "I Just Can't Stop Loving You" - Rejected By Babs
1:01:00 - "Dirty Diana" - Phil Collins Vibes
1:02:50 - "Smooth Criminal" - That's MJ's Heartbeat!
1:06:25 - "Leave Me Alone" - The Shuffle
1:09:15 - Apex Moments: Phillinganes and That "Woo!" 
1:10:55 - Final Verdict: Bad vs Thriller
1:14:05 - Open Studio Plays "Smooth Criminal" 

Carole King’s Tapestry is so cozy, you'll want to hug it; sit with it. It sounds simple, warm, and totally unassuming. But it’s way more impressive than it seems at first.

Adam and Peter break down what’s actually going on beneath the surface of Tapestry ... and what most people miss. Carole King was already an elite songwriter long before this album. You know Aretha Franklin's “(You Make Me Feel Like) A Natural Woman”? Carole wrote that. “Will You Love Me Tomorrow” by The Shirelles? She wrote that, too. When she was just 17!

Listen closely and you hear it everywhere: in the chord choices, in the way the she actually PLAYS the piano instead of just accompanying her vocals, and in the way her melodies and lyrics lock together so naturally you barely notice how intentional it all is.

Add in that soulful, sweet voice, and you start to understand how this unassuming record became a chart-topping, Grammy-dominating classic when it came out in 1971.

Tapestry sounds easy, but it's not. Check out this episode, and you'll never hear this album the same way again.

Get our newsletter for bonus stories that didn’t make the pod:
https://youllhearit.com/newsletter

00:00 - Opening Tune: It's Too Late
01:25 - Introducing Carole King's Tapestry
05:00 - That Time Young Paul Simon and Carole Played Together
07:10 - Carole's Early Doo-wop Sound
10:20 - "(You Make Me Feel Like) A Natural Woman" - Aretha Franklin
13:30 - When Songwriter Became Performer
16:30 - B.B. and Carole 
18:00 - "I Feel the Earth Move"
22:00 - "So Far Away"
30:45 - "It's Too Late"
40:50 - "Home Again"
44:00 - "Beautiful"
45:35 - "Way Over Yonder" 
50:00 - "You've Got a Friend"
58:20 - "Where You Lead"
1:02:30 - "Will You Love Me Tomorrow"
1:04:40 - "Tapestry"
1:08:45 - "(You Make Me Feel Like) A Natural Woman"
1:13:10 - Apex Moments of Tapestry
1:21:20 - Coming Up On on You'll Hear It
1:22:00 - Outro: "It's Too Late"