Just over 6 years ago we came up with an idea. Well, Chris did, to be precise. What if we do an episode where we each pick an album and then put them head to head, with the public deciding which one is best. That's how our mixtape was born. Since then, it's kinda moved away the format of each of us picking an album and backing it, and started to become more of a deep dive into a specific genre or theme. But this is how it begun.

Unsung was barely 6 months old at this point. Indeed, this episode is just over 6 years old as of the time of publishing. We've tried a few different things over the years. Changed the format in various ways and pushed it to see how it would break. This is one of the ideas that really stuck.

This episode also makes a great companion to the nu metal focused covermount we did last week. It's also one of our most popular, and silliest, episodes. We hope you enjoy.

The covermount CD is certainly a relic from a bygone era. We actually have a bag full of them, all acquired through various means, none of them worth anything.

But when was the covermount CD, or tape born, why, and what were the political and economic factors involved in magazines creating them, and artists getting on them? We break it all down in our episode on the history of the covermount CD with our good friend Crag Carrick, all the way from the land of Oz.

With the exception of Soul Asylum and the Presidents of the USA, unless you were seriously tuned into Kerrang! and/or alternative music in the 90s there are very few bands you'll remember, let alone recognise, in the back half of this CD. Bullyrag, Janus Stark, Pulkas, Cecil, Pissing Razors and Genitorturers have all vanished more or less into oblivion since the 90s. Genitorturers perhaps being a bit of an exception in that they're still going to this day.

Grant, and the rest of the crew, are positively bewildered by the rest of this compilation. And very occasionally surprised.

This week Grant Donaldson joins us to talk about this Kerrang! covermount CD that came out during the hey day of nu metal. Turns out Grant is quite unfamiliar with nu metal so this was a real fun episode. In side A we talk about the first half of this CD, which includes the talents of Jerry Cantrell, Everclear, Bad Religion, Psycore and One Minutes Silence. It's all downhill after that, which you'll hear in the next episode...

Born from a fever dream, Mark had the idea to review records found in poundland. You used to be able to get some primo garbage for a quid. Sadly, you can no longer buy CDs in poundland but the memory lives on.

To that end, we thought it'd be fun to revisit the first in our series called Sound is a Pound. And on episode one, we reviewed Onka's Big Moka by Toploader. Very funny stuff. Dig in.

We break down the usage of music in ads into four categories: best original ad jingles and songs, songs made famous by adverts, famous songs best appropriated, songs ruined by ads. We also hear from our listeners on their favourite and least favourite tunes in adverts.

Given the sheer amount of work we've done lately on the pod, we thought we'd do something a little easy and do an episode on music in advertising. Except, it actually turned out to NOT be that easy because, well, this is a pretty fascinating topic. In part one we talk about the history of music in advertising and pick a couple of examples.

We've been on a real run of pulling out shows from 2019 recently and it seems the trend is not gonna break this week. We decided that we'd double down on the heavy, dirty misery of Yacøpsæ and revisit our episode on Pig Destroyer. Y'know, a proper grindcore band.

It's time to get really grindy and real with the band's more recent material, which is very fast, brutal and dark. It's a bracing but also fun. This band have a lot of songs but it's all quite short, so you can really batter through their discography in short order.

Joe also gives us some of his thoughts on the band and then we get to the nexus.

There's a fair chance you haven't heard of Yacøpsæ before unless you're very much in tune with DIY grind/powerviolence. One of the things we started this podcast to do was to shine a light on great bands were think are truly unsung. This band are one such example of that.

They're very underground, and are very, very, very brutal. In part one we talk about the squat scene, the definition of grindcore, how it differs from powerviolence and dive into their large, unwieldy catalogue.

As this is a genre we're mostly unfamiliar with, we brought in the expertise of Joe McGlynn, who you may remember from our Carcass episodes. He was in a band called Man Must Die, now in a cool hardcore band called Go Down Fighting, and is a host of Shit You May Not Have Seen podcast. Things get very weegie here too, so be prepared for some incomprehensible Glaswegian accents.

We're throwing it back to Sept 2019 on this episode, as Chris talks about an album he adores - Shaking the Habitual by The Knife. This was the band/act that Karin was in before they did Fever Ray and it is very very good indeed. Hope you dig this look back!