History in real time
We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we’re starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question.
In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings,
become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci’s enigmatic smiling subject into a celebrity.
Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You’ll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen.
This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Sources for This Episode
Cumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.
Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.
Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.
Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.
Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.
Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.
Sassoon, Donald. Mona Lisa: The History of the World’s Most Famous Painting, HarperCollins, 2016.
“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.
Zug, James. “Stolen: How the Mona Lisa Became the World’s Most Famous Painting,” Smithsonian Magazine, June 15, 2011.
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Hark, the holiday season is upon us—and with it the most solemn of festive traditions: a gift guide! In this video and podcast special, Slate hosts Dana Stevens, Chris Molanphy, and Willa Paskin beam-in from their collective hearths to deliver unto the internet their favorite gifts for culture lovers this holiday. In addition to sharing gifts, they also discuss the cultural artifact that is the “holiday gift guide,” and its history going back to the early 20th century, up to the modern day. See the entirety of the 1910 gift guide Our Special Holiday Gift-Book from Greenhut-Siegel Cooper, and Esquire’s ultra-mod gift guide from 1961.
Check out our gift recommendations below:
Dana Stevens’ Cozy Movie Night-In:
The Salbree Collapsible Silicone Microwave Popcorn Popper & Amish Country Popcorn
The Adventures of Antoine Doinel, The Criterion Collection Box Set
Chris Molanphy’s Hit Parade Collection:
Willa Paskin’s Fruit-Themed Trompe-l'œil Housewares:
The Slate Culture Gift Guide is produced for Slate Studios by Benjamin Frisch and Micah Phillips, with Meryl Bezrutczyk and Andrew Harding.
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Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we’re solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they’re coming back for an encore? And what was up with those school assemblies where you’d get to skip class to learn about…yo-yos?
The voices you’ll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children’s book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews.
You can find all the music from the segment about encores in this YouTube playlist.
This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring’s supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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Videomate: Men was a VHS tape released in 1987 featuring 60 single men pitching themselves as dates to women on the other side of the TV screen: “The love of your life could be on your TV tonight!” the box reads. In retrospect, Videomate: Men is a bizarre and hilarious time capsule, but at the time it was one of many manifestations of what was known as video dating. To find out how anyone thought this was a good idea, Decoder Ring examines the weird and forgotten world of video dating in the 1970s, ’80s, and ’90s to find out why video dating once seemed like the future—and if that future is still yet to come.
On this episode, originally released in 2019, we talk to the creators of the Found Footage Fest, VHS collectors who unleashed Videomate on the internet; ask the creators of video dating services like Videomate’s Steve Dworman and Great Expectations’ Jeffrey Ullman what they were thinking; and talk to participants who used these services but not necessarily in the way that was intended. We’ll also discuss the future of video dating with Coffee Meets Bagel co-founder Dawoon Kang and former host of The Longest Shortest Time Andrea Silenzi.
This episode was written by Willa Paskin and was produced and edited by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected], or leave a message on the Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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Americans are currently besotted with protein. It’s touted as being good for muscle growth, weight loss, skincare, mental acuity, longevity, and much else besides. It’s sold to men, women, children, the elderly— you can even buy protein for your pets. The protein supplement market alone is worth $21 billion and growing—and extra protein is being added to coffee, cereal, pasta, beer, ice cream, and popcorn.
But as frenzied as we currently are about protein, this is not the first protein boom—or even the second. Protein has been promoted as a charismatic, cure-all nutrient for nearly two centuries. In this episode, with the help of Samantha King and Gavin Weedon, the authors of Protein: The Making of a Nutritional Superstar, we look closely at all our protein crazes and their associated protein products—from beef tea to whey powder—and see what they can tell us about our current protein mania.
This episode was produced by Max Freedman. Decoder Ring is also produced by Willa Paskin, Katie Shepherd, and Evan Chung, our supervising producer. We had editing support from Josh Levin and fact-checking by Sophie Summergrad. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
Sources for This Episode
King, Samantha and Gavin Weedon. Protein: The Making of a Nutritional Superstar, Duke University Press, 2026.
Baker, Ryan. “Protein has become America's latest obsession. Companies like General Mills and PepsiCo are capitalizing on it,” CNBC, July 22, 2025.
Brock, William H. Justus von Liebig: The Chemical Gatekeeper, Cambridge University Press, 1997.
Callahan, Alice. “The More Protein, the Better?” New York Times, April 9, 2025.
Draper, Kevin. “America’s Protein Obsession Is Transforming the Dairy Industry,” New York Times, July 16, 2025.
Gayomali, Chris. “Big Food Gets Jacked: How protein mania took over the American grocery store,” New York Magazine, Feb. 12, 2025.
“The Great Protein Fiasco,” Maintenance Phase, Aug. 31, 2021.
Liebig, Justus von. Researches on the Chemistry of Food, Taylor and Walton, 1847.
McLaren, Donald S. “The Great Protein Fiasco,” The Lancet, 1974.
Oncken, John. “Stingy, 'half-way' dairy farmer's curiosity changed the world,” Wisconsin State Farmer, April 27, 2022.
“Subject of Whey Disposal Discussed in UW Bulletin.” Wausau Daily Herald, Aug. 28, 1965.
Torrella, Kenny. “You’re probably eating way too much protein,” Vox, Jan. 30, 2024.
Wilson, Bee. “Protein mania: the rich world’s new diet obsession,” The Guardian, Jan. 4, 2019.
Wu, Katherine J. “Should We All Be Eating Like The Rock?” The Atlantic, Aug. 28, 2023.
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Autumn may have more cozy signifiers than any other season—though we all have our own favorites. Maybe for you it’s sweater weather, football games, spooky season, apple picking, leaf peeping, or mainlining candy corn. Whatever it is, in today’s episode we’re looking closely at three of these autumnal staples.
First, we get to the bottom of a recurring complaint about the taste of the pumpkin spice latte. Then we gaze deep inside the enigma hiding inside colorful fall leaves. Finally we ask some hard-hitting questions about the seasonal availability of an elusive cookie. Snuggle up and enjoy!
In this episode, you’ll hear from author and podcaster Don Martin who has a new audiobook out about loneliness called Where Did Everybody Go?. We also speak with Simcha Lev-Yadun, professor of botany and archeology; Susanne Renner, botanist and honorary professor of biology at Washington University in St. Louis; and Prospect Park Alliance arborist Malcom Gore. And you’ll also hear from Lauren Tarr, who runs the blog Midlife Moxie and Muscle, and her mother Grace Dewey, along with Caroline Suppiger, brand manager at Mondelēz.
We’d also like to thank Brian Gallagher, Tom Arnold, Sylvie Russo and Laura Robinson.
This episode was produced by Katie Shepherd. Decoder Ring is also produced by Willa Paskin, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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There’s a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime?
In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You’ll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It’s Always Sunny in Philadelphia) and John D. Kretschmer (Homeland).
This episode was written and produced by Evan Chung, Decoder Ring’s supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Sources for This Episode
Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015.
Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board’,” NECSUS, May 28, 2017.
Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020.
Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture.
McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019.
Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021.
Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022.
Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they’ve lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church’s services during the height of the epidemic. Whether you’re a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.
For images and links about this episode visit https://www.heavenpodcast.org/episode-1.
About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.
When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits.
This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).
Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.
The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.
Thanks to
Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid.
The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.
Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.
Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen.
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Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man.
How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It’s a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It’s a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don’t analyze, critique, or even talk about it very much because, well, it’s porn.
In this NSFW episode, you’ll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex; Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman.
This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring’s supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad.
We’d also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen’s actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia?
What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we’ll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today’s music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority.
In this episode, you’ll hear from Slate’s pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK’s Channel 4.
If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist.
This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.
Sources for This Episode
Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019.
Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015.
Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022.
Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.
Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009.
Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006.
Robbins, Allison. “‘Experimentations by Our Sound Department’: Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017.
Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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In part two of our special two-part episode, we return to the 1982 VHS tape that created the at-home video industry: Jane Fonda’s Workout. On this episode, originally released in 2020, we deconstruct the tape itself, how it was made, and why anyone thought it was a good idea in the first place. Then we’ll explore how it was possible for an extremely polarizing political activist, despised by some for her activism during the Vietnam War, to become America’s premier exercise guru. It’s a story that involves one enterprising home video visionary, dozens of ridiculous celebrity workout tapes, Tricky Dick Nixon, and one very full life.
Some of the voices you’ll hear on this episode include Jane Fonda; Court Shannon, former Karl Video employee; and Mary Hershberger, author of Jane Fonda’s War.
This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.
If you have any cultural mysteries you want us to decode, email us at [email protected], or leave a message on the Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show.
Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen.
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