Ed O'Brien has spent decades crafting some of the most textured, expansive guitar in modern rock. From the fragmented beauty of Kid A and Amnesiac to the experimental layers of The King of Limbs, with the more straightforward muscle of OK Computer somewhere in between, few players have done more to expand what the instrument can do in a rock context.

In recent years, Ed has been building a parallel universe, one where he's at the center. It started with Earth in 2020, released under the moniker EOB. Now comes Blue Morpho, out under his full birth name, Ed O'Brien. The title isn't incidental: like the striking butterfly it references, Ed went through a genuine transformation over the six years it took to make this record, and the album reflects it.

On today's Broken Record, Ed walks us through the journey, beginning in solitude, playing guitar figures purely for himself, then gradually moving toward collaboration, eventually pulling in a crew of talented friends to help bring the songs to life. He also talks about how his playing has evolved over time, what Brazil has meant to him musically, and which producer he wishes Radiohead had worked with back in the '90s.

You can hear a playlist of some of our favorite songs from Ed O'Brien HERE.

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Just before the premiere of Earth, Wind & Fire's new Questlove-directed documentary , the three OGs of the group stopped by Broken Record: vocalist Phillip Bailey, singer and percussionist Ralph Johnson, and bass player Verdine White.

Host Justin Richmond will tell you straight up that talking about Earth, Wind & Fire's music feels a little beside the point. It exists on a level that resists explanation — spiritual, emotional, somewhere in the body before it reaches the brain. What the conversation reveals instead is the kind of people these three are: warm, grounded, and deeply committed to what they've built together. And maybe that's the whole answer.

In this episode, they talk about Maurice White, founder and spiritual leader of the group and Verdine's brother. They listen to some music together. And Phillip finally spills on what "Reasons" is actually about.

You can hear a playlist of some of our favorite songs from Earth, Wind & Fire HERE.

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The 1960s brings social and political change to the world and to New York City, where a young Johnny Pacheco keeps people dancing with his orchestra and charanga music. The Dominican musician is also going through a divorce and his lawyer, Jerry Masucci, happens to be a fan of Johnny’s music. The two form a music partnership that will forever change music. They call their music label Fania Records.

Hosted by Oscar and Emmy-nominated actress and Brooklyn native Rosie Perez and produced by Pulitzer Prize-winning Futuro Media. “Our Thing: The Birth of Salsa in Nueva York,” is the most comprehensive audio narrative yet made about the birth and wild heights of salsa, a genre that continues to shape global culture today.

Listen to Our Thing: The Birth of Salsa in Nueva York wherever you listen to podcasts.

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The New Pornographers have never been easy to pin down. Since forming in Vancouver in the late ’90s, the band became one of the defining acts of the Canadian indie rock explosion. They’re part of a scene that also produced Neko Case, Dan Bejar, and a generation of artists who seemed to operate entirely outside the commercial mainstream. Co-founders Carl Newman and Kathryn Calder have spent more than two decades making records that sound like they arrived fully formed: densely layered, relentlessly melodic, and somehow both euphoric and melancholy at the same time.

Their latest album, The Former Site Of,  draws on a different kind of raw material. Part of it came from a friend’s terminal illness and the weight of watching someone you love reckon with time running out. Part of it came from something more unexpected: the last remaining payphone in New York City, which became a kind of anchor image for the record, a physical object standing in for everything we hold onto after it stops being useful.

On today’s episode, Bruce Headlam sits down with Carl Newman and Kathryn Calder to talk about where their new album came from, what it’s like to make something beautiful out of grief, and how the Canadian music scene that shaped them still runs through everything they do.

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Mopreme Shakur is 2Pac's half-brother, a rapper, filmmaker, and record producer living at the intersection of revolutionary politics and hip-hop. He's one of the only surviving members of Thug Life and Outlawz, raised alongside 2Pac in the tradition of Black liberation activism.

And now, for the first time, he's telling his own story. His new book, This Thug's Life, is a book about brotherhood, survival, movement building, and the making of a legend.

On today's episode Justin Richmond talks to Mopreme about growing up in a family steeped in activism, how he started his rap career with a classic appearance on "Feels Good" by Tony! Toni! Toné!, and what it was like to witness the evolution of 2Pac's career.

You can hear a playlist of some of our favorite songs from Mopreme Shakur HERE.

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Before Hardy was known as the breakout artist who pushed country music into hard rock territory, he was a self-proclaimed redneck from Philadelphia, Mississippi who studied songwriting at Middle Tennessee State University. Since moving to Nashville in 2013, he's written 22 number ones for artists like Morgan Wallen, Blake Shelton, and Dierks Bentley.

In 2018, with the encouragement of producer Joey Moi and his label Big Loud, Hardy started writing songs for himself — and it paid off. He's now a five-time ACM Award winner and two-time CMA Award winner, joining the upper echelon of Big Loud artists that Moi has helped build, alongside Morgan Wallen and Florida Georgia Line.

On today's episode, Leah Rose talks to Hardy about the craft of writing a song that sticks — including what he's learned from studying artists like Eminem. They also get into how AI is showing up in Nashville's writer's rooms, and why Hardy thinks bro country isn't going anywhere.

You can hear a playlist of some of our favorite songs from Hardy HERE.

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Recently, we had visionary music producer Robert Margouleff on the show and today we're sharing an excerpt from his new audiobook, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music. In legendary studios like Electric Lady and the Record Plant, Margouleff became a pioneering producer and engineer for artists like Billy Preston, Jeff Beck, DEVO, The Isley Brothers, and David Sanborn. A true sonic innovator, he was an early adopter of immersive audio and surround sound, developing new mixing techniques for home theaters that brought some of Hollywood’s biggest blockbusters to life. 

Here's a preview of the audiobook, where Margouleff talks about working with The Isley Brothers on their 3+3 album. If you want to hear more, check out Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music wherever you get audiobooks. You can use the code SOUNDS25 at pushkin.fm/shapingsounds to save 25% on the audiobook.

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Robert Margouleff is one of the most quietly consequential figures in modern music — a sonic architect who helped build some of the most innovative and enduring sounds of the last half century. Together with his partner Malcolm Cecil, Robert created TONTO, the world's largest analog synthesizer, and used it to co-produce a string of era-defining Stevie Wonder classics including Music Of My Mind, Talking Book, Innervisions, and Fulfillingness' First Finale. He went on to work with Jeff Beck, The Isley Brothers, and a scrappy art-punk band from Akron, Ohio called DEVO — helping shape their early sound into something that felt like it arrived from another dimension entirely.

You might remember Robert from his Broken Record interview a few years back. Now he's releasing an audiobook, Shaping Sounds: Stevie Wonder, DEVO, the Synth Revolution and My Life Behind the Music. It's a memoir about creativity, collaboration, and artistic courage, told by someone who was in the room when the future was being invented.

On today's episode Justin Richmond sits down with Robert and Mark Mothersbaugh, the frontman of DEVO, composer, visual artist, and one of the most original creative minds of his generation. They recall working together to make DEVO's Freedom of Choice, and the glory days of recording at the Record Plant studios in Los Angeles in the '80s.

You can hear a playlist of some of our favorite songs from Robert Margouleff and Mark Mothersbaugh HERE.

You can use the code SOUNDS25 at pushkin.fm/shapingsounds to save 25% on the audiobook.

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Maya Hawke first became known to wide audiences as an actress — especially through her work in Stranger Things — but she's been quietly building a parallel life as a songwriter of genuine depth. Since her debut album Blush in 2020, she's released four records.

Her latest, Maitreya Corso, arrives at a pivotal moment: the album follows her marriage to longtime musical collaborator Christian Lee Hutson, and centers on a fictional persona through who Hawke explores ego, ambition, and the strange labor of making something. Recorded in Woodstock and New York City late last year, it's co-produced by Hutson and Jonathan Low, with cover art drawn from watercolors Maya painted herself.

On today's episode Justin Richmond sat down with Maya Hawke and her husband and co-producer Christian Lee Hutson live at SXSW to talk about the making of Maitreya Corso, and what it means to finally come together as partners in both life and work.

You can hear a playlist of some of our favorite songs from Maya Hawke and Christian Lee Hutson HERE.

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In the latest season of Revisionist History, Malcolm Gladwell is looking at the origins and consequences of mistakes—why we make them, the context in which we make them, and what happens after we make them. Years ago a music producer named Irv Gotti—a hitmaker for Jay-Z, Ja Rule, and Ashanti—was tapped by Sony Music to make a record with Jennifer Lopez. They wanted a big hit. And Irv delivered. But then he made the biggest mistake of his career.

Find more episodes of Revisionist History wherever you get podcasts.

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The magic of Bruce Hornsby isn't just that he's one of American music's great piano stylists — or that he wrote one of the most unlikely pop hits of the 1980s, a song about racism with two improvised solos that nobody at his label thought should be the single. It's how relentlessly he's kept moving, long after he had any commercial reason to.

Hornsby grew up in Williamsburg, Virginia, and got discovered playing a steak and ale joint across from the Hampton Coliseum by Mike McDonald. He scored his first big hit in 1986 with "The Way It Is. What followed was a long, restless second act: teaching himself two-handed independence by scheduling benefit concerts just to give himself a hard deadline, making jazz records with Jack DeJohnette and Christian McBride, bluegrass records with Ricky Skaggs, and going deep into Shostakovich fugues that now shape everything he writes.

On today’s episode Bruce Headlam sat down with Bruce Hornsby at the piano to talk about all of it. But they started somewhere unexpected: a steak and ale restaurant in Hampton, Virginia, in the fall of 1978.

You can hear a playlist of some of our favorite songs from Bruce Hornsby HERE.

Time-coded chapters:

(01:26) Discovering Musical Influences 

(09:24) Success of “The Way It Is”

(15:51) Crafting Unique Sounds and Styles

(20:30) Collaborations and Songwriting Process

(26:40) Exploring New Directions in Music

(33:20) The Challenge of Musical Growth

(39:10) Jazz and Bluegrass Fusion

(44:47) The Art of Improvisation and Composition

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