Jennifer Saint worked as an English teacher in a secondary school for thirteen years, when all of a sudden, with an unexpected confidence, she felt the urge to write a novel. It wasn't just the confidence she could do it that surprised her, but the belief that it would do well.

She was inspired by Greek mythology, and wanted to emphasise their relevance for the 21st Century. Her debut was 'Ariadne', which tells the legend of Theseus and the Minotaur from a female prespective. It was a Sunday Times Bestseller, a Waterstones Book of the Month, and was nominated for as their Book of the Year. She's also published 'Elektra' and 'Atalanta', also Sunday Times Bestsellers.

Jennifer's new novel is 'Hera', who is Zeus' brother. Together, they overthrow their tyrannical father Titan Cronos... only Hera becomes confused with thoughts of power and leading. She is often portrayed as the jealous wife and wicked stepmother - Jennifer explains why she decided to spend a year with one of Greek mythology's most hated figures.

We discuss how she picks her next retelling, also why as a teacher she wouldn't have liked how she gets to work as a writer, and what the point of Greek mythology is in 2025.

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Paul S. Edwards is a lawyer, a family man with two children, and has just published his first sci-fi novel, 'The Triton Run'. He found time to write it... anywhere. If he was early at a football game, he'd get words down. If he was at a gig with a few minutes to spare, he'd write. On the sofa with his family watching TV, he will get down it it.

His new novel is 'The Triton Run', the start of a new sci-fi series which spans planets and, Paul hopes, does something a bit different in the genre. We discuss how it's important to be inspired by what's come before, but not derivative of it... and there's a fine line in sci-fi.

You can hear why he's trying to brand and market not just the novel, but also himself. He's made a short-life website to help with that - paulsedwards.com

We discuss how he changes writing his second novel which his publisher was quite keen for, after taking a while on the debut, what he knows needs to be in sci-fi, and how he found his publishers, Northodox Press.

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Julia Raeside is a journalist and broadcaster, who has written for The Times, The Guardian, The Big Issue and many others, and appeared across the BBC.

Her new novel is 'Don't Make Me Laugh', which looks at the culture within the world of comedy... an industry which is rapidly approaching a #MeToo moment. It tells the story of Ali Lauder, a radio producer enlisted to hire Paul Bonatti to host a show. It could be her career breakthrough. Bonatti is a comedian who is thought to be cosy, warm, cool, and a fun feminist... turns out he's anything but.

We talk about how the idea developed from experiencing life at the Edinburgh Festival Fringe, covering it as a journalist, and then thinking there was more to be discussed as a novel. You can hear why being a journalist isn't always helpful to novel writing, why she had to trick herself to write, and whether she was ever worried it wasn't her story to tell.

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This week, we chat to Rosaria Girorgi, a mystery writer whose life has been as busy as one of her plots. Whilst studying in Denmark, she got a job working for who she thought was an antique dealer. He turned out to be 'The Umbrella Assassin', a cold war legend, who assassinated the Bulgarian dissident journalist Georgi Markov, with a poison pellet discharged from an umbrella.

It's inspired her novel,'The Less Unkind', which tells the story of Pico, a young woman making her way in the world and forging new friendships, when she takes a job with a strange antique dealer... who turns out to be something different than he first seemed.

Rosaria has lived all over, after being born in Tuscany, moving to Denmark, she founded a fashion start-up in Ireland, and is now living in Canada. We discuss how much where you live inspires what you write and how you write it. You can hear why she writes non-linearly and without a plot, which leads to a tricky edit smoothing the gaps of where chapters should join seemlessly.

Also we chat about how to start your second novel when the first mines so much of your life, why a plot is like a flock of birds, and all about her day.

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James Alistair Henry has had a hand in writing some seismic shows across T.V. He is a BAFTA award winning writer for the comedy, 'Green Wing', worked on the sketch show, 'Smack the Pony', and his diverse career has seen him write for 'Bob the Builder', 'Hey Duggee', and 'Shaun the Sheep'.

He's just published his debut novel, 'Pagans', which has already been optioned for Apple TV. It's set in an alternative Britain, threatened with political turmoil to unite the Celtic West, the Saxon East, and the powerful Nordic Kingdom of Scotland. It's inspired by a blend of Icelandic mythology, 'Game of Thrones', and scandi noir classics.

We talk about why he started writing this kind of story as a complete reverse of what he'd worked on before, and how he tried to blend the comedy he knows with a darker story. Also, hear about what he learned from writing sitcoms that he could use in novels, and we get quite theoretical with discussions of rules and what stories need to include.

You can hear why he's happy to chill, writing on the sofa, also what he's learned from the first novel that he can take into the second, and find out why one of his main motivations was simply to finish something.

This week's episode is sponsored by Scribe Shadow, find out more about what they do at app.scribeshadow.com

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This week, we're chatting to Maz Evans, a celebrated Children's author who has taken the plunge into Adult fiction, publishing her second cosy crime book.

Maz is a Carnegie Award and CWA Golden Dagger Shortlisted writer. 'Who Let the Gods Out', 'Vi Spy', and her 'Scarlett Fife' series are loved by kids across the world. Her new adult novel is 'That'll Teach Her', it's a multi-media novel telling the story of a group of parents trying to solve a murder over their WhatsApp group. It's the perfect blend of Richard Osman and Janice Hallett. We discuss the intricate plotting of crime novels - setting up the character, laying enough red herrings, and making everything believable. You can hear why everything comes from character, why she's mindful of taking care of herself, and about the only rule she has.

Maz is busy writing multiple books a year across different genre, for different audiences, and she brilliantly takes us through twelve months in her writing life. We dissect the business of writing, and why celebrities think they've got what it takes to instantly write a bestseller.

This week's episode is sponsored by Scribe Shadow, find out more at app.scribeshadow.com.

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Imran Mahmood has 30 years experience as a criminal defence lawyer, working on all manner of high-profile cases. He's taken that knowledge and forged a successful 2nd career as a crime writer. His debut, 'You Don't Know Me', was presented as a closing argument to a jury. It was long-listed for the Theakston Crime Novel of the year, the CWA Gold Dagger in 2017, and was a BBC Radio 2 Book Club Choice. It's been adapted for a BBC/ Netflix Crime Drama.

He followed that up with 'I Know What I Saw', which was a Sunday Times Crime Novel of the Month, and is now back with 'Finding Sophie'. It's about Harry and Zara, parents struggling to come to terms with their daughter who is missing. The police are unable to find any leads and they're growing ever more frantic and obsessed with their supicious neighbour who won't answer the door.

We discuss his busy life as a barrister with a young family, and why he's chosen to spend what little free time he has writing novels. You can hear how both jobs have affected each other, why talking to a jury has helped novel writing, and why he thinks his greatest skill is simply getting words down.

This week's episode is supported by Scribe Shadow, a game-changing tool for writers trying to reach international readers. Find out more at app.scribeschadow.com

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Nick Newman is an award-nominated author, who as Nicholas Bowling has published 4 genre-defying books for children. Now, he's written his debut adult novel, called 'The Garden'. It's an other-worldly retelling of 'The Secret Garden', inspired by Cormac McCarthy. It tells the story of Lily, Evelyn and a nameless boy who wanders into their vast and flourishing garden.

We discuss the balance of getting the plot down, whilst also writing some lovely words. Also, why he tells himself one thing about what works best for him... whilst knowing the opposite is true, hear about a recent location switch which has changed everything, and whether he thinks he's a writer or a story-teller (there is a difference)

This week's episode is sponsored by Scribe Shadow, a game-changing tool for writers trying to reach international readers. It uses advanced AI to translate your work into other languages, helping you reach a global audience quickly and affordably. Find out more at app.scribeshadow.com

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This week we chat to A.F Steadman, the bestselling author behind the phenomenal 'Skandar series'. The fantasy saga has taken the literary world by storm, was reported to have sold for a seven-figure deal, and was believed to be the biggest advance ever given to a debut childrens author. The series is praised as the biggest children's fantasy since Harry Potter.

In this episode, we dive into her journey from practicing law to becoming a celebrated writer, explore the inspirations behind her imaginative world of bloodthirsty unicorns, and look inside her working day.

The first, 'Skandar and the Unicorn Thief', was selected as the Waterstones Children's Book of Year 2022, and won an Indie Book Award in 2023. The 3rd, 'Skandar and the Chaos Trials' is out in paperback right now, and the 5th and final book is released in August 2025.

You can hear why it was inspired by a train journey listening to James Blunt, and why she sat on it for years simply drawing ideas before finally getting the first book out in a frantic rush. We discuss her busy 5 years, sometimes working on 3 books at the same time, in a rush to get these stories published. Annabel runs through why big screens don't work for her, how she knows she's good in the morning... but struggles to get up and make the most of it, and whether she's found her voice yet.

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Laurie Dove is a do-er. She likes to keep busy. Alongside writing for numerous places like CNN, Animal Planet, the LA Business Journal, and many more, Laurie was elected local Mayor back in 2015, has a Masters Degree from Harvard, and has just published 'Mask of the Deer Woman'.

It tells the story of Carrie Starr. Once a detective in Chicago, Carrie has hit rock-bottom after a personal tragedy and returned to the reservation in which she grew up to be their local Marshal. When a college student goes missing, Carrie must wrestle with the reasons why her own daughter disappeared.

We discuss why Laurie has found time to write for pleasure when she makes money writing for other people, also how she dealt with the ambiguity of magical realism, and why she likes to sneak up on the story. You can hear how fiction comes from character, how hard it is to find an organic ending to the first novel in a series, and why the only way to find out how to write novels... is to write novels.

This week's episode is sponsored by the 'Charley Scott Mysteries', by Vanessa Westermann. To find out more about these feel-good thrillers set in the stunning Canadian countryside, head here - www.vanessa-westermann.info/

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Peyton Corinne is a love story enthusiast. As a teenager, she would write fan-fiction about her favourite series, then she self-published her own writing whilst working as a teacher, because she hit it big on TikTok.

The episode is a full break-down on why if you market yourself smartly and keep up with social trends, your book will find an audience, and traditional publishers will find you.

Her new novel is 'Unloved', it tells the story of star hockey player Matt 'Freddy' Fredderic, who can do everything at school but pass his exams. When he gets a tutor to help him out... a pining love story starts to develop between them.

We discuss why there will always be a happy ending, and how Peyton works the rest of her story out to reach that conclusion. Also, hear why she likes to write in long-hand, the little annoyances of writing full-time, and why getting a good editor can solve every problem.

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