Vieux Carre was one of Tennessee Williams' first plays and one of his last -- begun in the late 30s but not completed until forty years later, near the end of the playwright's life. The premiere production was a major Broadway flop and, despite the importance of its writer, the play has been seldom produced since then. Now Raven Theatre has brought it to Chicago audiences. Director Cody Estle, dramaturg Lukas Brasherfons and set designer Ray Toler join Anne Nicholson Weber to talk about the history, merits and challenges of this little known Williams work.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with Edward Hibbert, one of the stars from the Lyric Opera's production of The Sound of Music. He talks about his role in the show as well as his time on the hit TV show Frasier and his major Broadway credits.

The provocative title of Mike Bartlett's play, "Cock", refers to both sexuality and cock fighting. Profiles Theatre cast members Christopher Sheard, Jake Szczepaniak, Eleni Pappageorge and Torrey Hanson join Anne Nicholson Weber to discuss sex on stage, acting without thinking and what an actor's friends should wear to a performance.

What are the pleasures and pitfalls of composing incidental music for a play? Chicago composers Christopher Kriz (multiple Jeff award nominee, including for his music for Lifeline Theatre's 2013 production of Pride and Prejudice) and Daniel Knox (Jeff-nominated for his music for Mary Arrchie's production of The Glass Menagerie), and actor/violinist Greg Hirte (incidental music for Piven Theatre's production of The Language Archive), join Anne Nicholson Weber to talk about their work.

What are the pleasures and pitfalls of composing incidental music for a play? Chicago composers Christopher Kriz (multiple Jeff award nominee, including for his music for Lifeline Theatre's 2013 production of Pride and Prejudice) and Daniel Knox (Jeff-nominated for his music for Mary Arrchie's production of The Glass Menagerie), and actor/violinist Greg Hirte (incidental music for Piven Theatre's production of The Language Archive), join Anne Nicholson Weber to talk about their work.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with actress Amanda Drinkall. Amanda talks about her role in Venus In Fur at the Goodman Theatre and her acting career.

What makes a text suitable for the signature circus-infused style of Lookingglass Theatre? Director David Catlin and Acrobatic/ Circus Choreographer Sylvia Hernandez-DiStasi join Anne Nicholson Weber to discuss their production of The Little Prince, adapted from Antoine de Saint-Exupery's beloved classic by Rick Cummins and John Scoullar.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with Peter Oyloe, Jackie Intres and Christian Libonati. Christian talks about their latest show The Snow Queen, Jackie talks about the educational and community programs at the NW Side Chicago venue (Filament Theatre) and Peter talks about the new space and the plans for the near future for the venue.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with publicist Noreen Heron. Noreen talks about the roles of a publicist, her clients and her background in theatre beginning with the Candleight Theatre.

How -- and why -- would you tell the tragic story of the 1903 Iroquois Theatre disaster as a clown piece? Playwright/actor Jay Torrence and director Halena Kays join Anne Nicholson Weber to discuss the development of their unlikely and haunting hit, Burning Bluebeard, which was originally created at The Neo-Futurists and is now being remounted by The Ruffians at Theatre Wit.

This week on the Talk Theatre In Chicago podcast Tom Williams talks with Chicgo Tribune critic Chris Jones about his book Bigger, Brighter, Louder: 150 Years of Chicago Theater As Seen By Chicago Tribune Critics. Chris talks about how and why he chose the 101 reviews in the book and he also gives advise to young critics.