If you’re a Boomer, a Gen Xer or an early millennial, this is going to hurt. If someone says “25 years ago,” now, they mean something that happened in the 1900s, not in the 21st century.
Despite how it might feel, the 90s weren’t just 20 years ago…neither were the 80s…if you’re a certain age, you know exactly what I’m talking about.
This hurts, too…at some point, you’re going to hear a kid talk about a song that came out “in the late 1900s”…ouch.
We’re already a quarter of the way through the 21st century. I still find that hard to process.
On the other hand, younger Millennials, Gen Zed kids, and Gen Alpha, first 25 years of the 2000s is recent history…if that’s you, you’re still getting caught up…and if you’re in those special years when you develop your musical awareness, you’re probably a sponge for information…what did I miss?...and how did we get to where we are now?
Whatever your perspective, this series of “ongoing history” episodes aims to help…this is part 6 of our look back at the 100 greatest moments in rock for the millennium—so far.
Songs in this episode:
The Killers - Mr. Brightside (Original Demo)
Radiohead - Karma Police
U2 - Vertigo
Alice In Chains - We Die Young
Veruca Salt - Laughing In The Sugar Bowl
Limewire - Knot
Tool - Fear Inoculum
Royal Blood - Figure it Out
Foo Fighters - Times Like These (Live London)
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People love lists…magazines, broadcasters, and websites are always publishing them…the ones that seem to get the most attention are those that rank a specific thing from worst to best.
And let’s be honest: most of these lists are designed to court controversy, to create arguments, and to get people talking about how things got ordered and why or why not someone or something should be at number one…i get it.
But not all lists are created equal…some are just supposed to keep track of something…what to buy at the grocery store…errands that need to be done…things you need to pack for a trip.
Then there’s middle ground…lists that keep track of something while attempting to slot them in some order of importance, influence, or impact.
Such lists will still result in arguments and debate over how things were ranked—which is fine—but the primary purpose of such a list is an attempt to remember what happened.
We’re already 25% the way through the 21st century…and with the pace of life, it’s harder and harder to keep up with what happened this week let alone over the last quarter-century.
That’s why everything once in a while it’s important to stop, take a breath, look around, and try to remember what happened…and once we account for that, we can get a better idea of why we’ve ended up where we are: the advances we’ve seen, the mistakes we’ve made, and the happy (and unhappy accidents) that have occurred—and maybe, just maybe, figure out where we’re going.
This is chapter five of the 100 greatest rock moments of the millennium—so far.
Songs in this episode:
Cruisebox - On A Podcast
The White Stripes - Seven Nation Army
Patti Smith - Elegie
Black Keys - Lonely Boy
Metallica - Seek And Destroy (live)
Green Day - American Idiot
Rage Against The Machine - Killing In The Name Of
Ariel Pink's Haunted Graffiti - Round and Round
Foo Fighters - Learning to Fly (live)
Nirvana - Polly
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It’s a summer night in 1998. Vienna, Austria. And petty thief Daniel Blanchard is about to carry out the heist of a lifetime. Stealing a crown jewel. The last remaining diamond Sisi Star.
His plan? A daring night-time parachute jump.
Daniel is no ordinary thief. His heists are ingenious, meticulously planned; his escapes from the law defy belief. And Daniel knows that if he can get his hands on the star, it will launch him into the criminal big-leagues.
Daniel’s exploits unleash a relentless game of cat-and-mouse, as police track him across continents yet vanishes from their grasp.
What he doesn’t know is that the Sisi Star has a history. A dark history. Its original owner, the legendary Empress Elisabeth of Austria, used it to carve her own legacy of absolute beauty and power. That pursuit drove her to her very limits.
And now Daniel’s fate is fixed to that same star. But how long can Sisi’s star stay lucky for Daniel?
This is A Most Audacious Heist – it’s the story of a master thief, an intercontinental manhunt, and the jewel that changes everything.
Contact:
Facebook: @BlanchardHouseStories
Instagram: @BlanchardHouseStories
X (formerly Twitter): @BlanchardTweets
Blanchard House website: blanchard-house.com
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Time has a way of getting away from us, especially at the speed at which news cycles travel…with a firehose of information coming at us from traditional media, online sources, social media, and just life in general, it’s really easy to forget where we’ve been and what we’ve done.
The speed of 21st century life has either created our ultra-short attention spans or exacerbated what was already there.
Me?... Sometimes it feels like I have the memory of a goldfish…somebody will mention something that happened and I’ll go, “oh, yeah…that happened a couple of years ago”…and then they’ll say, “no, that was 21 years ago”.
It’s been so long since the 90s that the music of that era is number one for nostalgia, eclipsing the public’s fascination with the 80s, the 70s, and the 60s…people who weren’t alive in the 90s have latched on to that music in a very fierce way.
Maybe that’s why to older folk the rock from that time still seems fresh and top-of-mind—because to a substantial number of young music fans, it’s fresh and top-of-mind for them…I find it fascinating when a young generation embraces music from an older generation as their own.
But time is an arrow that points only one way…we don’t know where we’re going, but we do know where we’ve been…and that’s where history comes in…remembering and analyzing the past helps understand where we are today and where we might possibly end up tomorrow.
That’s the point of this series of “ongoing history” programs…what has happened with music in the last 25 years?... And can we use any of this history to predict the future?
This is chapter four of “the 100 greatest moments in rock of the millennium—so far”.
Songs in this episode:
Final Fantasy - He Poos Clouds
Twenty One Pilots - Stressed Out
Rage Against The Machine - Renegades of Funk
Walk Off The Earth - Somebody I Used To Know
Metallica - St. Anger
Frank Turner - Girl From The Record Shop
Nickelback - Rockstar
Coldplay - Talk
Muse - Uprising
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The great 20th century philosopher Ferris Bueller once said “life moves pretty fast…if you don’t stop and look around once in a while, you could miss it”.
I think of this wisdom a lot, especially when someone starts talking about, say, the music of the 1990s…my instinctive reaction is always the same… “yeah…the 90s…that was ten years ago, right?”.
Obviously not…Nirvana’s “Nevermind” still lives and that record is over 30 years old…all the legendary grunge artists are in their 50s and 60s if not dead…but so much of the music of the era is always in the air so it’s not like it ever had a chance to be forgotten.
I was in an airport recently—a big public space serving people of all ages and all backgrounds from around the world—and “Man in a Box” from Alice in Chains was playing on the p.a.
And then there are all those moments in the grocery store when I hear music playing and think to myself “when did supermarket music get so cool?”.
The truth is that this music is a lot older than my brain wants to believe…even though it still sounds fresh, so much has happened since those records came out.
Life does move pretty fast…and it seems that it’s moving faster with each passing day…and yeah, we do need to stop and looking around once in while because, let’s face it, we’re missing a lot of stuff.
Now that we’re 25 years deep into the 21st century, I feel the need to look around a lot more, if for no other reason, to remember and keep track of everything that we’ve seen in music…what have we missed?...what have we forgotten?...and if we’re not acquainted with how we got here, how can we possibly be ready for what might be coming next.
This is episode 3 of a series I call “the 100 greatest rock moments of the millennium so far”…let’s see how many of these things you remember.
Songs in this episode:
Radiohead - Creep
Tool - Tempest
Imagine Dragons - Radioactive
The Killers - Mr. Brightside
Pantera - Walk
Foo Fighters - Something From Nothing
Nine Inch Nails - 34 Ghosts IV
Sinead O'Connor - The Last Day of Our Acquaintance
U2 - Even Better Than The Real Thing (live)
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So much can happen in 25 years…let’s go back to how the 20th century began…in just a quarter century, we got radio, airplanes, the Great War, the Russian revolution, the Soviet Union, and the rise of Communism.
The Titanic sank…women were empowered to vote…Einstein came up with the theory of relativity…Henry Ford changed manufacturing forever with the use of the assembly line, not to mention the introduction of cars.
We also go stainless steel, the first x-ray machine, the zipper, neon lighting, and instant coffee…and that’s just for starters.
Now let’s look at the first 25 years of the 21st century… 9/11 and the wars that followed…the rise of China as global power…the Arab Spring…an awareness of climate change…LGBT rights and social movements…covid…trump…the incorporation of the internet into everything.
Now that the century is a quarter done, it’s also a good time to look back on what happened in music…the short answer is “a lot”…but because change happened so consistently and was adopted by so many people, it’s easy to lose perspective of how much things have changed since the clocks ticked over to January 1, 2000.
Let’s take stock of things…this is part two of the greatest rock moments of the millennium—so far.
Songs in this episode:
The Thermals - Here's Your Future
Amy Winehouse - Rehab
REM - Mine Smell Like Honey
Joy Division - Transmission
Women - Eyesore
The Hives - Tick Tick Boom
Presidents of the USA - Video Killed The Radio Star
Twenty One Pilots - Heathens
Our Lady Peace - Will The Future Blame Us
U2 - The Miracle (Of Joey Ramone)
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Keeping up to date with the news cycles is exhausting…so much comes at us from so many different directions that it’s impossible to know if we’re in the middle of something important or not…everything seems urgent, threatening, and life-changing…there’s precious little time for careful consideration, study, and analysis.
Keeping up with technology and its effect on society is another big challenge…one moment everyone seems caught up with a particular gadget or app—but a month or even a week later, that’s old news and everyone has moved on.
Remember how the world was supposed to end when the planet’s computers melted down over the Y2K bug?...wasn’t the world supposed to end with the end of the Mayan calendar in 2012?...weren’t we supposed to have run out of oil by now?
When you mix technology with the news cycle, our ever-shortening attention spans, how the world is interconnected 24/7, and how we’re able to individualize everything that we take in, it’s easy to lose track of what the hell is happening…one of my favourite doomsday predictions had to do with the large hadron collider along the French-Swiss border…before it was switched on, people were saying that scientists risked creating an artificial black hole that would suck everyone into oblivion.
And don’t get me started on conspiracy theories…chemtrails…flat earthers…9/11 was an inside job…the U.S. government using a facility in Alaska to control the world’s weather.
This is why it’s important every once in a while, we stop and take stock of things…big picture stuff matters…long-term consequences matter…the knock-on effects of something that was once considered inconsequential and unnoticed matter.
It’s difficult enough to remember what exactly happened...it’s even more difficult to determine what really mattered over the long term...even so, what were merely transient distractions may have turned out to be groundbreaking in the long run…was that thing a fad or was it predictive of something bigger in the future?
And then there’s music…so much has changed in a very short period of time…and now that we’re a quarter of the way through the 21st century, enough time has passed so that we can look back with some clarity.
Welcome to a special “ongoing history of new music” series…these are the 100 most important moments in rock in the 21st century—so far—part one.
Songs in this episode:
The Police - Driven to Tears
Manskin - I Wanna Be Your Slave
Linkin Park - In The End
U2 - Vertigo (live at The Sphere)
Kate Bush - Running Up That Hill (live at Apollo Hammersmith 2014)
Blink 182 - Bored to Death
Silverchair - Tomorrow
Gorillaz - Feel Good Inc.
Pearl Jam - Animal (live in Montreal circa 2000)
Arctic Monkeys - I Bet You Look Good on the Dance Floor (Demo from MySpace)
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A couple of years ago, it became obvious that we were entering an era where music fans were increasingly going to be sad…that’s because our musical heroes are shuffling off this mortal coil.
It really hit hard in 2016—that was a bad year with the deaths of David Bowie and Prince—that really brought home the unfortunate reality that we will continue to lose people who have been making music for us for years, maybe decades.
We didn’t necessarily know any of these people personally…but it was through their music that learned something about ourselves…so when they die, a little bit of us might go with them.
I think it’s important that we remember those musicians who have passed on…that’s why we have this annual look at who died…we need to honour the work of these musicians and music people…and with so many of them going, we at the very least need to remember that they did indeed pass away.
This is the 2024 “In Memoriam” show…grab yourself a box of tissues.
Songs in this episode:
Kate Bush - Running Up That Hill
The MC5 - Kick Out The Jams
Mojo Nixon and Skid Roper - Elvis is Everywhere
World Party - Ship of Fools
The Raspberries - Go All The Way
Nirvana - Heart-Shaped Box
The Selector - On My Radio
Crazy Town - Butterfly
Greg Kihn Band - The Break-Up Song
My Chemical Romance - Welcome to the Black Parade
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One of the byproducts of doing a show like this for as long as I’ve been doing it is that it’s really hard to shut off your brain.
I’m always thinking about topic ideas, ways to connect facts and trivia, reading a lot of books, talking to a lot of people, and otherwise trying to come up with a constant stream of topics we can discuss.
The result of all this research and thinking and writing are some ideas and perspectives on music, music history, how music is made, how it’s consumed and distributed, and how seemingly small things have led to big changes…that’s one thing.
Another is the opinions formed by observing the opinions of others…why do people like some things and hate others?... another is a list of ideas that aren’t quite fully formed…it seems like I’ve almost grasped a concept. Still, it doesn’t feel right yet—but I feel there’s a germ of truth somewhere.
I’ve also learned that when you’re unsure about something, source the crowd…you might like the answers, but it’s better than living in your own head.
So, let me bounce a few of these things off you, and you can tell me if I’m onto something, if I’m off base, or if I’ve completely lost the plot…
I call this episode “theories, thoughts, and half-baked ideas”.
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Beauty is in the eye of the beholder—or in the case of music, the ear…what’s pleasant to one person is nothing but noise to someone else…
This is where it’s good to have some patience…there are some forms of art whose beauty isn’t obvious at first…you need to stick with it…and after you’ve given it a chance and decided that it’s not for you, fine…
But what about those times when something happens—suddenly or slowly and either on your own or with the prompting of someone else—and you realize that the weird music you’re listening to is actually pretty good?...
This is the payoff…yeah, you really had to work for it—but it was worth it…with me so far?..
“Beauty” doesn’t mean “perfect”—at least in the technical sense…sometimes imperfection makes something more beautiful…or at least more interesting…
This brings me to the topic of singing voices…this is a very subjective area…how many times have you said, “Listen to that guy!... I can’t stand his voice!...how did he ever get a record deal?... I mean, listen to him!”
But then others hear the same thing and go, “wow…that’s really different…really expressive…it’s full of character and emotion…what a bold move giving this dude a chance to real millions of people… I love this guy!”…
These are the kind of singers we’re about to review: guys with some of the most unusual voices in the history of alt-rock.
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For a very long time—too long—women were locked in very defined roles when it came to rock’n’roll…girls were expected to look pretty and do little more than sing…okay, maybe shake a tambourine or something…but that was about it…
And when it came to singing, “Just stick with conventional stuff, dear…don’t get any crazy ideas in your head…this is a woman’s role in rock, and you should stick to it…that’s a nice little lady”…
But then along came punk rock in the 1970s…punk did many things for rock—including knocking down a lot of heretofore inviolable gender roles…the central tenet of punk was that anyone should have the right to say anything in any matter they want regardless of who they are…that included women and their right to self-expression…
The result was fantastic. Freed from all the old expectations, women were free to reinvent themselves as musicians in a million different ways leading to a wonderful array of female performers…
Some of my favourites are the ones who decided to spit in the face of virtually every rock’n’roll convention—women who (before punk came along and liberated everyone from the tyranny of “the way things ought to be”) developed styles that were different and unique and utterly unlike anything the world had ever heard before…
Yes, some of them were an acquired taste and took a little getting used to…but once people figured out what they were trying to do and what they were all about, it was inevitable that they would become addicted, enchanted, and inspired…
We’re going to look at ten of these women…I call them “The Queens of Quirk”
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