Our latest guest on Soundtracking marks the cinematic event of the year thus far, as Christopher Nolan joins us to discuss his latest masterpiece, The Odyssey. Boasting a stellar cast, Chris's retelling of Homer's classic poem has been selling out cinemas in seconds and even crashing ticketing sites - and we can assure you if you're one of the people who's booked, you're in for an absolute treat. The Odyssey is scored by friend-of-the-show, Ludwig Goransson, and Christopher goes into great depth about the nature of their process.

Our latest guests on Soundtracking join us to chat about season 5 of comedy-drama Trying, which is streaming now on Apple TV. First up is star of the show, Rafe Spall, followed by Orla Gartland, who is the latest in a line of fantastic musicians to provide original music for the show. For those who don't know, Trying tells the story of Jason and Nikki - played by Rafe's real-life partner, Esther Smith - who struggle to conceive before deciding to adopt, which presents its own set of problems for them to deal with.

Our latest episode is a special double header on Enola Holmes 3, which is streaming now on Netflix. First up is friend of the show, Philip Barantini, who directed the film, before we hear from his regular composers Aaron May and David Ridley. Starring Millie Bobbie Brown, Enola Holmes 3 tells the story of the world-famous detective's sister, who heads to Malta to get married only to be embroiled in and investigate Sherlock's mysterious kidnapping.

Our latest guests on Soundtracking are composers Isobel Waller-Bridge and Hania Rani, who joined Edith in conversation at a very special event organised by Dirty Soup Music, live at Soho House in London. A previous guest on the show, Isobel is responsible for scoring the likes of Emma, The Phantom Of The Open and Wicked Little Letters. Hania, meanwhile, topically provided British broadcaster ITV with their theme music for the England men's football team, and won the European Film Award for Best Composer for her score for Sentimental Value. Speaking of which, you can check out my chat with the direct and star of that film, Joachim Trier and Stellan Skarsgaard respectively, at edithbowman.com

Our latest guest on Soundtracking - and boy have we had some crackers recently - is none other than Jodie Foster, who joins us to discuss her starring role in psychological thriller, A Private Life. Speaking French (it's a French film), Jodie plays a renowned psychiatrist who launches a private investigation into the suicide of one of her patients, who she believes was murdered.

We also discuss Bugsy Malone, Taxi Driver and Silence Of The Lambs.

We have a couple of Pixar legends for you on our latest episode of Soundtracking. We're thrilled to welcome writer / director Andrew Stanton and producer Lindsay Collins to the podcast on the much-anticipated release of Toy Story 5. Toy Story 5 has the band back together but facing an existential threat as Bonnie's interest in them wanes as she is introduced to technology. In a beautiful stroke of creative circularity, Toy Story 5 is scored by Randy Newman, who also provided the music for the first film.

Slightly later than billed, our latest episode sees a welcome return to Soundtacking to the utterly charming Finneas O'Connell, who joins us to discuss his score for Beef 2. We've already spoken to Sonny Lee, creator and showrunner of the hugely acclaimed and successful Netflix show, so please do listen to that if you haven't already. But it's always such a joy to take a deep musical dive with Finneas, who speaks so eloquently about his craft. We get into Bond and Barbie too!

In a last minute change of plan, our latest guests on Soundtracking are Daniel Pemberton and Brian May, who join us to discuss their musical collaboration on Masters Of The Universe.  Based on the classic cartoon, Masters Of The Universe tells the story of Adam, who returns to his home planet of Eternia to take his destiny as He-Man and confront his nemesis Skeletor.

This is a fascinating insight into Daniel and Brian's process, not to be missed by score enthusiasts.

We bring you Edith's conversation with Craig, recorded at the Byre Theatre in St Andrew's in front of an audience. Craig goes into great depth about his storied career, his process, and the relationships he's formed with the various luminaries he's worked with.

Our latest guests on Soundtracking are director Olivia Newman and composer Dickon Hinchliffe, who join me to discuss Dickon's score for Olivia's Netflix film, Remarkably Bright Creatures. Based on the international bestseller of the same name by Shelby Van Pelt, it tells the story of an elderly cleaner at an aquarium who takes a young drifter under her wing, all under the watchful gaze of a giant octopus, who deepens and solidifies their connection.

Our latest guest is Kristin Scott Thomas, who joined Edith in front of an audience for our Soundtracking Film Club at Everyman Whiteley's to discuss her new film My Mother's Wedding - which she has co-written and directed, and also stars in. This is the first of our events in partnership with Range Rover, a brand synonymous with mastery in all its forms, championing those who push boundaries, define standards and create enduring impact. Both Soundtracking and Everyman align naturally with Range Rover’s core principles relating to leadership, cultural authority and creative excellence, so we're absolutely thrilled they have chosen to support our podcast, which was recorded live in front of an audience following a screening of Kristin's film.