These days Nick Offerman appears to be one of the few remaining men who enjoys “making things rather than destroying things.” Career-best performances, best-selling books, a wooden, cedar-strip canoe built out of his Los Angeles Offerman Woodshop. Nick does what he can (and then some).

He joins us this week on the heels of his double Emmy nominations to talk through his emotionally complex performance in Margo’s Got Money Troubles, its connection to his past (8:48), and the range of projects born from his tendency to keep busy (13:10). Then, we turn to the words of the late, beloved poet Wendell Berry (15:35), Offerman’s rural upbringing in Illinois (16:45), and his timely role in the crime thriller Sovereign (26:55)

On the back-half, we talk about masculinity in America (30:35), Ben Shapiro’s vexing response to Offerman’s Emmy-winning turn in The Last of Us (40:52), what Parks and Recreation symbolizes to its fans, new and old (56:00), and why he believes “if you can finish your day having offered more flowers than you’ve stepped on… that’s a good goal” (1:05:40).

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Rest in peace to writer and activist Gloria Steinem.

The trajectory of Steinem’s life and work was unparalleled. Her cultural and political impact, incalculable. We sat to discuss the life-altering procedure she had completed at age 22, why she helped create the women's liberation movement alongside Dorothy Pitman Hughes and Flo Kennedy, and how she learned to become angry—on her own behalf—about race and gender bias throughout America.

Original air date: December 15, 2019

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With the fall movie season upon us, who better to sit with than ⁠The Big Picture⁠ co-hosts Sean Fennessey and Amanda Dobbins?

We begin with a post-vacation check-in (2:38), the god-given gifts of Ben Affleck and Jacob Elordi (6:19), and the latest film from “influencer” Ridley Scott (7:05).

Then we move on to our fall movie preview/draft, highlighting Jordan Firstman’s Club Kid (19:25), Julianne Moore in The Debut (21:39), Robert Pattinson in Primetime (26:12), and new films from directors Alejandro G. Iñárritu (32:37), David Fincher (36:24), James Gray (42:37), and Danny Boyle (58:00). Plus, two personal, familial projects in Once Upon a Time in Harlem (50:51) and The Making of Marie Antoinette (49:11).

On the back-half, we talk all things The Big Picture: Sean and Amanda’s New York origin story (1:01:39), moving to Los Angeles to launch The Ringer (1:12:22), the call from Bill Simmons that brought this duo together (1:12:36), the power of the Dob Mob (1:17:44), and the ongoing race for the show’s third chair, featuring Chris Ryan (1:23:02) and Tracy Letts (1:27:30). We also discuss Sean’s Mount Rushmore of dream guests (1:30:36), the movie he’d most like to do on The Rewatchables (1:34:06), ChatGPT Ebert (1:34:34), the role of AI in film and media (1:35:33), the contemporary challenges of making good work in a “crumbling industry” (1:38:44), and why this show—and this pair—continue to work after nearly a thousand episodes (1:45:39).

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From “The Good Place” and “Barry” to “A League of Their Own” and “The Five-Star Weekend,” D’Arcy Carden has become one of the most recognizable and beloved performers on television.

We sit to discuss her Bay Area upbringing (6:33), moving to New York to pursue acting (16:05), and finding her community in long-form improv at UCB (21:08). Then, she reflects on the day jobs that kept her afloat—including babysitting Bill Hader’s kids (24:53), watching friends around her begin to break through (29:54), and what kept her from submitting an application for SNL (35:08).

On the back-half, Carden revisits “The Good Place” audition that changed her life (42:49), the pressure she felt on set (51:34), and an enduring piece of advice from her co-star Ted Danson (56:48). To close, we talk about the joy and heartbreak of “A League of Their Own” (58:37), the future of Hollywood (1:01:50), and why, after reaching her wildest dreams, she hopes to keep acting forever (1:10:08).

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Novelist Colson Whitehead is one of only a handful of writers to win the Pulitzer Prize for Fiction twice—first for The Underground Railroad in 2017, and again for The Nickel Boys in 2020. He joins us on the heels of his latest novel, Cool Machine, the final installment of his acclaimed Harlem trilogy.

We begin with his decision to close out the world of furniture dealer Ray Carney (3:00), why Whitehead felt compelled to keep returning to 125th and Morningside (7:30), and the artistic influences that shaped him as a teenager (14:15). Then, we walk through the personal scenes chronicled in Sag Harbor (15:15), the horror movies that eventually led to Zone One (17:38), and how his latest protagonist’s story unfolds alongside a New York City perpetually destroying and reinventing itself (21:48).

On the back-half, Whitehead reflects on finding his voice as a young writer (31:30), why he “had no choice” but to write his debut novel, The Intuitionist (38:20), and teaching at Princeton alongside the late Toni Morrison (41:05). To close, we discuss the uncertain future of reading (44:55), the specter of AI (48:35), Zohran Mamdani’s first eight months as mayor (51:50), his love letter and elegy to the city after September 11 (55:00), and why, after more than a dozen books, writing still makes him feel a little more whole (1:03:00).

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What if it’s true that good things come to those who wait?

For Greta Lee, the success of Past Lives came after twenty years of working and finding her way as an actor. Her latest, leading turns come in The Last House and Late Fame.

We begin with Late Fame (4:12) and her larger-than-life character, inspired in part by artists like Isabella Rossellini, Marlene Dietrich, and Liza Minnelli (6:37). Then, Lee reflects on her upbringing as the daughter of Korean immigrants (12:20), translating for her parents at an early age (13:10), the sacrifices made by her doctor father and artist mother (16:05), and the high school experience that first made her question where she belonged (22:37).

On the back-half, we walk through Lee’s lean years in New York (29:35), the restaurant job that kept her afloat (32:00), and the rejection and financial stress of trying to make a living as an actor (34:55). Then, we talk about how motherhood changed her relationship to identity and representation (41:12), before returning to the miracle of Past Lives (52:10)—from her first days on set to the film’s emotional Sundance premiere (57:20), her mother’s profound connection to the story (1:03:45), and what Greta has learned about finally owning her own story (1:08:20).

The Last House is now available to stream on Netflix. Late Fame is in theaters, expanding nationally on August 14th.

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Nine years ago, cook and writer Samin Nosrat created a kitchen staple with Salt Fat Acid Heat: a New York Times bestseller that later became a hit Netflix series. Last fall, Nosrat returned with Good Things, a collection of personal recipes straight from her dining table.

Today, we revisit that candid conversation, where we discussed the influences that shaped the book (8:30), the ephemerality (and pleasure) of produce (9:30), her complicated San Diego childhood growing up with Iranian parents (17:30), the high expectations placed before her (22:40), and how she eventually found her way to Chez Panisse in Berkeley (32:00).

On the back-half, Samin talked about her salad days working in restaurants (46:00), grand openings and closings (42:30), the origins of Salt Fat Acid Heat (47:00), what The Bear gets right about cooking (1:00:25), and how she thinks about time (1:03:00) and ritual (1:07:40). 

Original air date: September 7, 2025

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Two years ago Mary Beth Barone considered quitting stand-up comedy. Thankfully (for us) these were always “empty threats.” The kinds you make when you’re working and waiting for your break, or, in her case, a Netflix special. 

She joins us this week on the precipice of her (excellent) streaming debut, “Galaxy Brain”, to talk about her intended audience in 2026 (5:32), the concept behind the special’s title (6:35), playing the algorithm (8:15), and the enduring influence of national treasure Lucille Ball (13:15). We also dive into her Connecticut upbringing (14:46), growing up on SNL in the ‘90s (15:15), her early, funny work (18:13), and the jokes jotted down in a gold Kate Spade notebook (26:27) before the first night she got on stage at an UCB open mic (27:08).

On the back half, Mary Beth shares the decade in comedy that followed: finding her voice as a performer (28:42), the unexpected role Interstellar played in her path (30:24), being inspired by the web-to-TV pipeline of shows like “Insecure” and “Broad City” (32:58), her “Thought Provoking” material “too frank and graphic” for some publications (34:22), the “parasocial relationship” she has with her audience (38:25), and arc of “the female comedian” (42:08).

We also talk auditioning for SNL alongside Caleb Hearon (46:14), trying to galvanize the hot community into participating in electoral politics (52:56), the newest season of the “Ride” podcast, buoyed by the Baronies, and co-hosted by Benito Skinner on Dear Media (54:40), the challenges of making work in the age of comment sections and subreddits (58:10), the publication of her candid, deeply moving Grub Street Diet diary (1:00:32), the ways in which 2025 “broke” her (1:04:00), how she’s putting the pieces back together slowly in 2026 (1:08:22), home movies (1:10:39), and a vision from her late Grandmother Barone that proved, rather improbably, prophetic (1:14:18).

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Timothy Olyphant has made a career out of masking the effort behind his effortless performances.

He joins us on the heels of his recent turns in Lucky and The Five-Star Weekend. We talk about performing opposite Anya Taylor-Joy (3:53), his upbringing in Modesto, California (7:00), and the years he spent swimming competitively at USC before trading in the fine arts for acting (14:30). Then, Timothy reflects on moving to New York to study at the legendary William Esper Studio (18:38), what actor Holly Hunter taught him about keeping a presence of mind on set (26:00), and the creative freedom he found working with showrunner David Milch on Deadwood (34:34).

On the back-half, Olyphant discusses the collaborative spirit behind Justified with Walton Goggins (39:00), getting caught in the midst of real gunfire at the set of Justified: City Primeval in Chicago (49:00), acting alongside Leonardo DiCaprio (53:00), David Fincher’s famously meticulous process (56:10), and what he envisions for his next chapter (1:07:15).

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All that glitters is not gold. 

Maggie Haberman is a White House correspondent for The New York Times who’s been covering Donald Trump for nearly three decades. Her extraordinary level of access in and around the Oval Office has resulted in two best-sellers, including the book of the summer, Regime Change: Inside the Imperial Presidency of Donald Trump.

The new book, co-written with her Times colleague Jonathan Swan, chronicles the first year of Trump’s 2nd term: how the current Trump administration differs from the first (5:05), the “rotating cast of characters” that orbits the Oval Office (9:40), the president’s obsession with gold and interior decorating (13:15), and what his insatiable appetite for risk has meant for the country–and people–who delivered him back to the White House (28:25) . We also discuss the tentative release of the Epstein files (22:03), the ongoing wars in Iran and Ukraine (33:15), and how Trump’s health is like “a black box” inside the administration (41:00). 

On the back-half, Haberman unpacks the early influence of her father, fellow Times journalist Clyde Haberman (47:00), finding her footing at New York tabloids (55:20), how her career took a left turn after Trump’s victory in 2016 (1:01:35), the “access journalism” critiques she’s received in recent years (1:04:33), and why she prefers to make journalistic assessments of the President rather than psychological ones (1:10:40). To close, she talks about interviewing Trump this past spring (1:13:09), a shocking exchange around power inside the Oval Office (1:14:30), and her commitment to covering this chapter of American history until we turn the page (1:30:20). 

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From Kenny Powers (“Eastbound & Down”) to Jesse Gemstone (“The Righteous Gemstones”), Danny McBride has created some of the most vain, quintessentially American portraits of male dysfunction in recent memory. His debut short-story collection, Thrilling Tales of Modern Men, is an ode to the overconfident yet woefully insecure characters that have defined his work for the past two decades. 

We begin with the origins of Danny’s new book (3:38), his mother’s church puppet shows that first inspired him to write (11:00), and a formative movie theater memory that (may or may not have) foreshadowed his parents’ divorce (16:00). Then, we walk through the lifelong creative partnerships he formed at the University of North Carolina School of the Arts (20:00), the odd jobs he held before breaking through in Hollywood (25:00), and the substitute teaching stint that inspired Eastbound & Down (35:00).

On the back-half, McBride reflects on making The Foot Fist Way (38:00), Tropic Thunder (44:10), This Is the End (45:38), and the cult classic Your Highness (50:00). We also discuss the significance of Kenny Powers in the Trump era (1:02:00), returning to Charleston (1:05:00), the impact of Danny’s late friend and collaborator Ben Best (1:02:00) and his vision for the post-Gemstones chapter ahead (1:10:00).

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