Back in 2012, Ne-Yo teamed up with Tim McGraw for the country/R&B collaboration “She Is.” Now, Ne-Yo is returning to Nashville to work on his own country-influenced project. We welcome the singer to the Nashville Now cabin to talk about going country, his love of Reba McEntire, and the time Tim and Faith Hill had him over for fried chicken. He also opens up about his personal experience so far in Music City and on the rowdy blocks of Lower Broadway, and how it may be different than what some fans might expect. It’s a sit-down with an R&B great, only on Nashville Now.

Country is Here… Nashville is Now.

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Nominations for the 2026 ACM Awards are out now and we have some questions. Rolling Stone’s Senior Music Editor Joseph Hudak and longtime RS contributor and author Marissa R. Moss break down five key storylines, from the dominance by this year’s women nominees to the wildly confusing New Artist races. Check out our hot takes and be sure to tune in to the 61st ACMs airing May 17 on Prime Video, live from Las Vegas.

Country is Here… Nashville is Now.

Check out our Hear Now playlist on Spotify, updated weekly.

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From Taylor Swift to Tanya Tucker, country music has a rich history of child stars. Maddox Batson, at just 16, is the latest, drawing comparisons to a young Justin Bieber with his songs about middle-school crushes and country living. Maddox joins us in the Nashville Now cabin to talk about songwriting, social media, and the song he co-wrote for Lana Del Rey and Quavo. And for his already hardcore fans, he tells us if there really was a “girl in green.” It’s the future of country music, only on Rolling Stone’s Nashville Now.

Country is Here… Nashville is Now.

Check out our Hear Now playlist on Spotify, updated weekly.

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You’ve never met a mother quite like Paul Cauthen. The outrageous Texas country singer remains proudly defiant on his new album The Book of Paul, which he says is about “the freaking trials and tribulations of Paul.” In a new episode of Rolling Stone’s Nashville Now podcast, the man known as “Big Velvet” tells us exactly what those tribulations are. He also talks about writing songs for Beyoncé, explains a lyric that dissed Kenny Chesney, and reveals where his alter-ego “Big Velvet” ends and Paul Cauthen begins. It’s a wild ride with one of country music’s most complex figures.

Country is Here… Nashville is Now.

Check out our Hear Now playlist on Spotify, updated weekly.

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Adam Scott stops by The Rolling Stone Studio Live at SXSW to talk about a packed year that includes two new films – the suburban thriller The Saviors and the haunted-hotel horror Hokum. In conversation with David Fear, Scott dives into his deep love of horror, the intense reaction to Severance’s Season Two finale, and why Hokum clocks in at “one thousand Shinings” on the scare scale. He also touches on his music-nerd podcast with Scott Aukerman and whether he’ll ever revisit his Greatest Event in Television History recreations.

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Kevin Bacon and Kyra Sedgwick join The Rolling Stone Studio Live at SXSW alongside their kids, Sosie Bacon and Travis Bacon, to talk about turning their real-life family into the stars of Family Movie, a meta horror comedy about a family making a low-budget horror film. In conversation with David Fear, the Bacon clan unpacks the chaos and chemistry of collaborating across generations, why horror remains such a durable crowd-pleaser, and how the film became one of SXSW’s buzziest premieres. They also get candid about the surreal moments that come with mixing family and filmmaking – including what happens when your parents have to fake intimacy on camera.

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Vince Gilligan and Rhea Seehorn join The Rolling Stone Studio Live at SXSW to unpack what’s ahead for Pluribus, their ambitious Apple TV+ drama that’s still finding its next chapter. In conversation with Brian Hiatt, Gilligan reflects on the challenges of mapping out Season Two, the lingering fallout from that explosive finale, and why he’s steering clear of “mystery box” storytelling. Seehorn, meanwhile, opens up about carrying the series from nearly every frame and the grueling shoot that revealed just how much the crew had her back.

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Boots Riley joins The Rolling Stone Studio Live at SXSW to talk about I Love Boosters, his riotous new satire about a crew of Oakland retail thieves led by Keke Palmer and facing off against a fast-fashion mogul played by Demi Moore. In conversation with Rolling Stone film critic David Fear, Riley traces the film’s origins back to his long-running fascination with “boosters,” and explains how his filmmaking extends the same political and cultural instincts behind his music with The Coup. He also breaks down why Palmer is, in his words, a “f**king national treasure,” and why he’s taking the film on the road to college campuses.

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Brandon Lake has made a name for himself as one of Christian music’s most successful stars. Now he’s setting his sights on country music and Nashville, teaming up with artists from Jelly Roll and Cody Johnson to Lainey Wilson. In this new episode of Rolling Stone’s Nashville Now, we ask Lake about the intersection between Christian music and country, if he’s worried about faith being exploited by politics, and if listeners of all faiths can have a seat at his table.

Country is Here…Nashville is Now.

Check out our Hear Now playlist on Spotify, updated weekly.

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Hannah Einbinder joins David Fear at The Rolling Stone Studio live at SXSW to talk about her latest stand-up special Everything Must Go and her new film Seekers of the Infinite Love. The Hacks breakout star reflects on blending the confessional with the absurd in her comedy, and the different instincts behind stand-up versus improv. She also digs into family dynamics, the allure of cults, and the personal experiences shaping her work onstage and on screen.

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Tyson Ritter joins Brian Hiatt at The Rolling Stone Studio live at SXSW to talk about the All-American Rejects long-awaited return with Sandbox, their first album in over a decade. He reflects on the band’s lost years, the grind of state fairs and casinos, and why major-label songwriting started to feel hollow. Ritter also opens up about rediscovering purpose after When We Were Young, the raw energy of their house-party shows, the truth behind an old Taylor Swift rumor, and why this new music feels like the most honest work they’ve ever made.

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