Director Mariska Hargitay and Producer Trish Adlesic discuss their new film, My Mom Jayne, with fellow Director Lisa Cortés in a Q&A at the DGA theater in New York. In the conversation, they discuss how Mariska knew she was ready to take on the film, working with 18,000 photos and 2,500 videos worth of archival materials, and how Mariska came to learn more of the mother who was gone too soon.

The film navigates Hollywood icon Jayne Mansfield’s public and private legacy through interviews, and a collection of never-before-seen photos and home movies as Hargitay sought to know, understand and embrace her mother for the first time.

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https://www.dga.org/events/2026/june2026/docseries_mymomjayne-0426

Directors Phil Lord and Christopher Miller discuss their new film, Project Hail Mary, with fellow Director Guillermo del Toro in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss finding depth in their characters by trying to see the good intentions is everyone including antagonists, the casting and puppeteering processes that helped realize the alien character of Rocky, and bringing their philosophy of trying to make encouraging films to this feature.

The film tells the story of scientist Ryland Grace, who wakes up on a spaceship as part of a desperate mission to stop the Earth’s sun from dying. On his own and millions of miles from home, he has a chance meeting with an alien on the same mission, forming a friendship that may prove to be the key to success.

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https://www.dga.org/events/2026/june2026/projecthailmary_qna_0426

Director Visar Morina discusses his new film, Shame and Money, with fellow Director Valerie Weiss in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he experiments with scenes and leaves time for discovering natural moments on set, some of his filmic influences that contributed to specific scenes, and his strategic use of staging and tension in the film.

Screened as part of the DGA’s Global Cinema Series, the film tells the story of Shaban, a proud family man struggling to provide as financial pressures mount. Embarrassed about accepting the support of his family, he faces tough choices about pride versus survival.

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https://www.dga.org/events/2026/june2026/gcs-shameandmoney_0426

Director David Lowery discusses his new film, Mother Mary, with fellow Director Antonio Campos in a Q&A at the DGA theater in New York. In the conversation, he discusses how the project was born from a desire to shoot a one-room film, the choreography behind the seance scene, and his influences in costume and production design that set the groundwork for the film.

The film tells the story of iconic pop star Mother Mary as she reunites with her estranged best friend and former costume designer, Sam. In need of a dress for her new tour, Mary asks Sam to help her, causing long-buried wounds, past traumas and specters to return to the spotlight.

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https://www.dga.org/events/2026/may2026/mothermary_qna_0426

Directors Matt Bettinelli-Olpin & Tyler Gillett discuss their new film, Ready or Not 2: Here I Come, with fellow Director Jorma Taccone in a Q&A at the DGA theater in Los Angeles. In the conversation, they discuss casting Actor Kathryn Newton alongside Samara Weaving, how they film a lot of coverage in the kill sequences for story options in the edit, and their intentional methods of directing that allow them to strike a balance between comedy and horror in the final product.

This sequel to the 2019 feature Ready or Not finds Grace, the lone survivor of the first film, discovering that she’s trapped in the next level of the nightmarish game - this time with her sister along for the ride.

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https://www.dga.org/events/2026/may2026/readyornot2_qna_0326

Director Maggie Gyllenhaal discusses her new film, The Bride!, with fellow Director Greta Gerwig in a Q&A at the DGA theater in New York. In the conversation, she discusses the influence of 1930s cinema on the film’s themes, using dance sequences as a medium for her characters to express complicated emotions, and working with her Costume Designer to create striking looks for the cast.

Set in an alternate 1930’s Chicago, the film follows Ida, a murdered woman brought back to life to be the monster Frankenstein’s companion. Ida’s second chance sparks a whirlwind of romance, police interest, and radical social change.

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https://www.dga.org/events/2026/may2026/thebride_qna_0326

Directors Carl Deal, Tia Lessin and the film’s subject, Amy Goodman discuss their new film, Steal This Story, Please!, with fellow Director Ondi Timoner in a Q&A at the DGA theater in Los Angeles. In the conversation, the filmmakers discuss the structure of the film as a way to get to know Amy before her work, how the filmmakers originally met Amy, and the relevance of Democracy Now! in a modern corporate news landscape.

Screened as part of the DGA’s Documentary Series, the film follows Goodman as she becomes a leader in the movement for independent media. Set against some of the most consequential stories of our time, Goodman works to amplify voices excluded from the mainstream and faces off against forces trying to silence her.

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https://www.dga.org/events/2026/april2026/docseries_stealthisstoryplease-0326

Director Kevin Williamson discusses his new film, Scream 7, with fellow Director Paul Feig in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how the original concept of Scream came to be, how he balanced horror and comedy to establish the tone, and the importance and careful use of score needed to maintain the film’s tension.

In the newest installment of the Scream franchise, original victim Sidney Prescott hopes to reinvent her life in a different town. But when a new killer emerges, her darkest fears are realized as her daughter becomes his prized target.

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https://www.dga.org/events/2026/april2026/scream7_qna_0326

Director Tom Harper discusses his new film, Peaky Blinders: The Immortal Man, with fellow Director Mary Harron in a Q&A at the DGA theater in New York. In the conversation, he discusses working with Actor Cillian Murphy, how making a Peaky Blinders film differed from an episode of the series, and working closely with his composer to find a soundtrack befitting the tone.

A sequel to the award-winning television series Peaky Blinders, the film follows Tommy Shelby as he returns from exile to a post-World War II Birmingham. With unsettled business and his future at stake, he must face his demons and choose whether to confront his legacy or burn it to the ground.

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https://www.dga.org/events/2026/april2026/peakyblinders_qna_0326

Director John Patton Ford discusses his new film, How to Make a Killing, with fellow Director Kobi Libii in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses inspirations and early iterations of the film, managing the tone as over-the-top events happening in a grounded and believable world, and the importance of sound design to the construction of the film.

Loosely inspired by the 1949 feature Kind Hearts and Coronets, the film tells the story of Becket Redfellow, a blue collar worker disowned by his wealthy relatives. Determined to reclaim his inheritance, he launches a campaign of manipulation, betrayal and calculated violence to eliminate everyone standing between him and the fortune.

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https://www.dga.org/events/2026/april2026/how2makeakilling_qna_0226

Director Gore Verbinski discusses his new film, Good Luck, Have Fun, Don’t Die, with fellow Director Sacha Gervasi in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses how he wanted to approach the story with a modern take on AI, how Actor Sam Rockwell’s costume was made from scrap technology found in surplus stores, and finding a delicate balance for the film's tone in between apocalyptic, comedic and irreverent.

The film follows a man, allegedly from the future, who arrives at a Los Angeles diner and takes the patrons hostage. Claiming they are the precise combination of strangers he needs, he convinces them to join a quest to save the world from a rogue artificial intelligence.

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https://www.dga.org/events/2026/april2026/goodluckhavefundontdie_qna_0226