This year marks the 20th anniversary of the Artist’s Resale Right in the UK, the royalty that allows artists and their estates to receive compensation when their works are resold. Since its introduction in 2006, ARR has generated significant income for artists while also sparking ongoing debate about who truly benefits and how it affects the art market. To explore its impact and evolution, host Adam Green speaks with Christian Zimmermann, CEO of DACS (the Design and Artists Copyright Society), the organization responsible for collecting and distributing resale royalties to visual artists and their beneficiaries in the UK. In the conversation, Christian explains how the Artist’s Resale Right works in practice, the history and policy context behind its adoption, and how the art world responded at the time. They discuss common misconceptions about resale royalties, examine the evidence around who benefits most from them, and consider how resale royalty legislation has spread globally over the past two decades, as well as whether the framework may need to evolve to reflect today’s increasingly international art market.

In this week's episode of the ArtTactic Podcast, host Adam Green is joined by Margaret Carrigan, News Editor at Artnet News, to unpack the inaugural edition of Art Basel Qatar. Drawing on her reporting, Margaret discusses why a Middle East fair makes strategic sense for Art Basel at this moment, how galleries and insiders approached the week with a mix of excitement and uncertainty, and what it actually felt like to experience a smaller, more curated fair format without traditional booths. The conversation explores whether the fair’s structure allowed for deeper engagement with artists, how sales ultimately played out, and the role of Qatari institutions as buyers. Stepping back, the episode considers the bigger takeaway from this first edition and whether Art Basel Qatar feels like an immediate success or a fair that will need time to develop and find its footing.

In this week's episode of the ArtTactic Podcast, host Adam Green takes a closer look at Art SG, one of the few major art fairs to kick off the global calendar each January, and examines how Singapore’s art market continues to evolve within the broader Asian ecosystem. Joined by Vivienne Chow, London correspondent and co-author of The Asia Pivot for Artnet News, they discuss how this year’s edition of the fair performed, the makeup of the exhibitor list, and what it reveals about shifting gallery strategies in Asia. The conversation also explores Singapore’s growing role as a regional hub, the recent influx of wealth, and what these dynamics mean for collectors, galleries, and the future of the market in Southeast Asia.

In this week's episode of the ArtTactic Podcast, host Adam Green sits down with Adam M. Levine, Director and CEO of the Toledo Museum of Art, to discuss one of the most innovative strategies a U.S. museum has taken in recent years: selectively guaranteeing artworks at auction. Levine explains how the idea emerged, how his background in both curatorial practice and the art market shaped the approach, and what it took to bring colleagues, patrons, and the board along. He breaks down how auction guarantees work, how the strategy has played out in practice, what Toledo has learned from the works it has guaranteed and acquired, and how meaningful the additional revenue has been at a time when museums are facing serious funding pressures. The conversation also explores whether this model could realistically be adopted by other museums.

In this week’s episode of the ArtTactic Podcast, host Adam Green is joined by Tim Schneider, founder of The Gray Market. The conversation looks back at how Tim’s 2025 art market predictions played out before turning to his newly released forecasts for 2026, including the persistence of what Tim calls “art market dysmorphia” as galleries simultaneously expand and contract, and why auction houses may generate far more revenue from categories like wine and spirits than from young contemporary art. Adam and Tim also discuss whether brands like Frieze or Art Basel could extend beyond the fair model into other sectors, as well as the growing possibility of US museums financially guaranteeing works at auction. The episode concludes with Adam and Tim each sharing a special ArtTactic Podcast exclusive prediction for the art market in 2026.

In this special end-of-year episode of the ArtTactic Podcast, host Adam Green is joined by Brian Boucher, senior market reporter at ARTnews, to unpack one of the most confounding years the art market has seen in recent memory. Building on Boucher’s recent ARTnews article in which he described the year as “the year the art market stopped making sense,” the conversation explores the sharp contrasts between record-setting auction sales and softer performances elsewhere, the wildly different energy levels across major art fairs and what the wave of gallery closures might signal about deeper structural pressures in the gallery model. They also dig into the rise of increasingly fragmented micro-markets driven by individual artists and career stages, and why this makes it so difficult to draw broad conclusions about the market as a whole. The episode closes with a forward-looking discussion on how collectors, galleries, and auction houses are feeling as they head into 2026, and whether cautious optimism may finally be taking hold.

In this week’s episode of the ArtTactic Podcast, host Adam Green speaks with Andrea Crane, cofounder of 291 Agency, about the rise of the artist agent and why this role has become increasingly relevant in today’s art world. Andrea reflects on her early career at Gagosian and her long-standing relationship with Cecily Brown, which led her to become one of the first agents in the contemporary art world at a time when this model was still highly uncommon. The conversation explores the founding of 291 Agency, how artist agencies work alongside galleries, and the broader cultural shift around artist and brand partnerships.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Sarah Douglas, editor-in-chief of ARTnews and Art in America, to recap Art Basel Miami and assess where the art market stands at the end of 2025. They discuss the fair’s redesigned floor plan, the renewed momentum that began in London and Paris this fall, and how that energy shaped expectations heading into Miami. Sarah shares her take on how the fair performed from a sales perspective and which artworks and transactions generated the most attention. Adam and Sarah also consider the shifting global fair landscape, including the growing influence of Basel Paris on both Basel Switzerland and Basel Miami. They reflect on how collector travel patterns are evolving, why sentiment can feel different depending on where one is standing, and what Miami might reveal about the year ahead. The conversation concludes with a discussion of the Zero 10 section, including Beeple’s headline grabbing presentation and why this area of the fair sparked mixed reactions among dealers and visitors.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with artist Beeple as Art Basel Miami Beach approaches its 2025 edition. Beeple discusses what it was like to experience the explosive rise of NFTs from the inside, how the digital art market has matured since that initial boom, and whether collectors, curators, and institutions are now engaging with the medium in a more thoughtful and sustainable way. The conversation also explores Art Basel’s new Zero 10 section, a long-term commitment to presenting digital art, Beeple’s involvement in shaping its debut, the evolving role of galleries for digital artists, and a preview of the new work he will show in Miami.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Lydia Figes, author of Survival Notes: Life Lessons from Contemporary Artists, about her wide-ranging conversations with artists and what they reveal about how artists truly live and work today. They discuss why she wrote the book, what surprised her most about how artists navigate the contemporary art world, the changing role of art school, the power of mentorship and peer networks, the tension between solitude and community, and the core questions every aspiring artist should be asking. The episode offers valuable insight not only for artists, but for collectors, curators, gallerists, and anyone who wants a deeper understanding of the lived experiences shaping today’s art world.

As the art world gears up for Art Basel Miami Beach, host Adam Green speaks with Bridget Finn, the fair’s director, about what to expect from this year’s edition. Bridget shares her perspective on the energy heading into Miami Art Week and how the city’s rapid growth and expanding cultural landscape are shaping the fair. She also addresses some of the biggest conversations happening in the art world today, including the pressures galleries face around the rising costs of art fairs, how her team thinks about pricing and accessibility, and what it means when long-time exhibitors decide to sit out a year. Bridget offers an inside look at how she and her team continue to evolve one of the most important fairs in the United States, from innovation and visitor experience to the artworks and presentations she is most excited for people to see.