Music & Money
It was going so well. Detroit's Von Bondies exploded out of the same garage rock scene that birthed the White Stripes and many others. In fact, Jack White produced their first album, Lack of Communication, in 2002. Things really took off with their Jerry Harrison-produced follow up Pawn Shoppe Heart from 2004 and "C'mon C'mon" became the theme song to the show Rescue Me. But then an unfortunate confrontation with Jack in a bar (and the brutal sucker punch seen 'round the world), and momentum for the band slowed with front man Jason Stollsteimer deciding he'd said everything he had to say. They managed one more album (and a few false starts with other bands), but Jason decided he was happier stepping away from music. Jason does his first interview in about 10 years to give us the history of the band, what he's up to now, why he gave up music, and the facts of that fight and that famous photo. The band had so much promise, it's a shame there isn't more, but we're so honored to hear from Jason this week. Enjoy!
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Jon is joined by former guest Jackie Clary and our great friend Ryan Rauzon to discuss the recently released memoir by Cameron Crowe, The Uncool. We get into our history of fandom with Cameron, our thoughts on the book, on his career, the meaning of his "happysad" theory, rock journalism, and how he and the book have affected our lives. This was recorded live with no edits. If you've read the book, tell us what you think. Enjoy!
Britain's Cast are enjoying quite the second chapter. The last few years have seen a creative burst that rivals, if not exceeds, their early work. The result of this is some of their best music including their latest album, Yeah Yeah Yeah produced by former guest Youth. This technicolor masterpiece sees the lads expanding their sound in ways only Youth could inspire. Plus, you might have noticed them opening many shows for the little band Oasis on their monstrous reunion tour last year. Frontman John Power shares stories about releasing one of the biggest debuts in UK rock history, the lean solo years, as well as his time in the La's and why he thinks that band's frontman Lee Mavers has stayed put all this time. Great band - great guy!
The return of the great 90s power pop band Sugar has music lovers on the edge of their seats. So far there have been a couple new songs and some announced live dates, but where this could go remains to be seen. Bassist David Barbe joins us this week to discuss how this even came to be and what could be in store. Prior to Sugar, Barbe was in a fantastic punk band called Mercyland and Propeller Sound Recordings have been getting their albums remastered and rereleased so there's that to discuss as well. In addition, he's worked with the Drive-By Truckers for decades as well as Deerhunter, including producing albums by both. David's also an educator at the University of Georgia in Athens and has strong ties to the great music that came out of that area. As you can see, there's a lot to unpack here. Not to mention, David's just about the coolest and most inspiring guy you'll ever hear. Enjoy!
Sugar Return with First New Music and Live Dates in Over Three Decades - Bob Mould
Geoff Downes has lent his keyboard wizardry to many of the biggest and best bands of the last 50 years. He was a trendsetting new-waver with the Buggles popularizing synth pop alongside Trevor Horn. Then they were famously recruited to join Yes, changing that band's sound for a decade. And, while with Asia, he showed how good "corporate" AOR rock (not to mention supergroups) could be. There have been several other side-projects (DBA), one-offs (Trapeze), and production jobs (GTR, Thompson Twins) along the way as well that has kept him active and in demand. Yes's 2011 comeback album, Fly from Here, which reunited that 1980 version of the band that created the much-loved Drama album, has recently been reimagined and released on vinyl for the first time as Fly from Here: Return Trip. Geoff gives us the scoop on everything and more. Enjoy!
Our buddy John Cafferty returns to the pod to discuss the new Beaver Brown Band album, Sound of Waves. You might remember John was on here a year or two ago when some new songs were finally released. Well, now there's a whole new album. We only had to wait about 36 years for this! John and I discuss these new tracks, finally making it happen, and the passing of saxophonist Michael "Tunes" Antunes, a key ingredient to the JCBBB sound. Enjoy!
The Porcaro family is rock royalty. They made everything they touched better from their incredible session work to the many Toto hits and Grammys. Steve Porcaro has recently released a new solo album called The Very Day that shows him cleaning house. Most of these songs have been sitting around unfinished for decades so he finally committed to perfecting them (with help from friends like Michael McDonald and Jason Scheff) and getting them out in the world. Steve joins us this week to discuss the process of completing this album, as well as stories from his long session career. There's working with Quincy Jones and David Foster, there's working with Earth Wind and Fire and the Brothers Johnson, and there's his feelings on the many afterlives of "Human Nature" which he wrote and appeared on Thriller. I wish we could have talked for hours!
Author Bill Kopp returns to the podcast to discuss his latest book, What's the Big Idea: 30 Great Concept Albums. The great thing about Bill's writing is that he often shines a light on music that is underappreciated. These 30 albums aren't the obvious ones, but completely worthy creations that deserve a spot in your collection. We also get into why artists choose to make them, whether they're fun or work, why they're often long, and what went into him selecting these particular options. Bill was on a couple years ago to discuss his book on San Francisco's 415 record label. We love him around here. Enjoy and prepare to take notes!
What's the Big Idea: 30 Great Concept Albums - new book by BILL KOPP - from HoZac Books
Percussionist Lenny Castro has made a career out of being an ingredient that makes everything he touches better. He's been one of the most in-demand musicians of the last 50 years and was even an official member of Toto for many decades. Would classics like "Africa" and "Rosanna" be what they are without him? Doubtful. He's also the best thing about Christopher Cross's "Ride Like the Wind" and ONJ's "Physical". We also discuss a bunch of his session work with people like Stevie Wonder, Robert Palmer, and Fleetwood Mac. He's "mostly" retired now but keeps getting pulled in because he's so good and even just completed a tour with John Mayer. He's the best and we're lucky to hear from him. Enjoy!
The musical mind of Barry Adamson was so cinematic he created soundtracks for movies that didn't exist. Until they did. He starts out with the essential post-punk band Magazine, who released some of the best albums the genre had to offer. He was restless though and after time in Visage and Nick Cave and the Bad Seeds, he committed the music in his head to tape with the solo album, Moss Side Story and never stopped. Barry's music has always had a heavy cinematic quality which lead to him eventually scoring films, of course. Last week he released his new album, SCALA!, which is the soundtrack to the new documentary on the legendary art-house cinema in London which was a gathering place for him and artsy people like him for decades. We get to hear stories about all the stops along the way in his musical journey, working with people like Nick Cave and Midge Ure, growing up bi-racial, and more. Enjoy!
By running Boston's Fort Apache studio with partner Sean Slade, Paul positioned himself at the forefront of the underground, indie sound that was suddenly above ground. His resume includes all time classics like Radiohead's Pablo Honey (featuring "Creep") and Hole's Live Through This, but also well-respected benchmarks by Buffalo Tom, Morphine, Pixies, Uncle Tupelo, Dinosaur Jr., and the Lemonheads. There are even fascinating outliers like Joe Jackson and Warren Zevon. We get into all of this and a ton more. He's still at it today too. Paul helped shape the sound of that pivotal time in rock history. We're lucky to hear from him!