Bassist Greg Norton was the George Harrison of the mighty Husker Du. While alpha's Bob Mould and Grant Hart competed for album space and song excellence, Greg remained a loyal soldier in the background playing his part well. When the band broke up in the late 80s, he changed careers and became a chef for a while. Finally in the last few years, a musical project has come along that's deserving of his massive talent - the all-star punk band Ultrabomb. The supergroup (members of Social Distortion and Soul Asylum round it out) just released their third album, The Bridges That We Burn which easily rivals anything their original bands released. Greg discusses his post-Husker Du years and his thoughts on those years and the history of Ultrabomb. We're lucky to hear from him. Enjoy! 

www.patreon.com/c/thehustlepod

www.ultrabomb.bandcamp.com

We celebrate our 11th (!) birthday in usual fashion - by bringing on someone a little extra special. This year they're a lot extra special. This year we're featuring the great Todd Rundgren! Todd is about to go out on the Damned If I Do tour next month, hitting Europe in August. Todd and I discuss why some people love him religiously and some don't, whether he's ever had a bad idea, what makes his sound so singular and what we can expect from these shows. The man is one of a kind and we love him for it! Enjoy! 

www.todd-rundgren.com www.patreon.com/c/thehustlepod

We've been featuring a lot of artists lately that earned their bona fides pushing the boundaries of what electronic music could do. Well, few did it as ruthlessly as Cabaret Voltaire. From their beginning in the late 70s making "music" that's more creative sounds than tuneful songs, to their evolution over the next several decades stretching genres to suit their muse, the "Cabs" never went pop or sought hits. Frontman (and last original member) Stephen "Mal" Mallinder, joins us this week to discuss the farewell tour they're about to embark on, the new live album, But What Time Is It Really they're leaving as a parting gift to their fans, and the journey they've been on for 50 years. Be sure to catch one of these last shows before they're done forever! 

www.facebook.com/CabaretVoltaireOfficial/ www.patreon.com/c/thehustlepod

Richard Barbieri has been pushing the boundaries of synth-based music for almost 50 years. Japan may have originally been lumped in with the likes of Duran Duran and Ultravox, but they evolved in a way few bands outside of Talk Talk could even understand. After they ended and Richard evolved even further in groups like Dolphin Brothers and Rain Tree Crow, he was then snatched up by Steven Wilson and hopped on the Porcupine Tree train for a few more decades. He's continued to release music under various guises whenever he felt like it and he recently dropped a new solo album called Hauntings that shows him exploring even deeper.  He joins us this week to explain it all and discuss how he got from point A to Z in a hugely diverse career. Enjoy! 

www.kscopemusic.com/artists/richard-barbieri

www.patreon.com/c/thehustlepod

 

How to describe Gary Marks? Deep vinyl junkies might know him for the three albums he released in the 70s that fused jazz and folk in a fresh way that no one had heard before or since. He quickly chose to move on and came back a few years later recording pop rock music very much like you would have heard on the radio in the 80s and 90s. Why this drastic change? Not to mention, he chose early on not to tour or promote himself, meaning he would remain a fiercely independent artist for the long haul. For Record Story Day this weekend, a sampler of his entire career called Crossroads will be released on vinyl for the first time. Gary explains his reasoning for these decisions, how he feels about those 70s albums fetching hundreds of dollars on the secondary market, the many novels he's written, and his love for pickleball. He's a wonderfully eccentric artist who happens to make wholly unique music that will blow your mind. Enjoy!  www.garymarksmusic.com www.patreon.com/c/thehustlepod

Even though Wire are considered one of the most important post-punk bands ever, it's actually been a long time since they played in that genre. The band quickly evolved over a couple albums to incorporate more dance beats and front man Colin Newman has been in that groove ever since. In the 80s he was hired by Israel's Minimal Compact to produce an album, then he and Malka Spiegel fell in love and have been partnered in life and music ever since. Their main outlet is their electronic group Immersion who released a new album recently aptly titled WTF??. These two join us this week to explain how their worlds came together, their successful radio show Swimming in Sound came to be, the difficulty of maintaining the business of a music career, and they pull no punches with their thoughts on Elastica. It's a fascinating conversation with two vital artists. Enjoy! 

www.immersionhq.uk

www.patreon.com/c/thehustlepod

 

One could argue that the sound of American indie rock and power pop was shaped by Mitch Easter. Of course, he produced those early REM albums that are practically canon now, but his own music with Let's Active and his partnership with the likes of Scott Miller (Game Theory, Loud Family) and the db's have further cemented his legendary status. Recently, he's lent his talents to the Salt Collective, a fascinating project by French artist Stephane Schuck that has gathered a bunch of all-stars (Mitch, Matthew Caws, Andy Partridge, Peter Holsapple, Ken Stringfellow, Juliana Hatfield, Richard Lloyd, Susan Cowsill etc) to release a couple albums, the most recent being A Brief History of Blindness. Mitch and I get into how he signed on to this project and everything else he's done. Enjoy! 

www.thesaltcollective.propellersoundrecordings.com

www.patreon.com/c/thehustlepod

 

We love the Tubes around here so we're breaking one of our rules of not dipping into bands we've already covered on the show. There's a very good reason for this. Drummer Prairie Prince is a lot more than the Tubes' drummer. His long and storied career includes Todd Rundgren, Chris Isaak, Brian Eno, Jefferson Starship, Journey, David Foster and tons more. Prairie just released his first solo album, Colors and Passions, which is more of an ambitious art project than a collection of songs. Inspired by a 1966 album by jazz/spoken word artist Ken Nordine, the album is poetry and spoken word pieces about colors put to music as only an artist like Prairie can do. He joins us this week to discuss the creation of the album and to share stories from his long and diverse career. He's one of a kind. Enjoy! 

www.prairieprince.com

www.label51recordings.com

www.patreon.com/c/thehustlepod

 

Helix front man Brian Vollmer has been bringing the rock for over 50 years. From humble Canadian beginnings, Helix have managed to keep the metal moving through trends, periods of indifference, super highs ("Rock You") and low lows (deaths). His commitment to rock has never wavered. Recently, the band released the aptly named Scrap Metal, a collection of new songs and reimagined classics that fans old and new will enjoy. What's great about this conversation with Brian is his openness to discussing the societal and financial challenges of keeping the band viable. He's been forced to learn the business side and it's helped immensely. Enjoy! 

www.planethelix.com

www.patreon.com/c/thehustlepod

 

There have been few creative bursts of the modern era more epic than George Clinton's in the 70s. He had so many songs in his brain he had to keep creating bands or producing artists to get them all out. One of his key players during this furtive time was guitarist Michael Hampton. "The Kidd" joined George's team while still a teenager when Eddie Hazel started to do his own thing. From there, George used him in Parliament, Funkadelic, the Brides of Funkenstein, Parlay, and with artists like Bootsy Collins, Bernie Worrell and Fred Wesley. Michael still plays with the P-Funk All-Stars to this day and has recently released a free EP called Into the Public Domain that shows he hasn't lost anything in terms of guitar playing. It was a heady time and Michael and I try to wrap our brains around it all, but it was a challenge. However, there's no mistaking that some of the greatest funk music ever made has Michael's stamp on it and we're grateful he's here this week to discuss it with us. Enjoy! 

www.michaelwhampton.com

www.patreon.com/thehustlepod

 

Former Boston Globe Music Critic and rock and roll lifer Jim Sullivan joins us this week to discuss his highly entertaining new books Backstage and Beyond. There are two volumes (or one "Complete" version that includes both and some extra chapters) that share his conversations with most of the major movers and shakers over the last 45 years in rock. There's everyone from Jerry Lee Lewis to David Bowie to Ginger Baker to Enya to George Clinton. Jim and I discuss his long career with the Globe and what he does now, why most music critics all like the same music, his thoughts on rock stardom in general and a lot more. Enjoy, it's a blast! 

Backstage & Beyond Complete (eBook) — Trouser Press Books

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