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My guest today is Josh Frigo, a producer, mixer, multi-instrumentalist, and artist based in Nashville, Tennessee, who believes in putting artists and their ideas first. After several years as a touring utility player, Josh shifted his focus full-time to production and mixing, building a creative career shaped by self-learning, collaboration, and curiosity.

Working across pop, singer-songwriter, and alternative genres, he's produced and developed indie artists such as MisterMoon, Sparkbird, and Phùng Khanh Linh, and co-mixed Atmos projects for Niall Horan, NF, Bo Staloch, and more with his mixing partner Alex Dobbert at Movement Mixing.

A big thank-you to Andy Freeman for making today's introduction!

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What actually makes a mix feel musical before you ever touch an EQ?

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My guest today is Eric Sarafin, better known as Mixerman - a gold- and platinum-selling producer, mixer, and engineer with credits ranging from The Pharcyde and Tone-Lōc to Ben Harper, Lifehouse, Barenaked Ladies, Foreigner, and Pete Murray. He's also the author of Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, and his newest book, Mixerman's Ultimate Guide to Producing Records, Music & Songs. In this episode, Eric and I get straight into what really makes mixes work - not plugins, presets, or loudness targets, but arrangement, balance, and the way instruments naturally interact. We talk about masking as something musical rather than something to eliminate, why most of the "music" lives in the midrange, and how perceived loudness comes from balance, not hype at the top or bottom. We also dig into how listening quietly can reveal problems faster, why speed and familiarity with your tools matter more than features, and how motion and distortion bring life to otherwise static tracks. Eric shares his perspective on working fast, stepping away to regain objectivity, and making decisions that serve the song instead of the tech. Along the way, we cover practical mic strategies for home studios, why placement matters more than price, and how knowing why you're choosing a tool is more important than following trends. This one is about thinking musically first - and letting the mix follow.

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

Listen to this guest's discography on Muso:

https://credits.muso.ai/profile/925b8031-48bb-40d5-af32-c289cd7663a7

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What actually happens when you stop isolating everything and just let a band play together in the room?

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My guest today is Travis Harrison, founder of Serious Business Music, a Brooklyn-based studio known for capturing raw, honest performances from real bands. Travis joined me to talk about how his studio and workflow evolved over time - from early audio-only recordings to embracing video, hybrid setups, and modern tools - while still staying rooted in classic recording approaches.

We talked about recording bands live in the room, why Travis embraces bleed instead of fighting it, and how capturing the energy of a performance often matters more than perfect isolation. He shared how he'll use simple setups like a single M 160 ribbon mic on drums, how preparation and adaptability become critical when recording larger bands, and why letting musicians interact naturally can shape the sound of a record in ways plugins never will.

Travis also broke down his hybrid workflow, using tape as a tone-shaping tool rather than a rigid format - running tracks through a tape machine for color before moving into Pro Tools for editing and mixing. We discussed mic choices like using an SM57 on bass cabinets for midrange growl, routing and flexibility with a Soundcraft Ghost console, and how his Brooklyn studio has been shaped by real-world challenges like soundproofing, space limitations, and evolving technology. Throughout the conversation, we kept coming back to the balance between tradition and innovation - and why great records still come down to musicians, rooms, and decisions made in the moment.

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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How do you turn your studio skills into a thriving artist career? Ryan Prewett shares how funk, collaboration, and sync licensing helped him shift from producer-for-hire to full-time artist - and why building assets is the new record deal.

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My guest today is Ryan Prewett, a Nashville-based artist, producer, and mix engineer known for blending classic funk and soul with modern pop and groove-driven production. Ryan's work spans producing records, mixing, and building sample packs, and he's quickly carving out a name for himself in Nashville's creative community. His music captures the sweet spot between live musicianship and digital innovation - with an ear for timeless tone and modern punch.

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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How Did Michael Jackson's $98,000 Console Inspire the Ultimate Studio Compressor? What happens when missile-grade engineering meets music?

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Bill Cheney of Spectra 1964 joins me to reveal how a company born from aerospace tech became the secret sauce behind Stax, Ardent, and The Record Plant - and how that same precision lives on in Spectra's modern C610, STX mic pres, and new designs shaping today's studios. Bill shares the incredible story of the $98,000 Spectra console built for Michael Jackson, how John Lennon, Elton John, ZZ Top, and others tracked through Spectra desks, and why their gear still defines headroom and musical accuracy sixty years later. We dig into RMS vs peak clipping, console restoration, plugin modeling with Chad Blake, and what makes Spectra's circuits run ice cold while sounding hot as hell. If you've ever wondered why the most musical recordings in history still sound so alive, this episode takes you inside the circuits that made it possible.

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

Listen to this guest's discography on Spotify:

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What happens when you sit down with an engineer who helped define multiple eras of music - from Foreigner to Timbaland - and he tells you the secret is still just listening for what feels good?

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My guest today is Jimmy Douglass, legendary producer, mixer, and engineer whose career spans more than five decades. Jimmy began as a teenager at Atlantic Records in New York, making tape copies and quietly slipping into the back of sessions, where he learned by watching giants like Tom Dowd, Arif Mardin, and Jerry Wexler. He grew up in the era when you had to earn your way into the control room, and those lessons shaped everything that came after. Jimmy talked about working on classic records for Foreigner, including helping mix Follow You, Follow Me when Genesis was still emerging, and cutting his teeth editing music for radio versions - including early work on King Crimson. He also shared memories of the post-punk era, mixing records for Gang of Four and Television, including the iconic Marquee Moon, and how those productions influenced his sense of space, energy, and performance. Then Jimmy walked us into the world that many people know him for - his long-running creative partnership with Timbaland. He explained how Tim's rhythmic sensibility forced him to rethink timing, movement, and pocket, and stories of respectful sessions working with Snoop Dogg. We also talked about longevity: how Jimmy stays inspired, how he keeps reinventing himself, why he still chases accidents and surprises in the studio, and the challenge of balancing instinct with intention across 50 years of making records. If you love stories from inside the control room or want to understand how great mixers think, this episode is loaded with wisdom and wild history. https://metalliance.com/ https://www.sheencenter.org/events/detail/studio-confidential-1

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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What does it take to lead two of the biggest names in pro audio? Phil Wagner shares how he went from NYC engineer to running SSL and Apogee - and why the best technology still starts with listening.

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My guest today is Phil Wagner, a longtime pro-audio industry leader who's helped shape some of the most respected recording technologies in the world. Phil began his career in New York City at Soundworks Studios, working hands-on as a recording engineer before moving into product development and leadership roles. Over the years he's served as President of Apogee Electronics, U.S. President for Solid State Logic, and has collaborated with legendary studios, artists, and manufacturers across the globe. With decades of perspective bridging the analog and digital eras, Phil shares insights on consoles, converters, immersive mixing, and the business of audio, along with stories from the front lines of pro audio innovation. A big thank - you to Fadi Hayek at SSL for the introduction!

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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What does a rooftop studio, a cold plunge, and a punk rock heart have in common? Producer Toby Lloyd shares how surrender, discipline, and creative flow helped him build Tiny Triumph Recordings and rediscover joy in making music.

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Howdy Rockstars, my guest today is Toby Lloyd, a music producer, studio engineer, and mixing engineer who runs Tiny Triumph Recordings, a boutique rooftop recording studio in Wellington, New Zealand. Toby has worked with artists like Shapeshifter, Hollie Smith, Stan Walker, and Nightmares on Wax, and he's contributed to major film projects including Avatar 2, The Hobbit Trilogy, Mortal Engines, and Hunt for the Wilderpeople, as well as mixing scores for acclaimed films such as Savage, Stylebender, and Ka Whawhai Tonu (pronounced Car Far Fie Toe Nu). In addition to his studio and film work, Toby is also making new music as an artist himself. Big thanks to Matt Boudreau from Working Class Audio for making today's introduction!

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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Howdy Rockstars, my guest today is Rich Bernett, aka Sound of Machines, a Richmond, Virginia - based sound artist, builder, and experimental musician. Rich designs and performs with his own DIY instruments like the CassetteTone 2 and Rotary Drone, blending circuit bending, contact mics, and field recordings to create wild, organic, and otherworldly soundscapes. With a growing following on YouTube, Patreon, and Instagram, Rich shares his creative process and connects with a community of makers and musicians exploring new sonic frontiers.

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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My guest today is Ian Fitchuk, a two-time Grammy Award–winning musician, songwriter, and producer based in Nashville. You've heard his work on Golden Hour with Kacey Musgraves - a landmark record that helped redefine the sound of modern country and pop. Ian has also collaborated with artists like Maggie Rogers, Joy Oladokun, Chris Stapleton, and Beyoncé, bringing his versatile musicianship and deep sense of songcraft to every project he touches. In this conversation, Ian shares his journey from growing up in a musical family to finding his voice as both an artist and a producer. We talk about the evolution of the Nashville music scene, how collaboration shapes every great record, and why fear can actually be one of the most powerful creative tools in the studio. Ian opens up about rediscovering his own songwriting, balancing commercial work with personal expression, and learning to embrace uncertainty as part of the artistic process. Whether you're a songwriter, producer, or studio musician, this episode is packed with insight into what it really means to make music in Nashville today - not just as a profession, but as a lifelong creative pursuit.

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

Listen to this guest's discography on Spotify:

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What does it take to go from Ohio to LA and start mixing records at the highest level? In this episode, I sat down with mixer and engineer Ryan Nasci to trace his journey from the Midwest to Los Angeles, where he worked alongside the legendary Tony Maserati and began mixing artists like Kingfish, Celeste, and more. Ryan breaks down how he built a hybrid workflow that blends analog gear, plugins, and Atmos into mixes that stay musical, open, and emotionally focused. We dig into Ryan's approach to gain staging, managing headroom, using trim plugins, tightening low end, and shaping vocals for dynamic performers. He shares how he uses tape vs. plugins, when hardware matters, how to set compression strategies that preserve energy, and why understanding the why behind every move is the key to a competitive mix. Ryan also talks about mixing in Atmos, building depth with headphones, creative mic choices in small studios, keeping mixes clean without over-stacking plugins, and how persistence, day-rate pricing, and good communication help engineers build sustainable careers in today's industry. Huge thanks to Michael Estok for connecting us!

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Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic

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https://music.apple.com/us/playlist/ryan-nasci-select-discography-2025/pl.u-6mYKLtBxmvyY

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