New Music by Karlheinz Essl

Karlheinz Essl

Born 1960 in Vienna. Austrian composer, improviser and performer. He studied composition with Friedrich Cerha and musicology in Vienna. Besides writing experimental instrumental music, he performs on his own electronic instrument m@ze°2, develops software environments for computer-aided composition and creates generative sound and video environments. Since 2007 professor of composition for electro-acoustic and experimental music at the University of Music in Vienna.

  • 7 minutes 39 seconds
    S.A.X.O. (Silence Any Xenophobic Operation) - BINAURAL
    Generative soundscape based on a two-dimensional random walk between four binaural soundscapes recorded in Dresden (Germany) in April 2024: 1) People inside the Frauenkirche 2) Café Algarotti of the famous Gemäldegalerie 3) The main station of Dresden 4) At the Albertinum art museum where refugees meet and kids play table tennis Released: April 24, 2024 Info: https://essl.at/works/HEAD.html
    24 April 2024, 12:00 am
  • 9 minutes 52 seconds
    mælstrøm (2024) - sound performance for granular and modular synth
    The Maelstrom is a gigantic vortex in the North Sea, described by Edgar Allan Poe in his short story "A Descent into the Maelstrom" (published in 1841). Its power is so great that it can suck in even large ships and crush them to pulp. For my piece, I constructed a kind of Maelstrom mechanism with Granular Synthesis, written in MaxMSP. It pulverizes sounds and recombines them into new sonic structures that can be controlled during a live performance. The underlying sound material comes from an improvisation on my MakeNoise 0-COAST modular synth, which is also used as a sound device in this piece. https://essl.at/works/maelstrom.html The premiere took place on March 22, 2024 during my portrait concert at Bilkent University in Ankara, Turkey, performed by myself.
    25 March 2024, 12:00 am
  • 10 minutes 43 seconds
    M.O.N.T. (Madeirans Obviously Need Thrills) - BINAURAL
    Generative soundscape based on a two-dimensional random walk between four binaural soundscapes recorded in Monte (Madeira) on February 20th, 2024: 1) Kids playing Futebol 2) Monte Toboggan sleigh ride 3) Japanese pond in the Monte Palace Tropical Garden 4) Gardener at work in the park Info: https://essl.at/works/HEAD.html
    12 March 2024, 12:00 am
  • 5 minutes 54 seconds
    Coastline #62 (Desert Storm) - modular synth performance
    Free improvisation on a Make Noise 0-coast analog synth, patched as a generative non-linear system. No edits, no overdubs, no MIDI, no sequencer, no arpeggiator - only manual control in real time! Recorded live at Studio kHz on 7 Mar 2024 in preparation to my solo performance at Alte Schmiede the next day. Filmed with iPhone 15, sound recorded with Zoom F3. Produced in REAPER (Ozone Imager, BREVERB)
    7 March 2024, 12:00 am
  • 6 minutes 20 seconds
    Coastline #59 (The Tempest) - modular synth performance
    Free improvisation on a MakeNoise 0-COAST. Performed live at Studio kHz on Feb 27, 2024. No MIDI, no sequencer, no overdubs, no edits. Part of the work-in-progress "Coastlines" (2020 ff.): https://essl.at/works/coastlines.html
    27 February 2024, 12:00 am
  • 15 minutes 17 seconds
    Von CAN via Stockhausen zur Elektronischen Musik (2023) - Podcast
    Im Gespräch mit der transArt Künstlerin Astrid Rieder - aufgenommen am 11.11.2023 im Kunstraum Ewigkeitsgasse in Wien - spreche ich über einige zentrale Themen in meinem künstlerischen Schaffen: • Wie mich die deutsche Krautrocktruppe CAN zu Karlheinz Stockhausen und zur elektronischen Musik geführt hat. • Über die Dialektik von Ordnung und Zufall. • Die Faszination chaotischer Systeme, die sich mit modularen Analogsynthesizern so herrlich modellieren lassen. • Warum Improvisation und Komposition zwei unterschiedliche Paar Schuhe sind. Transkript: https://essl.at/bibliogr/essl-rieder_2.html
    26 February 2024, 12:00 am
  • 10 minutes 57 seconds
    Study for No-Input Mixer #8 (2024) - Blacksmith
    A new addition to my no-input mixer project that I started in 2023. Performed live with a MACKIE 802 mixing desk on Feb 8th, 2024 at Studio kHz. No edits, no overdubs. https://www.essl.at/works/studies-NIM.html
    8 February 2024, 12:00 am
  • 7 minutes 44 seconds
    From Digital to Analog (2024) - Podcast
    Composer Karlheinz Essl on his recent experiences and experiments with analog modular synthesizers and no-input mixer after decades of digital music making. Published in January 2024 on the platform SoundingFuture. https://www.soundingfuture.com/en/article/digital-analog
    6 February 2024, 12:00 am
  • 9 minutes 15 seconds
    Von Digital nach Analog (2024) - Podcast
    Der Komponist Karlheinz Essl über seine Erfahrungen mit analogen Modularsynthesizern und No-Input-Mixern nach Jahrzehnten digitalen Musikmachens mit Computern und selbstgeschriebener Software. Veröffentlicht Januar 2024 auf der Plattform SoundingFuture. https://www.soundingfuture.com/de/artikel/von-digital-nach-analog
    6 February 2024, 12:00 am
  • 14 minutes 44 seconds
    Coastline #58 (Grain Harvest) - modular synth performance
    Free improvisation on a MakeNoise 0-COAST modular synthesizer connected to a Doepfer ring modulator with two MATH function generators and a MakeNoise WobbleBug using frequency, amplitude and ring modulation. Performed live at Studio kHz on Jan 16, 2024.
    16 January 2024, 12:00 am
  • 8 minutes 50 seconds
    Coastline #56 (Functional Fun) - modular synth performance
    Free improvised live performance on a MakeNoise 0-COAST modular synth, two function generators (MATH) and a ring modulator (Doepfer A114). Recorded at Studio kHz on 4 January, 2024. No MIDI, no sequencer, no overdubs, no edits. Part of the work-in-progress "Coastlines" (2020 ff.): https://essl.at/works/coastlines.html
    4 January 2024, 12:00 am
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