In today's Books with Hooks, Bianca, Carly, and CeCe are joined by two guests, author Rachel Kapelke-Dale and her agent, Sarah Phair. They discuss ensuring your comps align with each other and with your work; making sure your query is representative of your whole novel and not just one part; using your author bio to help show why you're the one to write this story; the concept of auto-fiction; the importance of highlighting the POV you're writing from; being specific with your plot points in your query; finding the right balance between what you withhold and what you reveal; and the need to show your character's emotions, especially messy ones.

 After which, Bianca interviews Kelly McMasters, author of The Leaving Season which is a memoir in essays. The two unpack writing essays vs a linear timeline in memoir; publishing essays from the collection ahead of the book’s release; deciding what to include and what to leave out; how to know where to begin; using external events and settings as metaphors for your character's emotionality; what memoirists owe their readers vs what they owe themselves; community vs platform; and making it all matter to the reader.

 Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

 Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Kelly can be found at https://www.kellymcmasters.com/

She's also on Instagram at https://www.instagram.com/kelly_mc_masters/

 To sign up for the All About Memoir webinar on the 11th of May, go to: https://www.biancamarais.com/all-about-memoir.html

To sign up for CeCe’s Writing Interiority Course on the 6th of June, go to https://us02web.zoom.us/webinar/register/WN_pKP-TqW9SSOlAHqSjKM21Q#/registration

Carly's course for writers, The Author's Publishing Playbook, is available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

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In this month’s bonus episode, Bianca interviews poet, novelist, and Chair of the Amherst Writers (AWA), Sue Reynolds. They discuss the AWA workshop method and how it differs from other workshops; what occurs in an AWA workshop; the importance of giving writers a safe and encouraging space to share their work; the concept of strength-based feedback; the specific practices within the workshops; writing without a 'pricetag'; the AWA method's commitment to holding space for marginalized and previously silenced voices; the connection between disclosure through writing and healing; the point at which an AWA workshop can be helpful in the writing process; and how to find an AWA workshop.

After which Emilie Sommer of East City Bookshop provides the invaluable service of suggesting comp titles to our listeners.

 If you’re looking for our usual Q&A segment, that now gets published as part of our end of the month Substack newsletter. Subscribe to get access to that, and so much more, for free: https://theshitaboutwriting.substack.com/

 Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

 Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To ask a question, go to: https://sayhi.chat/TSNOTYAW

To connect with Emilie Sommer go to https://www.instagram.com/emiliegsommer/ and you can find East City Bookshop at https://www.instagram.com/eastcitybookshop/

Information about an AWA workshops available near you can be found at https://amherstwriters.org/

More information about Sue can be found at https://inkslingers.ca/about-2/susan-lynn-reynolds/

She’s on Instagram at https://www.instagram.com/suereynolds7997

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In today’s Book with Hooks, Carly and CeCe critique two listener queries, a resubmission and a YA fantasy. They discuss the issue of starting with a protagonist that has a 'simple, stable' life; a great example of an inciting incident; ensuring your major dramatic question is strong enough; good storytelling as the promise of change; making your protagonist the 'sun' of your story; infusing emotion into the information you provide; ensuring that your plot feels like a set of dominos tipping over; taglines in a query; differentiating your novel's tropes from how they're used in other novels in your genre; and making characters' motivations clear in a query.

 After which, Bianca interviews award-winning author, Caroline Leavitt. They discuss A Mighty Blaze and its origins; being a good literary citizen; Caroline's key to longevity in the industry; not taking rejections too hard; avoiding writing to the current market; Caroline's latest novel, Days of Wonder; her research process; using universal personal experiences that help connect your readers to your characters; Caroline's reasoning for the settings she chose; how she approaches characterization; and her thoughts on genre.

 Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

 Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Caroline can be found at www.carolineleavitt.com

She's also on Twitter at https://twitter.com/Leavittnovelist and on Instagram at https://www.instagram.com/carolineleavitt and https://www.instagram.com/amightyblaze

 To sign up for the All About Memoir webinar on the 11th of May, go to: https://www.biancamarais.com/all-about-memoir.html

Carly's course for writers, The Author's Publishing Playbook, is now available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

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In today's Books with Hooks, Bianca, Carly, and CeCe critique a children's picture book and a literary fiction query. They discuss avoiding vagueness, no matter the genre; using illustrator notes in a picture book pitch; the need for tension, even in a children's book; framing your novel in your query so agents aren't confused when they get to the pages; the need for external plot points, even in a more internal work of literary fiction; the natural gravitation of readers to one POV in a dual POV work; the subjectivity of the industry; the purpose of interiority; and erring on the side of showing, rather than telling, to maintain tension.

After which, Bianca interviews Sara Koffi, author of the debut novel, While We Were Burning. They discuss Sara's letter to the reader; her reasoning behind the setting she chose; how Sara chose her characters' POVs and her inspiration behind the characters; writing an unreliable narrator; weaving in overarching themes or messages; advice for writing an unlikeable main character; advice on writing characters experiencing grief; Sara's journey to publication; and avoiding comparing yourself to others.

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Sara can be found at https://www.sarakoffi.com/

She's also on Twitter at https://twitter.com/SaraTheKoffi and Instagram at https://www.instagram.com/sarathekoffi

To sign up for the All About Memoir webinar on the 11th of May, go to: https://www.biancamarais.com/all-about-memoir.html

Carly's course for writers, The Author's Publishing Playbook, is now available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

Our Sponsors:
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In today's Books with Hooks, Carly and CeCe are joined by guest agent, Jo Ramsay, to critique two queries. They discuss the issue of withholding too much plot in a query; highlighting the stakes in your query; the importance of first lines in a novel; the need for psychological depth and acuity in your characters; the issue of comping to titles that are hugely successful; the risk of having too many POVs in a novel; avoiding too much backstory in your query; and the problems with a reader being too removed from a scene, even if it's done intentionally.

After which, guest interviewer, Bronwen Keyes-Bevan from BoolaBos magazine interviews author and winner of the Bridport Prize for literary fiction, Fiona Williams. They discuss Fiona's debut novel, The House of Broken Bricks; her background in biological sciences and her shift to creative writing; the expert use of figurative language; how Fiona tackled writing four different points of view, and her reasoning for choosing certain perspectives for certain characters; writing from children's POVs; and Fiona's feelings around the potential of being conflated with some of her characters.

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

 Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

Fiona is on Twitter at: https://twitter.com/feewilliams75

 and Instagram at: https://www.instagram.com/fionawilliamswrites/

Bronwen can be found at www.boolabos.com and on Instagram at https://www.instagram.com/boola.bos/ and at https://www.instagram.com/bronwenkeyesbevan

Jo can be found on Instagram at https://www.instagram.com/thejoramsay/

Carly's course for writers, The Author's Publishing Playbook, is now available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

To sign up for the All About Memoir webinar on the 11th of May, go to: https://www.biancamarais.com/all-about-memoir.html

Our Sponsors:
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In today's Books with Hooks, Bianca, Carly and CeCe discuss choosing a unique title for your work; having a strong plot connection between your main characters in a multi POV novel; avoiding situations where the agent has to make too many assumptions in a query; choosing between italics and dialogue tags when having a character talk to themselves; balancing interiority so as not to leak tension; framing your story in a way that is accurate to your work; connecting external stakes to plot points; centering the reader in a memoir query; and CeCe's tension song!

Bianca then interviews NYT bestselling author, Mary Kubica, about her latest novel, She's Not Sorry. The two discuss the thriller genre; readers’ fascination with the domestic suspense genre; how Mary approaches structure and the creation of tension; how personal universal elements can connect readers to characters; tackling the 50% chunk of Act II; writing an 'authentic' twist that doesn't make the reader feel manipulated; strategies for hiding clues in plain sight; and advice for thriller and domestic suspense writers.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Mary can be found at: https://marykubica.com/

She's also on Instagram at https://www.instagram.com/marykubica/ and on Twitter at https://twitter.com/MaryKubica

Carly's course for writers, The Author's Publishing Playbook, is now available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

To book for CeCe's upcoming Writing Tension Webinar on the 11th of April, go to: https://us02web.zoom.us/webinar/register/WN_B9m5eRJIT_uxiVrUte381g#/registration

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Our Sponsors:
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In today's Books with Hooks, Bianca, Carly, and CeCe discuss keeping your author bio paragraph concise; the need for causality in a plot paragraph; paying attention to the language you use in a query so you don't create confusion surrounding the book's premise; knowing who your protagonist is and highlighting their interiority and inner life over other characters'; the stakes in rom-coms; centering your protagonist's experience; making plot details realistic so your readers are on board with them; avoiding pages that seem crafted for the reader; and the 'blank canvas protagonist' issue.

 After which, Carly interviews award-winning journalist and bestselling author, Jo Piazza. They discuss Jo's upcoming novel, The Sicilian Inheritance; how she decided on a dual POV/dual timeline structure; whether Jo is a plotter or a pantser, and how she approaches her first draft; mirroring current themes in historical fiction; what a 'book club' book is; weaving elements of personal life into her work; how Jo views herself as a creator; the idea of letting fiction lead the way; the process of film and TV adaptations; and Jo's advice for emerging writers.

 Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Jo can be found at https://www.jopiazza.com/

She's also on Instagram at https://www.instagram.com/jopiazzaauthor

and on Twitter at https://twitter.com/jopiazza

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In this month’s bonus episode, Bianca interviews game designer, curator, and writer, Holly Gramazio to discuss her debut novel, The Husbands. The two discuss Holly's journey to publication; the novel’s inspiration and genre; how game design lends itself to novel writing; how she structured the novel; the importance of causality; Holly's approach to POV; and whether she feels pressure to write future novels in the same genre.

After which Emilie Sommer of East City Bookshop provides the invaluable service of suggesting comp titles to our listeners.

If you’re looking for our usual Q&A segment, that now gets published as part of our end of the month Substack newsletter. Subscribe to get access to that, and so much more, for free: https://theshitaboutwriting.substack.com/

 Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To ask a question, go to: https://sayhi.chat/TSNOTYAW

To connect with Emilie Sommer go to https://www.instagram.com/emiliegsommer/ and you can find East City Bookshop at https://www.instagram.com/eastcitybookshop/

More information about Holly can be found at https://www.hollygramazio.net/

She's also on Instagram at https://www.instagram.com/holly_gramazio/

 and Twitter at https://twitter.com/hollygramazio

Our Sponsors:
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In today's Books with Hooks, Carly, CeCe, and Bianca are joined by Ron, to discuss his query submission. They chat about Ron's curiosity-inducing first query paragraph; the line between giving away too much plot and sharing just enough in a query; how subjective agents’ opinions can be; the right emotional calibration within your characters; the issue with having too many names in opening pages; ways authors share the socio-emotional frameworks of their characters; balancing interiority with explanation and exposition; the difference between emotionality, interiority, and 'telling'; and the idea of putting characters in situations that will reveal the right things about them.

After which, Bianca interviews Garrard Conley, professor, and New York Times bestselling author of the memoir, Boy Erased. They discuss All the World Beside; the letter to the reader in the advanced copy; Gerrard's unconventional journey to the publication with Boy Erased; the role of luck in the industry; whether Garrard had a large platform/following when he published his memoir; subjectivity of agents and publishers; Garrard's process in writing his latest book; the benefits of researching, even when some of the information doesn't make it into the final work; the number of edits Garrard went through before he produced his final draft; and the idea of 'jazz hands writing' versus simplistic emotional truth.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Garrard can be found at: https://garrardconley.com/biography

He's also on Instagram at https://www.instagram.com/gayrodcon/

Twitter at https://twitter.com/gayrodcon

and Facebook at https://www.facebook.com/garrardc/

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In today's Books with Hooks, Bianca, Carly, and CeCe  discuss the need for external pressure in your major dramatic question; the three sets of questions that create tension at the beginning of a story; surprising your reader in your first five pages; the accuracy of third party manuscript wishlists; the need for world-building in a fantasy query; being too vague in your query; the concept of the 'new adult' genre; thinking about readers' expectations for certain types of stories; making sure that characters who appear in opening scenes are essential; and the importance of emotionality and interiority in your main character.

After which, Bianca interviews Johnny Compton about his debut novel, The Spite House. The two chat about the psychology behind reading and writing horror fiction; the heavy-lifting that horror expects of its audience; the world-building that's involved; the idea of not needing an explanation for everything; how Johnny balances curiosity seeds and tension without 'cheating' the reader; the social commentary that Johnny weaves into his novel; and Johnny's advice for writing very young characters.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Johnny can be found at https://johnnycompton.com

He's also on Instagram at https://www.instagram.com/comptonwrites

and Twitter at https://twitter.com/comptonwrites

Our Sponsors:
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In today's Books with Hooks segment, Carly, CeCe, and Bianca are joined by two acquisitions editors at Atria Books, Elizabeth Hitti and Melanie Iglesias. Melanie is a senior editor at Atria Books and has worked on various bestselling titles, including It Starts with Us by Colleen Hoover. Elizabeth joined Atria in 2022 and has worked on various bestselling titles as well as The Crescent Moon Tea Room by Stacy Sivinski, a Simon and Schuster Top Shelf Pick for this fall.

The four discuss the difficulties associated with writing a query with a larger cast of characters; the importance of having an overarching reason for having a large cast and why their worlds are colliding; whether publisher interest in historical fiction is waning; an example of how to make a hook punchier; the importance on having a strong sense of place; and the need for interiority to be realistic to your character.

After which, Bianca interviews Kate Hilton and Elizabeth Renzetti, co-authors of Bury the Lead. They discuss how Liz and Kate's joint project came about; tackling the challenges of collaborating with another author, particularly when it comes to two established authors; the drafting process; keeping track of details like how characters and settings look; when descriptions are necessary and when they don't make sense; and whether or not Kate and Liz work with separate agents for their collaborative works.

Find us on our socials:

Twitter: @TSNOTYAW @BiancaM_author @carlywatters @ceciliaclyra

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/

https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook:  https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

To ask a question, go to: https://sayhi.chat/TSNOTYAW

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

More information about Elizabeth can be found at: https://www.elizabethrenzetti.com/ 

She's also on Twitter at: https://twitter.com/lizrenzetti and on Instagram at: https://www.instagram.com/lizrenzetti/

More information about Kate can be found at: https://www.katehilton.com/

She's also on Facebook at https://www.facebook.com/KateHiltonAuthor/ and on Instagram at: https://www.instagram.com/katehiltonbooks/

Our Sponsors:
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