On today’s episode of The Literary Life Podcast, Angelina and Thomas wrap up their series on the satirical comedy Tartuffe by Jean-Baptiste Moliere. If you want to listen in to the read along of this play, you can view replays on the readings on the House of Humane Letters YouTube channel. Angelina and Thomas start off the conversation on the play reviewing the idea of enchantment and the classical structural elements of this play as suggested by Aristotle. We finally meet Tartuffe himself, and Angelina and Thomas both cringe and laugh at his over-the-top antics.

Check out the schedule for the podcast’s summer episodes on our Upcoming Events page.

In June Mr. Banks will be teaching a 5-day class on St. Augustine, and in July Dr. Jason Baxter will be teaching a class on Dostoevsky. Angelina will also be teaching a class on Harry Potter in August! Also, don’t miss the launch the HHL publishing wing, Cassiodorus Press! Sign up for the newsletter at HouseofHumaneLetters.comto stay in the know about all the exciting new things we have coming up!

Commonplace Quotes:

Moliere…reached perfection through a strange apprenticeship of vagabondage following an excellent middle-class birth among the tradesmen of Paris, imprisoned for debt, tramping the roads with the strolling players, starting his own small theater and failing, meeting men of every kind…In that knowledge he became a master.

Hilaire Belloc, from Monarchy: A Study of Louis XIV

A man is angry at a libel because it is false but at a satire because it is true.

G. K. Chesterton

Fools are my theme. Let satire be my song.

Lord Byron The Burial of Moliere

By Andrew Lang

“Dark and amusing he is, this handsome gallant, Of chamois-polished charm, Athlete and dancer of uncommon talent— Is there cause for alarm In his smooth demeanor, the proud tilt of his chin, This cavaliere servente, this Harlequin? “Gentle and kindly this other, ardent but shy, With an intelligence Who would not glory to be guided by— And would it not make sense To trust in someone so devoted, so Worshipful as this tender, pale Pierrot? “Since both of them delight, if I must choose I win a matchless mate, But by that very winning choice I lose— I pause, I hesitate, Putting decision off,” says Columbine, “And while I hesitate, they both are mine.” Book List:

An Ideal Husband by Oscar Wilde

Don Juan by Moliere

Don Juan by Lord Byron

Enthusiasm by Ronald Knox

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

This week on The Literary Life Podcast, Angelina Stanford and Thomas Banks delve into a new literary series as we read the comedic play Tartuffe by Jean-Baptiste Moliere. If you want to listen in to the read along of this play, you can view replays on the readings on the House of Humane Letters YouTube channel. Thomas begins the conversation on this play by setting up the cultural and literary context in which Moliere was working, as well as some more biographical background on the author and actor himself. Angelina points out some differences between satire and didacticism. She and Thomas also talk about the influence of Roman comedy in Moliere’s playwriting.

Angelina introduces Act 1 with a question of how Moliere shows the audience what to think of Tartuffe before the character himself ever comes on stage. Thomas talks a little about the characters we first meet, and Angelina highlights the references to enchantments as they read through key portions of these opening scenes. Join us again next week when we will finish up this entertaining play!

If you weren’t able to join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination“, you can still purchase the recordings and find out what you missed! Also, don’t miss the launch the HHL publishing wing, Cassiodorus Press! Sign up for the newsletter at HouseofHumaneLetters.com to stay in the know about all the exciting new things we have coming up!

Commonplace Quotes:

He had the comic vision of himself as well as of the rest of humanity. He might mock the vices of the world, but he could also mock himself for hating the world, in the spirit of a superior person, on account of its vices.

Robert Lynn, from his essay “Moliere” in Books and Authors

We think old books are strange; but we are the aliens.

Dr. Jason Baxter The Burial of Moliere

By Andrew Lang

Dead–he is dead!  The rouge has left a trace   On that thin cheek where shone, perchance, a tear,   Even while the people laughed that held him dear But yesterday.  He died,–and not in grace, And many a black-robed caitiff starts apace   To slander him whose Tartuffe made them fear,   And gold must win a passage for his bier, And bribe the crowd that guards his resting-place.

Ah, Moliere, for that last time of all,   Man’s hatred broke upon thee, and went by, And did but make more fair thy funeral.   Though in the dark they hid thee stealthily, Thy coffin had the cope of night for pall,   For torch, the stars along the windy sky!

Book List:

Menaechmi, or The Twin-Brothers by Plautus

Code of the Woosters by P. G. Wodehouse

 

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Welcome to a new episode of The Literary Life podcast and an interview with special guest Dr. Vigen Guroian, retired professor of Religious Studies and Orthodox Christianity at the University of Virginia and author of twelve book and numerous scholarly articles. Angelina Stanford and Thomas Banks discuss with Dr. Guroian the new edition of his book, Tending the Heart of Virtue. They start out talking about how the first edition of this book came about, which leads into a discussion about the current approach to fairy tales and children’s stories in both academia and the publishing industry.

Other topics of conversation include the problem with reducing stories down to a moral, story as mystery, the place of fairy tales in classical education, and the Biblical literacy of the authors of fairy tales. Dr. Guroian also shares his thoughts on people like John Ruskin and Rudyard Kipling. Finally, he shares some suggestions on finding good editions of fairy tale collections. (Scroll down for links to his book recommendations.)

Commonplace Quotes:

It seems to me appropriate, almost inevitable, that when that great Imagination which in the beginning, for Its own delight and for the delight of men and angels and (in their proper mode) of beasts, had invented and formed the whole world of Nature, submitted to express Itself in human speech, that speech should sometimes be poetry. For poetry too is a little incarnation, giving body to what had been before invisible and inaudible.

C. S. Lewis, from Reflections on the Psalms

Reason is the natural organ of truth, but imagination is the organ of meaning.

C. S. Lewis

Inertia has served them so well that they did not know how to relinquish it.

E. M. Forster, from Pharos and Pharillon

“Happy children,” say I, “who could blunder into the very heart of the will of God concerning them, and do the thing at once that the Lord taught them, using the common sense which God had given and the fairy tale nourished!” The Lord of the promise is the Lord of all true parables and all good fairy tales.

George MacDonald, from The Elect Lady The Spring

By Thomas Carew

Now that the winter's gone, the earth hath lost Her snow-white robes, and now no more the frost Candies the grass, or casts an icy cream Upon the silver lake or crystal stream; But the warm sun thaws the benumbed earth, And makes it tender; gives a sacred birth To the dead swallow; wakes in hollow tree The drowsy cuckoo, and the humble-bee. Now do a choir of chirping minstrels bring In triumph to the world the youthful Spring. The valleys, hills, and woods in rich array Welcome the coming of the long'd-for May. Now all things smile, only my love doth lour; Nor hath the scalding noonday sun the power To melt that marble ice, which still doth hold Her heart congeal'd, and makes her pity cold. The ox, which lately did for shelter fly Into the stall, doth now securely lie In open fields; and love no more is made By the fireside, but in the cooler shade Amyntas now doth with his Chloris sleep Under a sycamore, and all things keep Time with the season; only she doth carry June in her eyes, in her heart January. Book List:

Tending the Heart of Virtue, 2nd Edition by Dr. Vigen Guroian

Reflections on the Psalms by C. S. Lewis

Pharos and Pharillon by E. M. Forster

The Elect Lady by George MacDonald

The King of the Golden River by John Ruskin

The Lost Princess or The Wise Woman by George MacDonald

The Victorian Fairy Tale Book ed. by Michael Patrick Hearn

The Classic Fairy Tales ed. by Iona and Peter Opie

The Classic Fairy Tales ed. by Maria Tatar

Brothers Grimm: Selected Tales trans. by David Luke

The Complete Fairy Tales of the Brothers Grimm trans. by Jack Zipes

Hans Christian Andersen: The Complete Fairy Tales and Stories trans. by Erik Christian Haugaard

Den Lille Havfrue og andre historier/The Little Mermaid and Other Stories by Hans Christian Andersen, trans. by Tony J. Richardson

Hans Christian Anderson: Fairy Tales trans. by Tina Nunnally

“Fairy Tale Wars” by Vigen Guroian

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Today on The Literary Life Podcast, we bring you another episode in our “Best of” series in which Angelina Stanford, Cindy Rollins, and Thomas Banks discuss the importance of reading old books. They begin the conversation by addressing head on the idea that old books are irrelevant. They touch on the fact that when we use the phrase “old books” we mean not just any piece of literature from the past, but those which have stood the test of time. 

It’s not too late to join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination” happening this week! During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

Commonplace Quotes:

So, when his Folly opens The unnecessary hells, A Servant when He Reigneth Throws the blame on some one else.

Rudyard Kipling

I am informed by philologists that the “rise to power” of these two words, “problem” and “solution” as the dominating terms of public debate, is an affair of the last two centuries, and especially of the nineteenth, having synchronised, so they say, with a parallel “rise to power” of the word “happiness”—for reasons which doubtless exist and would be interesting to discover. Like “happiness”, our two terms “problem” and “solution” are not to be found in the Bible—a point which gives to that wonderful literature a singular charm and cogency. . . . On the whole, the influence of these words is malign, and becomes increasingly so. They have deluded poor men with Messianic expectations . . . which are fatal to steadfast persistence in good workmanship and to well-doing in general. . . . Let the valiant citizen never be ashamed to confess that he has no “solution of the social problem” to offer to his fellow-men. Let him offer them rather the service of his skill, his vigilance, his fortitude and his probity. For the matter in question is not, primarily, a “problem”, nor the answer to it a “solution”.

L. P. Jacks, Stevenson Lectures 

Most of all, perhaps, we need intimate knowledge of the past. Not that the past has any magic about it, but because we cannot study the future, and yet need something to set against the present, to remind us that the basic assumptions have been quite different in different periods and that much which seems certain to the uneducated is merely temporary fashion. A man who has lived in many places is not likely to be deceived by the local errors of his native village; the scholar has lived in many times and is therefore in some degree immune from the great cataract of nonsense that pours from the press and the microphone of his own age.

C. S. Lewis To Walter de la Mare 

by T. S. Elliot

The children who explored the brook and found A desert island with a sandy cove (A hiding place, but very dangerous ground,

For here the water buffalo may rove, The kinkajou, the mungabey, abound In the dark jungle of a mango grove,

And shadowy lemurs glide from tree to tree – The guardians of some long-lost treasure-trove) Recount their exploits at the nursery tea

And when the lamps are lit and curtains drawn Demand some poetry, please. Whose shall it be, At not quite time for bed?…

Or when the lawn  Is pressed by unseen feet, and ghosts return Gently at twilight, gently go at dawn, The sad intangible who grieve and yearn;

When the familiar is suddenly strange Or the well known is what we yet have to learn, And two worlds meet, and intersect, and change;

When cats are maddened in the moonlight dance, Dogs cower, flitter bats, and owls range At witches’ sabbath of the maiden aunts;

When the nocturnal traveller can arouse No sleeper by his call; or when by chance An empty face peers from an empty house;

By whom, and by what means, was this designed? The whispered incantation which allows Free passage to the phantoms of the mind?

By you; by those deceptive cadences Wherewith the common measure is refined; By conscious art practised with natural ease;

By the delicate, invisible web you wove – The inexplicable mystery of sound.

Book List:

The Mind of the Maker by Dorothy L. Sayers

The Weight of Glory by C. S. Lewis

The Giver by Lois Lowry

The Outsiders by S. E. Hinton

Pride and Prejudice by Jane Austen

Little House on the Prairie by Laura Ingalls Wilder

Roll of Thunder, Hear My Cry by Mildred D. Taylor

Canterbury Tales by Geoffrey Chaucer

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also!

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

This week on The Literary Life, our hosts talk about their favorite poems and poets. Cindy starts off by sharing the early influences on her developing a love of poetry. Thomas also shares about his mother reading poetry to him as a child and the poetry that made an impression on him as a child. Angelina talks about coming to poetry later in life and how she finally came to love it through learning about the metaphysical poets.

Cindy and Thomas talk about the powerful effect of reading and reciting poetry in meter. Thomas also brings up the potential of hymn texts as beautiful, high-ranking poetry. From classic to modern, they share many poems and passages from their most beloved poetry, making this a soothing, lyrical episode. If you want to learn more, check out Thomas’ webinar How to Love Poetry.

We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” You can visit the HHL Facebook page or Instagram to find the post to share and enter our giveaway for a $20 discount code! During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

Commonplace Quotes:

The knowledge-as-information vision is actually defective and damaging. It distorts reality and humanness, and it gets in the way of good knowing.

Esther Lightcap Meek

Perhaps it would be a good idea for public statues to be made with disposable heads that can be changed with popular fashion. But even better would surely be to make statues without any heads at all, representing simply the “idea” of a good politician.

Auberon Waugh

When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock–to the hard of hearing you shout, and for the almost blind you use large and startling figures.

Flannery O’Connor Reading in War Time

by Edwin Muir

Boswell by my bed, Tolstoy on my table; Thought the world has bled For four and a half years, And wives’ and mothers’ tears Collected would be able To water a little field Untouched by anger and blood, A penitential yield Somewhere in the world; Though in each latitude Armies like forest fall, The iniquitous and the good Head over heels hurled, And confusion over all: Boswell’s turbulent friend And his deafening verbal strife, Ivan Ilych’s death Tell me more about life, The meaning and the end Of our familiar breath, Both being personal, Than all the carnage can, Retrieve the shape of man, Lost and anonymous, Tell me wherever I look That not one soul can die Of this or any clan Who is not one of us And has a personal tie Perhaps to someone now Searching an ancient book, Folk-tale or country song In many and many a tongue, To find the original face, The individual soul, The eye, the lip, the brow For ever gone from their place, And gather an image whole.

Book List:

A Little Manual for Knowing by Esther Lightcap Meek

The Taming of the Shrew by William Shakespeare

Songs of Innocence and of Experience by William Blake

The Book of Virtues by William Bennett

Cautionary Tales for Children by Hilaire Belloc

When We Were Very Young by A. A. Milne

Now We are Six by A. A. Milne

Emma by Jane Austen

Oxford Book of English Verse ed. by Arthur Quiller-Couch

Immortal Poems of the English Language ed. by Oscar Williams

Motherland by Sally Thomas

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also!

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

In anticipation of our upcoming sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination,” this week we are re-airing a previous episode with Jason Baxter, our conference’s special keynote speaker. Angelina Stanford, Cindy Rollins, and Thomas Banks sit down for a special conversation with Jason Baxter, author of The Medieval Mind of C. S. Lewis. Jason is a speaker, writer, and college professor who writes primarily on medieval thought and is especially interested in Lewis’ ideas. You can find out more about him and his books at JasonMBaxter.com.

Our hosts and Jason discuss a wide range of ideas, including the values of literature, the sacramental view of reality, why it is important to understand medieval thought, the “problem” of paganism in Lewis’ writings, and how to approach reading ancient and medieval literature.

Commonplace Quotes:

My part has been merely that of Walter Scott’s Old Mortality, who busied himself in clearing the moss, and bringing back to light the words, on the gravestones of the dead who seemed to him to have served humanity. This needs to be done and redone, generation after generation, in a world where there persists always a strong tendency to read newer writers, not because they are better, but because they are newer. The moss grows fast, and ceaselessly.

F. L. Lucas

It is the memory of time that makes us old; remembering eternity makes us young again.

Statford Caldecott

It is my settled conviction that in order to read old Western literature aright, you must suspend most of the responses and unlearn most of the habits you have acquired in reading modern literature.

C. S. Lewis, from “De Descriptione Temporum”

What then is the good of–what is even the defense for–occupying our hearts with stories of what never happened and entering vicariously into feeling which we should try to avoid in our own person?…The nearest I have yet got to an answer is that we seek an enlargement of our being. We want to be more than ourselves…[In] reading great literature I become a thousand men and yet remain myself. Like the night sky in the Greek poem, I see with myriad eyes, but it is still I who see. Here as in worship, in love, in moral action, and in knowing, I transcend myself; and am never more myself than when I do.

C. S. Lewis Victory

by C. S. Lewis

Roland is dead, Cuchulain’s crest is low, The battered war-rear wastes and turns to rust, And Helen’s eyes and Iseult’s lips are dust And dust the shoulders and the breasts of snow.

The faerie people from our woods are gone, No Dryads have I found in all our trees, No Triton blows his horn about our seas And Arthur sleeps far hence in Avalon.

The ancient songs they wither as the grass And waste as doth a garment waxen old, All poets have been fools who thought to mould A monument more durable than brass.

For these decay: but not for that decays The yearning, high, rebellious spirit of man That never rested yet since life began From striving with red Nature and her ways.

Now in the filth of war, the baresark shout Of battle, it is vexed. And yet so oft Out of the deeps, of old, it rose aloft That they who watch the ages may not doubt.

Though often bruised, oft broken by the rod, Yet, like the phoenix, from each fiery bed Higher the stricken spirit lifts its head And higher-till the beast become a god.

Book List:

Beauty in the Word by Stratford Caldecott

An Experiment in Criticism by C. S. Lewis

The Discarded Image by C. S. Lewis

The Art of Living: Four Eighteenth Century Minds by F. L. Lucas

Transposition by C. S. Lewis

The Weight of Glory by C. S. Lewis

Til We Have Faces by C. S. Lewis

The Divine Comedy by Dante

Nicholas of Cusa

The Life of St. Francis of Assisi by St. Bonaventure

The Consolation of Philosophy by Boethius

Confessions by St. Augustine

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Today on The Literary Life Podcast, Angelina Stanford and Thomas Banks are joined by Atlee Northmore to explore the various screen adaptations based on Howards End by E. M. Forster. They begin the discussion with the question of what is the good of translating one art form, in this case a book, into another art form, such as a screen play. They talk about the beauty of the Merchant Ivory film adaptation, while critiquing the casting and chemistry of the cast, sharing their favorite and least favorite scenes. In contrast, they praise the BBC-Starz series for its excellent adaptation, although it missed some important things that the 1992 film did include. Atlee also highlights some of the ways in which the screen adaptations serve as subtle visual cues for ideas from the story. In the end, Angelina, Thomas, and Atlee share thoughts on enjoying a film as a stand-alone work of art versus judging it as an adaptation of a novel.

There are still spots open in many of the classes at House of Humane Letters, so if you or your student are interested in taking something, head over to houseofhumaneletters.com to register today!

We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” You can visit the HHL Facebook page or Instagram to find the post to share and enter our giveaway for a $20 discount code! During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

Commonplace Quotes:

Every poet, in his kind, is bit by him that comes behind.

Jonathan Swift, from “Critics”

Narrative prose, especially the novel, has taken, in modern societies, the place occupied by the recitation of myths and fairy tales in traditional and popular societies. Furthermore, the ‘mythic’ structure of certain modern novels can be discerned, demonstrating the literary survival of major mythological themes and characters.

Mircea Eliade

Now, doesn’t it seem absurd to you? What is the good of the ear if it tells you the same as the eye? Helen’s one aim is to translate tunes into the language of painting and pictures into the language of music. It’s very ingenious, and she says several pretty things in the process, but what’s gained, I’d like to know?

E. M. Forster, from Howards End Cargoes

By John Masefield

Quinquireme of Nineveh from distant Ophir, Rowing home to haven in sunny Palestine, With a cargo of ivory, And apes and peacocks, Sandalwood, cedarwood, and sweet white wine. Stately Spanish galleon coming from the Isthmus, Dipping through the tropics by the palm-green shores, With a cargo of diamonds, Emeralds, amythysts, Topazes, and cinnamon, and gold moidores. Dirty British coaster with a salt-caked smoke stack, Butting through the channel in the mad March days, With a cargo of Tyne coal, Road-rails, pig-lead, Firewood, iron-ware, and cheap tin trays. Book and Link List:

From Pharos from Pharillon by E. M. Forster

Howards End (1992)

Howards End (BBC-Starz)

Howards End Episode 1

The Remains of the Day

The English Patient

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Welcome to The Literary Life Podcast and the final episode in our our series on Howards End by E. M. Forster. Today Angelina and Thomas seek to sum up the book and wrap up their thoughts on the way Forster weaves this story. The open with some comments on the almost allegorical nature of Howards End, then talk about the words “only connect” and their meaning in the context of the book. They discuss the problem of Helen and Leonard’s relationship and the romance of pity. Other topics of the conversation are the crisis point between Mr. Wilcox and Margaret, the contrast between Charles and Tibby, the fate of Leonard Bast, and the future of Howards End.

We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

Commonplace Quotes:

Life without dragons would be tame indeed.

Desmond MacCarthy, “The Poetry of Chesterton”

Howards End is a novel of extraordinary ambition and wide scope. Written in prose with the texture of restrained poetry, it is consummately controlled and sure of purpose. It is Forster’s most complexly orchestrated work to its date, and it smoothly manipulates imagery and symbolism, plot and character, into an organic whole. In so doing, it gracefully integrates social comedy, metaphysical explorations, and political concerns. Howards End tests Forster’s liberal humanism, finds it wanting, and proposes a marriage of liberal values to conservative tradition. Without destroying the practical contributions of progressivism, it forcefully attacks the mindless materialism that yields rootlessness and spiritual poverty.

Claude J. Summers, from E. M. Forster Finis

By Marjorie Pickthall

Give me a few more hours to pass With the mellow flower of the elm-bough falling, And then no more than the lonely grass And the birds calling. Give me a few more days to keep With a little love and a little sorrow, And then the dawn in the skies of sleep And a clear to-morrow. Give me a few more years to fill With a little work and a little lending, And then the night on a starry hill And the road's ending. Book List:

Jayber Crow by Wendell Berry

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Welcome back to The Literary Life Podcast and our series discussing Howards End by E. M. Forster. This week Angelina Stanford and Thomas Banks cover chapters 26-34. Together they continue to talk about the ideas Forster is presenting in the book as seen in this section, including Howards End as a character, the echoes of Wind in the Willows (thanks to Jen Rogers!), Helen’s idealism, Margaret and Henry’s conflict, the idea of rootedness, and more.

On March 7, 2024 you can join Thomas and his brother James live for a webinar on King Alfred the Great. Register today at houseofhumaneletters.com. The webinar recording will also be available for lifetime access after that date.

We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

If you want to get the special literary themed teas created by our Patron Erin Miller, go to adagiotea.com to check them out!

Commonplace Quotes:

Everything has been said already; but since nobody was listening, we shall have to begin all over again.

Toutes choses sont dites déjà; mais comme personne n’écoute, il faut toujours recommencer.

Andre Gide, from “Narcissus”

It is under these “present conditions” of materialism, urbanization, and cosmopolitanism that Howards End poses the question, “Who shall inherit England?” This question is given a lyrical resonance shortly after Margaret tells Helen of her intention to marry Henry. The two women, visiting Aunt Julie at Swanage, gaze across Poole Harbor and watch the tide return. “England was alive, throbbing through all her estuaries, crying for joy through the mouths of all her gulls, and the north wind, with contrary motion, blew stronger against her rising sea,” the narrator records, and then asks: “What did it mean? For what end are her fair complexities, her change of soil, her sinuous coast? Does she belong to those who have moulded her and made her feared by other lands, or to those who had added nothing to her power, but have somehow seen her, seen the whole island at once, lying as a jewel in a silver sea, sailing as a ship of souls, with all the brave world’s fleet accompanying her towards eternity?” These questions are at the heart of the book. More crudely stated, they ask whether England belongs to the imperialist or to the yeoman, to those who see life steadily or to those who see it whole, to the prosaic or to the poet. Put another way, they ask whether the inheritors of England are to be people of action or vision.

Claude J. Summer, from “E. M. Foster” To E. M. Forster

By W. H. Auden

Here, though the bombs are real and dangerous, And Italy and Kings are far away, And we're afraid that you will speak to us, You promise still the inner life shall pay. As we run down the slope of Hate with gladness You trip us up like an unnoticed stone, And just as we are closeted with Madness You interrupt us like the telephone. For we are Lucy, Turton, Phillip, we Wish international evil, are excited To join the jolly ranks of the benighted Where Reason is denied and Love ignored: But, as we swear our lie, Miss Avery Comes out into the garden with the sword. Book List:

Theodore Dreiser

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

On The Literary Life Podcast, Angelina and Thomas continue our series on Howards End by E. M. Forster with a discussion of chapters 17-25. In opening the conversation on this chapter, they consider the various houses and ask the question of what role Howards End plays in this whole story. They also delve into the seemingly unlikely romance between Margaret and Mr. Wilcox and the complexity of their personalities, as well as the reactions of their family members. Other ideas they share are about the seen and the unseen, connections versus transactions, and more! Keep listening next week as we cover chapters 26-34.

On March 7, 2024 you can join Thomas and his brother James live for a webinar on King Alfred the Great. Register today at houseofhumaneletters.com. The webinar recording will also be available for lifetime access after that date.

We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

Commonplace Quotes:

Sapiens est qui novit tacere.

Wise is he who knows when to keep silence.

St. Ambrose, from De Oficibus Ministrorum (On the Duties of the Clergy)

But “Only connect” was the exact phrase I had been leading up to, and it has been precious to me ever since I read Howards End, of which it is the epigraph. Perhaps, indeed, it is the theme of all Forster’s writing, the attempt to link a passionate skepticism with the desire for meaning, to find the human key to the inhuman world about us, to connect the individual with the community, the known with the unknown, to relate the past to the present, and both to the future.

P. L. Travers, from “Only Connect” To My Dear and Loving Husband

By Anne Bradstreet

If ever two were one, then surely we. If ever man were loved by wife, then thee. If ever wife was happy in a man, Compare with me, ye women, if you can. I prize thy love more than whole mines of gold, Or all the riches that the East doth hold. My love is such that rivers cannot quench, Nor ought but love from thee give recompense. Thy love is such I can no way repay; The heavens reward thee manifold, I pray. Then while we live, in love let’s so persever, That when we live no more, we may live ever. Book List:

The Celestial Omnibus and Other Stories by E. M. Forster

Selected Stories by E. M. Forster

What the Bee Knows: Reflections on Myth, Symbol, and Story by P. L. Travers

The Liberal Imagination by Lionel Trilling

Vanity Fair by William Makepeace Thackeray

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

 

Welcome to The Literary Life Podcast and our second episode in our series on E. M. Forster’s book Howards End. This week, Angelina and Thomas cover chapters 8-16, continuing their discussion of the book and the overarching concept of “Story” along the way. In talking about different plot points and characters, Angelina and Thomas make some comparisons between the two couples presented in these chapters and share some thoughts on the friendship between Margaret and Mrs. Wilcox. Angelina points out that Forster is doing some medieval things in this story, as we will see as we go on further. They also bring out more of the significance and symbolism of Howards End the place in the story.

If you want to check out our previous episodes on two of E. M. Forster’s short stories, you can find those here:

Episode 17: “The Celestial Omnibus”

Episode 99: “The Machine Stops”

We hope you will join us for the sixth annual Literary Life Online Conference, “Dispelling the Myth of Modernity: A Recovery of the Medieval Imagination.” During the live or later series of webinars, we will seek to dis-spell the Myth of Modernity and gain eyes to see and ears to hear Reality as it truly is. Speakers include Jason Baxter, Jenn Rogers, and Kelly Cumbee, in addition to Angelina and Thomas.

This March you can join Thomas and his brother James back for a webinar on King Alfred the Great. You can sign up at houseofhumaneletters.com.

Commonplace Quotes:

[The Greeks] were children with the intellects of men.

R. W. Livingstone, from The Greek Genius and Its Meaning to Us

It is astonishing how little attention critics have paid to Story considered in itself. Granted the story, the style in which it should be told, the order in which it should be disposed, and (above all) the delineation of the characters, have been abundantly discussed. But the Story itself, the series of imagined events, is nearly always passed over in silence, or else treated exclusively as affording opportunities for the delineation of character. There are indeed three notable exceptions. Aristotle in the Poeticsconstructed a theory of Greek tragedy which puts Story in the centre and relegates character to a strictly subordinate place.

C. S. Lewis, from On Stories A Selection from “Terminus”

By Ralph Waldo Emerson

It is time to be old,

To take in sail:—

The god of bounds,

Who sets to seas a shore,

Came to me in his fatal rounds,

And said: “No more!

No farther shoot

Thy broad ambitious branches, and thy root.

Fancy departs: no more invent;

Contract thy firmament 

To compass of a tent.

There’s not enough for this and that,

Make thy option which of two;

Economize the failing river,

Not the less revere the Giver,

Leave the many and hold the few.

Book List:

Aspects of the Novel by E. M. Forster

The Longest Journey by E. M. Forster

Wendell Berry

An Experiment in Criticism by C. S. Lewis

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB