First Man is an excellent movie that shows the trials and tribulations faced by Neil Armstrong (and many others) relating to the moon landing and the NASA space program. Relax, the United States gets a solid suck-off, and yes you do see the flag on the Lunar surface.

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Overlord is Wolfenstein come to life replete with creepy Nazi experimentation, cool action sequences, moments of tension, and a tight screenplay that stays on target (the story is told over a relatively short period of time). It was surprisingly good and I would recommend it to fans of action and horror. It is light on character (good performances), but that's to be expected with an ensemble cast in a genre picture.

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If you require sensible dialogue, a plot you can track, and a likable cast - 100% skip this flick, but if you like to live dangerously, rent this movie and let it wash over you.

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Some details concerning the future schedule for RQ.

Mission Impossible movies are just pure fun, but truth be told, you probably have to be a fan of the franchise to enjoy them and understand what they are: over-the-top action films with convoluted plots filled with betrayals, ticking timers, world ending consequences, and incredible action sequences. They are spy movies in a sense, but action movies first. Spoiler: there will probably be more Mission Impossible flicks (the world doesn't end), and I am totally okay with it. Bring 'em on!

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Get your giant box of popcorn and check your expectations at the door. It's a summer flick about a giant prehistoric shark starring Jason Statham, and that's exactly what you're going to watch. Truth be told: I liked it. The movie follows (not as well) in the footsteps of Lake Placid, and should not be taken seriously at all. Kick your feet up and get stupid.

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A Quiet Place is a good movie, but it is not perfect. There are some logical inconsistencies with the monsters, but the action is well paced and the performances are excellent. It's a fresh take on monsters as well as the whole post-apocalyptic thing which has been done to death. Rent it - it's worth the watch. Check our Hush and Don't Breathe for similar ideas.

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This is one of my favorite vampire movies of all time. It has so much going for it and I could have easily talked about this movie for an hour or more. Chris Sarandon is outstanding as Jerry Dandridge. He has all of the traits of a classic vampire: he's charming, magnetic, dangerous, and powerful. So many of the great moments of tension in this flick resist the urge to devolve into a bloodbath (a hallmark of the 80s) that it almost feels referential to the black and white vampire films of old.

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When I was younger I saw the people involved in the Irish/English conflict in very black and white terms. Irish good - English bad. As I have gotten older I have come to realize that history is more complex than is depicted in film, and Black '47 is no different. The villains are bad and the heroes are good, and the beats occur as expected. It's a basic revenge film. On the one hand its simplicity is a strength. The film doesn't try to do too much, and it executes the simple plot effectively. On the other hand it doesn't offer anything new in the age-old conflict between the English and the Irish.  

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Soldado at best is an echo of the far superior, Sicario. It has moments of tension and gun-play that feels real and exciting, but the stakes lack punch, and consequently I never found myself worried that Alejandro (Del Toro) and Graver (Josh Brolin) were in mortal danger. I always felt they'd pull through. The Macer (Blunt) character in Sicario was someone I could personally relate to much easier than the seemingly indestructible and elite operators that wade through scores of baddies in Soldado. Macer (Blunt) was more sympathetic in the "in over her head" role in the original. Soldado also failed to capture the sense of dread and tension that hung over every scene in Sicario. This lead to much more muted conflicts that never felt as fulfilling. Overall, I'd recommend Soldado, but it's nothing to write home about despite some killer performances from Brolin and Del Toro.

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Mandy is gory, beautiful, compelling, fun, and utterly bananas. It's clear that Cosmatos had a specific vision when he set out to make this flick, and his determination to create what he wanted is obvious in just about every frame. Mandy is a film of risk taking and - love him or hate him - Nick Cage is one of the great risk takers in Hollywood.

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