Storied: San Francisco is an ongoing documentary about people and life in San Francisco and the Bay Area. Featuring audio and photography of some of the folks who make the city so special, the podcast delves into San Francisco’s history, what’s going on here now, and guesses as to where we’re headed. We invite you to get to know your neighbors, and, with us, try to put into words what makes this place unique.
In Part 2, we pick up where we left off in Part 1. After getting his credentials, Danny bounced around, teaching at a couple of San Francisco public schools before landing at Live Oak (a K–8 school in Potrero Hill). He stayed teaching kindergarten and first grade there for a total of 11 years.
We shift gears in the recording to talk about how Danny met his wife. Full disclosure: I've known Erin Feher since around 2004 when we were both in the Journalism program at SF State. Back in 2020, Erin reached out to me on behalf of her new orgranization—REPCO, or Represent Collaborative. Periodically, our podcasts run on REPCO and it's been an honor to collaborate with them. Check them out and donate if you're able.
Danny and Erin met around the time I lost touch with Erin (2005, when I graduated from State). He was DJing and the night Erin and some friends walked in, Danny broke one of his own rules by talking to a woman at a bar he was deejaying. Their first date involved riding bikes around SF.
Years later, they had their first kid. Erin had to go back to work before Danny did, so he was able to stay home and take care of their infant. But after a year, he was both itching to do something and needed to when his wife got laid off. And this is how Butterfly Joint was founded. It married his two passions—woodworking and teaching.
The first location was on Mission Street and lasted there for years. But when Danny and his wife moved their little family to the Outer Richmond and found a new-to-them community there, he decided to bring the shop with him.
Danny shares the story of opening the café and learning to make vegan donuts. These days, the café is open every day. Donuts are now his No. 1 seller. They focus on hyper-local goods and like to do pop-up events once a month.
Follow Butterfly Joint and Café on Instagram. Visit them at 4411 Cabrillo. For those with kids who are interested, go to their website.
Photography by Jeff Hunt
Part 2 picks up where we left off in Part 1, with Nate's arrival at SF State and his counselor's suggestion that he switch his major from Business to Art. Nathan graduated from State in 1994. With airbrushing becoming popular around that time, he and his buddy E had opened an airbrush store in the Bayview that did quite well. Nathan wasn't even 20 yet.
The store on Third stayed open about a year and a half, he says. At this point in the conversation, Nathan and I go on a sidetrack about how we both approach life and big decisions. He says he tries to stay open to opportunities, to seize them when appropriate.
He still lived with his parents after graduation and didn't have a job lined up. At this point, we cycle through many jobs, good and bad, that he had over the years—Atari (game tester), American Design Intelligence Group (graphic designer), Mervyn's (graphic designer), Gymboree (boys' clothing designer), Zutopia (clothing designer), and Duty Free Stores (product/souvenir designer).
He still worked at DFS when 9/11 happened. The months and years following that event saw a decline in sales for the company. He was on paternity leave following the birth of his first son when he got a phone call—he had been let go.
But whatever pain that might have brought—after all, Nathan had an infant and a mortgage—it proved to be the impetus for him to start what this year is celebrating its 20th anniversary. New Skool Clothing and Accessories is his line of SF-inspired clothing for all ages.
We end Part 2 with Nathan's response to this season's theme on the podcast—We're All In It. He mentions the mentoring he's been doing at Hunt and Gather Gallery in the Inner Sunset. And he says he's at a point in his life where he wants to help and give back.
Follow New Skool on social media @newskoolSF and Nathan's personal accounts @nate1design.
Photography by Jeff Hunt
He soon met Eustinove Smith, who was already a graffiti and hip-hop legend in SF. Nathan was just getting into hip-hop himself. He shares some insights on the genre's evolutions, from the East Coast to out West. Some kids were graffiti writers and DJs at his new school, and Nate (as he was starting to be known) started breakdancing and listening to the hip-hop.
Nate had dabbled in art as a young kid, but his art matured when he hit his teen years, especially after he met his new best friend, E (Eustinove). Nate imparts some wisdom about the evolution of graffiti-writing styles at this point. His buddy E got a crew together and they hit the streets. The new crew called itself Master Piece Creators (MPC). Nathan became Nate1, E was Omen2, and their buddy Rodney was Orco. Spots around SF they hit up include several "hall of fames," which are spaces where people paint both legally and illegally. MPC ended up doing many "productions" all over town. He says when he graduated high school, it was never a question of leaving The Bay. Nate got into SF State, where he majored in business at first. But it took a counselor's advice to get him to switch over to art. Check back next week for Part 2 and the continuation of Nate's story. Check out the goods over at New Skool. We recorded this podcast at Nate's home and studio in the Sunset in February 2024. Photography by Jeff HuntIn this bonus episode, meet SFFILM Executive Director Anne Lai. Learn all about Anne's upbringing, what drew her to California, her stint with the Sundance Institute, and her arrival in 2020 in San Francisco at the famed San Francisco International Film Festival (SFFILM).
Anne will walk listeners through the history of this 67-year-old festival, the oldest such event in North America. Then she touches on some highlights of this year's festival (April 24–28), including the Opening Night screening of Didi, the feature-length debut of Bay Area filmmaker Sean Wang.
Please visit sffilm.org for more info, including showtimes and tickets.
We recorded this podcast on Zoom in April 2024.
Chloe Sherman's eyes are intense, but not the way you might think.
Chloe, who's been taking photographs since she was young, was born in New York City. Her mom and her mom's mom were both New Yorkers, and her dad was from Chicago, with his family going back generations there. When she in was grade school, the family moved to Chicago, where Chloe was raised by aunts and grandparents as well as her parents, just like she had been in NYC. It was the Seventies and her parents were hippies. They soon headed west, taking their family to Portland, Oregon, where Chloe spent the rest of her grade school days. Chloe says the move was fine, but that she felt like more of a city kid, and so it took some adjusting. She and her brother visited back east a lot. He ended up going to college there, and Chloe started school in Connecticut and then Boston before realizing that she'd become a West Coaster. We talk about life in Portland, how it's easier to be collective-minded and communal because it's more affordable than bigger cities. This of course has an effect on who's drawn to cities like Portland. With an abundance of young people, folks tend to band together. Chloe ended up going to Portland State. One weekend, she took a trip to San Francisco after reading about our city in a zine she got at Powell's Books in her hometown. We take a conversational detour at this point to talk about zine culture back in the late-Eighties and early Nineties. In high school, she had dabbled in dance and music, but knew she didn't want to pursue either performing art. She says she loved art and did some photography, but got more serious about that after high school. In those aforementioned zines, she learned all about the bike messenger culture here in The City and was captivated by it. On that weekend trip down from Portland, she visited Lickety Split Couriers, which was Lynn Breedlove's bike messenger company. Chloe ended up working at another messenger for two weeks, but soon gave that up entirely. "San Francisco is instant death if you're not a pro," she says. We talk a bit about bike messenger culture in SF back in the Nineties. The service was essential to downtown during dotcom, but you'd hardly know it these days. Breedlove told Chloe, "Go to the Bearded Lady Cafe," which she did. And it changed her life forever. It was there that she found her community. Chloe moved to San Francisco right after that visit to the cafe on 14th Street in the Mission. She lived with friends until she finally got her own place in Lower Haight. After Chloe was established here, friends from Portland followed her to The City. Her world was expanding around her. She says that she looks at photos now from back then and sees concentric circles of friends. The SF Dyke scene flourished through the Nineties. But then people grew up, got priced out, and The City changed. Many businesses closed with those changes. Check back next week for Part 2 to hear more about that thriving, bustling, Mission lesbian scene that Chloe captures so well and so prolifically in her photography. Photography by Jeff HuntYour feedback is valuable to us. Should you encounter any bugs, glitches, lack of functionality or other problems, please email us on [email protected] or join Moon.FM Telegram Group where you can talk directly to the dev team who are happy to answer any queries.