This week, James, Jerah, and Jon are joined by writer and radio host Mariah Smith (Grown-ish, Smith Sisters Live) to cover Mea Culpa, written by Tyler Perry, directed by Tyler Perry, and starring Kelly Rowland, Trevante Rhodes, Nick Sagar, Sean Sagar, RonReaco Lee, and Shannon Thornton. Together, they cover Tyler Perry's constant output, the movie's cheekage, its tangled web of a plot, mixture of tones, and depiction of colorism, the power of Trevante Rhodes on the red carpet, "deviant behavior," paint... everywhere, and more!

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This week, James, Jerah, and Jon are covering the 2024 remake of Don't Tell Mom the Babysitter's Dead, screenplay by Chuck Hayward, story by Chuck Hayward, Neil Landau, and Tara Ison, directed by Wade Allain-Marcus, and starring Simone Joy Jones, Patricia "Ms. Pat" Williams, Jermaine Fowler, June Squibb, and Nicole Richie. Together, they cover the film's oddly underwhelming promotion, why it landed an R rating, what audience it's exactly pitched to, if 25 is or is not old, what the Tyra Banks/Nicole Richie casting swap was about, and more!

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This week, James, Jerah, and Jon are joined by writer and actor Rekha Shankhar (Digman, Grand Crew) to cover Monkey Man, screenplay by Dev Patel, Paul Angunawela, and John Collee, directed by Dev Patel, and starring Dev Patel, Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, and Adithi Kalkunte. Together, they cover the film's winding road to a theatrical release, just how exciting it is to see Dev Patel debuting as an action director, the incredible look of the film, the cache Jordan Peele brought to the mix, its brutal fight beats, the considerable amount of biting, whether or not movies are, again, back, and much more!

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This week, James, Jerah, and Jon are covering Godzilla x Kong: The New Empire. Screenplay by Terry Rossio, Simon Barrett, and Jeremy Slater, story by Terry Rossio, Adam Wingard, and Simon Barrett, directed by Adam Wingard, and starring Rebecca Hall, Brian Tyree Henry, Dan Stevens, Kaylee Hottle, Alex Ferns, and Fala Chen. Together, the guys debate whether or not the movies are back, who are/aren't, in fact, the "big two," the specifics of Hollow Earth, the kaijus' general relationship with humanity, Mothra, just how elaborate the Godzilla franchise as a whole is, which of the recent kaiju films has the best cast, and more.

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This week, James, Jerah, and Jon are covering Big Momma's House, the 2000 crime comedy written by Darryl Quarles and Don Rhymer, directed by Raja Gosnell, starring Martin Lawrence, Nia Long, Paul Giamatti, and Terrence Howard. Together, they cover the importance of Lawrence's career to the podcast, who did and didn't pop in comedy films in the 2000s and 2010s, what still works about the movie, what doesn't, just how much Madea owes to Big Momma, Kat Williams, and more.

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This week, James, Jerah, and Jon are covering Blue Beetle, one of the last movies made before DC's James Gunn era. Written by Gareth Dunnet-Alcocer, directed by Ángel Manuel Soto, and starring Xolo Maridueña, Adriana Barraza, Damián Alcázar, Raoul Max Trujillo, Susan Sarandon, and George Lopez, the film released in August of 2023. Together, the guys cover the strong performances, whether or not origin stories can land at this late stage of the comic book movie boom, the host of factors that ultimately hampered its box office run, the family dynamic anchoring the plot, what the Scarab means for Jaime's sex life, and more.

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This week, James, Jerah, and Jon are covering the 2024 Oscars. Together, they talk about Bray's experience attending in-person, the awards they were surprised by, the awards they weren't, the stage banter that worked, John Cena's naked presenting, what it was like to see certain films pick up momentum while others didn't, their viewing experiences, Wes Anderson the short filmmaker, and more.

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This week, James, Jerah, and Jon are covering Dune: Part Two, the follow-up to 2021's Dune. Written by Denis Villeneuve and Jon Spaights, directed by Denis Villeneuve, and starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, and Austin Butler, the film came out in March of 2024. Together, the guys cover how this latest installment pairs with the first, Zendaya's role as a lead, upcoming Zendaya projects, the power of spice, the intricate politics of Arrakis, worms, the franchise's relationship to religion, bald Austin Butler, and more.

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This week, James, Jerah, and Jon are covering Gran Turismo, a reworking of the true story of Jann Mardenborough, a British Gran Turismo video game player who went on to become a professional race car driver. Written by Jason Hall and Zach Baylin, directed by Neil Blomkamp, and starring David Harbor, Orlando Bloom, Archie Madekwe, and Darren Barnet, the film came out in July of 2023. Together, the guys cover how the script plays with the facts of Jann and his team's actual story, why anyone would get into car racing in the first place, the etiquette of Instagram Stories, how fast they've driven, Zach Baylin's incredible run of scripts, DDR, and more.

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This week, James, Jerah and Jon dive deep on Bob Marley: One Love, written by Terence Winter, Frank E. Flowers, Zach Baylin, and Reinaldo Marcus Green, directed by Reinaldo Marcus Green, and starring Kingsley Ben-Adir, Lashana Lynch, and James Norton. Together, they cover the film's awards prospects despite its February release, its much better-than-projected opening at the box office, the strong performances, where it sits among the likes of other recent music biopics such as Rocketman and Bohemian Rhapsody, just how handsome Kingsley Ben-Adir is, wigs, and a whole lot more.

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This week, James and Jon are joined by writer Lo Howard (Grown-ish) to tackle Passing, an adaptation of Nella Larsen's 1929 novel of the same name. Written and directed by Rebecca Hall and starring Tessa Thompson, Ruth Negga, André Holland, and Bill Camp, the film premiered on Netflix in 2021. Together, they talk Hall's adaptation choices, the surprising backstory to her taking on the book, both the practical and story logic to the film's use of black and white, whether or not the cast totally works for the material, how successful the project is in its consideration of colorism and racial passing in Harlem in the 1920s, and a whole lot more.

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