On today's episode of The Metropolitan Opera Guild Podcast, we have the last of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this final episode, he will dive into how the Met’s production of foreign works such as Shostakovich’s Lady Macbeth of Mtsensk and Britten’s Peter Grimes have expanded the boundaries of the canon. This marks our final podcast episode of this season, but we will return on August 9 with a brand new season! Until then, make sure to follow The Metropolitan Opera Guild, Opera News, and The Metropolitan Opera on your favorite social media platforms to keep up to date on all things opera!

Today, we have the second of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this episode, he will dive into star-studded revivals —looking at somewhat unknown operas that are often revived with all-star casts, such as Cherubini’s Medea and Giordano’s Fedora.

On today's episode of The Metropolitan Opera Guild Podcast, we have the first of three episodes exploring how the operatic canon is being expanded, featuring Guild lecturer Matthew Timmermans. In this first episode, he will dive into two new productions that have pushed the boundaries of the canon—Terence Blanchard’s Champion and Kevin Puts’s The Hours.

On today’s episode of The Metropolitan Opera Guild Podcast, we are delving into our archives to explore Die Zauberflöte with the late renowned music scholar Father Owen Lee. Die Zauberflöte is a sublime and magical fairytale full of mysticism, love, and humor. Listen to learn more about the opera’s fantastical drama and ethereal score.

On today's episode of The Metropolitan Opera Guild Podcast, we are joined by lecturer Phillip Gainsley as he explores the music and drama of Don Giovanni. Based on the legend of Don Juan, Mozart’s masterpiece has remained on the operatic stage since its premiere in 1787 and has gone on to become a cultural behemoth, inspiring playwrights such as Peter Shaffer and other composers such as Liszt and Tchaikovsky. On today’s episode, we will delve into what makes this evergreen opera as popular today as it was in the 18th century.

On today's episode of The Metropolitan Opera Guild Podcast, we are joined by lecturer Tanisha Mitchell as she discusses the music and real-life themes of Champion, an “opera in jazz.”

On today's episode of The Metropolitan Opera Guild Podcast, we have the second of two episodes exploring the mythos and myths of Wagner’s male characters, featuring Guild lecturer Desiree Mays. In this second episode, she will continue to explore the ideas of myth and mythos and how they are presented in Die Meistersinger von Nürnberg and Lohengrin.

Mythos, myth, legend and folk art were all topics that captivated Richard Wagner when he was no longer satisfied with realistic situations and the confines of time and space. On today's episode of The Metropolitan Opera Guild Podcast, we have the first of two episodes exploring the myth and mythos of Wagner’s male characters, featuring Guild lecturer Desiree Mays. In this first episode she will explore the idea of myth and mythos and how it is presented through the doom-ridden Dutchman.

Lohengrin is a pivotal work in Wagner’s stylistic development, showcased by his tremendous ability to represent the psychology of his characters through music. Lohengrin returned to the Met stage this season, in a brand-new production by director François Girard, whose previous work includes the Met’s stunning production of Parsifal in 2013. On today's episode of The Metropolitan Opera Guild Podcast, we are joined by Guild lecturer John J. H. Muller as he explores the history and music of this epic tale of the mysterious swan knight.

On today's episode of the Metropolitan Opera Guild Podcast, we are joined by soprano and the Guild's School Programs Senior Associate, Alyson Sheehan, as she discusses the bel canto classic, L'Elisir d'Amore.

On today's Met Opera Guild podcast, we are joined by musicologist and lecturer Diana Maron as she discusses the evolution of early recording technology and opera.